A woman forces a man to move forward with his life after his wife dumps him.A woman forces a man to move forward with his life after his wife dumps him.A woman forces a man to move forward with his life after his wife dumps him.
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7=G=
"I'll Take You There" tells of a woebegone man who loses his wife to another and finds an unlikely ally in a blind date. Unlike most romantic comedies, this little indie is mostly tongue-in-cheek situational comedy featuring Rogers and Sheedy with little emphasis on romance. A sort of road trip flick with many fun and some poignant moments keeps moving, stays fresh, and is a worthwhile watch for indie lovers.
8K7XC
I too have gone thru very painful personal loss (Twice) and this movie portrays the gut wrenching reality of that experience very well, Life out of balance, nothing makes sense, well meaning relatives, etc...
It was nice to see Ally again. She is one of my all time favorite movie actors.
I laughed and cried as the story unfolded. Great story and cast. Well done!
It was nice to see Ally again. She is one of my all time favorite movie actors.
I laughed and cried as the story unfolded. Great story and cast. Well done!
I was totally impressed by Shelley Adrienne's "Waitress" (2007). This movie only confirms what was clear from that movie. Adrienne was a marvelously talented writer-director, an original and unique artist. She managed to show the miseries of everyday life with absurd humor and a real warm optimistic and humanistic tendency. Ally Sheedy steals this movie with a terrific performance as a woman who has fallen over the edge. Male lead Reg Rodgers, looking like Judd Nelson, is fine. There is also a great cameo by Ben Vereen. The song at the end of the movie "The Bastard Song" written by Adrienne can stand as her optimistic eulogy:
"It's a world of suffering,
In a sea of pain,
No matter how much sun you bring,
You're pummeled by the rain...
Don't let the heartless get you down,
Don't greet the heartless at your door,
Don't live among the heartless"
"It's a world of suffering,
In a sea of pain,
No matter how much sun you bring,
You're pummeled by the rain...
Don't let the heartless get you down,
Don't greet the heartless at your door,
Don't live among the heartless"
10erp-2
Real cool, smart movie. I loved Sheedy's colors, especially the purple car. Alice Drummond is Wise And Wonderful as Stella. I liked Sheedy's reference to how her face had gotten fatter. The roadside dance scene is brilliant. Really liked this one.
In many respects, this is the "Shallow Hal" film for the more mature and cultivated. The main character is a shmutzy looser whose ex-promqueen wife has dumped him unceremoniously for his self-absorbed best friend, and he is obsessed with winning her back. Then his sister, in a misguided attempt to cheer him up, sets him up with the date from hell. This character is exquisitely portrayed by Ally Sheedy, who explodes into his life like an atom bomb. She is repulsive, assertive, controlling and demanding, to give her the benefit of the doubt, and clings to him like a cheap suit of clothes. But this is not a melodrama, and the characters develop and evolve from the absurd to the sublime.
Unlike the more garish "Shallow Hal," which does ask us to consider the less superficial aspects of the meaning and purpose of a relationship, but with stereotypes painted "rather broadly" so to speak, this one approaches the subject with a sharply pointed pencil and a fine-toothed comb. In both films the guy is a dufus who learns to become a mensch. But the girl in this one has a rather paradoxical kind of beauty to her personality that was always there. She becomes likeable precisely because we know that she is different, and not in spite of that fact. Otherwise, it is a splendid fantasy and romance, not to be taken too seriously. We can believe that something like this could happen long enough to enjoy the wonderful story.
Unlike the more garish "Shallow Hal," which does ask us to consider the less superficial aspects of the meaning and purpose of a relationship, but with stereotypes painted "rather broadly" so to speak, this one approaches the subject with a sharply pointed pencil and a fine-toothed comb. In both films the guy is a dufus who learns to become a mensch. But the girl in this one has a rather paradoxical kind of beauty to her personality that was always there. She becomes likeable precisely because we know that she is different, and not in spite of that fact. Otherwise, it is a splendid fantasy and romance, not to be taken too seriously. We can believe that something like this could happen long enough to enjoy the wonderful story.
Did you know
- TriviaAlan North's last film.
- GoofsBernice's cigarette keeps changing length while she is talking to Ray at the Kitchen table.
- ConnectionsFeatured in Siskel & Ebert: American Beauty/Blue Streak/For Love of the Game (1999)
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