Ordinary people's lives are documented in comic style by an off-screen narrator.Ordinary people's lives are documented in comic style by an off-screen narrator.Ordinary people's lives are documented in comic style by an off-screen narrator.
- Nominated for 1 BAFTA Award
- 2 wins & 2 nominations total
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Mark Hadfield
• 1999–2001
Mike Haley
• 1999–2001
Ewan Bailey
• 1999–2001
Iain Rogerson
• 1999–2001
Jilly Bond
• 1999
Beth Chalmers
• 2001
Colin Murphy
• 2001
David Roper
• 2001
Featured reviews
You really have to keep your ears open when Roy Mallard is mumbling in the background. He talks quite abit of jiberish jabberish. As on comment said...even Roy saying the word "oh" will break you up.
Every episode has the line that folks are truly surprised Roy is married😊
Too bad the creator/"Roy"has been charged with nasty charges. Guess that will be it for awhile.
I caught this show on late-night PBS one time and I have made a point to watch several episodes since then. John Morton is a comedic genius! The comedy sort of reminds me of "Spinal Tap" with maybe a hint of "Curb Your Enthusiasm" - sort of subtle, and the more you watch it the funnier it gets.
Part of what makes it funny is the main character give a clinic on how NOT to make a documentary: he narrates at inappropriate times, gets too involved in the lives of his subjects when he should be just an observer, does a lot of bad editing, etc. Also, his subjects are so pathetic it's almost painful to watch. Beyond that, I can't really describe what's so funny about it - just watch one episode if you get the chance and you'll understand.
Part of what makes it funny is the main character give a clinic on how NOT to make a documentary: he narrates at inappropriate times, gets too involved in the lives of his subjects when he should be just an observer, does a lot of bad editing, etc. Also, his subjects are so pathetic it's almost painful to watch. Beyond that, I can't really describe what's so funny about it - just watch one episode if you get the chance and you'll understand.
10viv421
I LOVED this series. Watched once and then went back to stream again and again. Inventive, clever and laugh out loud quality. Wish US audience could enjoy season two. Highly recommend...
Hapless Roy Mallard (the almost entirely unseen Chris Langham) makes documentaries about 'people like us': bank manager, estate agent, mother, vicar, photographer, pilot, etc. These half hour episodes are as droll as anything you'll see or hear.
The droning narration is a masterpiece of nonsense. Almost every sentence has a misunderstanding, a mixed metaphor or something downright silly. If you like lines like: 'if John and Mary are still together in two years they'll both have been married to the other person, as husband and wife, for the same period of four years', make sure you watch 'People Like Us'. But if you prefer to snigger at custard pies, painful blows to the groin or creepy Benny Hill chasing bikini babes, this won't be your cup of tea.
This is cerebral rather than visceral comedy. There are some running jokes, mainly about the appearance, marital status and name of Roy/Ray Mallard/Nolland/Mattard and the succession of faux pas he commits.
The acting is excellent throughout. Even the credits play the game by not linking performers with their roles. All we see is that the BBC wishes to thank Tom, Dick and Harriet, etc.
Each episode is superficially pedestrian and boring, as we appear to follow a typical day of 'people like us' in the time-honoured 'fly-on-the-wall' manner. But this isn't wham, bam, in your face comedy. You have to concentrate very hard to get everything. Watch out for the flustered mother loading slices of uneaten toast into the dishwasher. Listen to the flight attendant, Susan Churchfield, switching to French, introducing herself as Suzanne Eglisechamp and later asking passengers to return to their assiettes. Note the plane reflected in the office block windows flying backwards.
'People Like Us' is a wonderful series, for those who like that kind of thing. For aficionados, it could hardly be bettered. Rarely has humour been so clever and concentrated. For others, reruns of Benny Hill, Paul Hogan and too many others of that ilk can always be found. I know what I prefer.
The droning narration is a masterpiece of nonsense. Almost every sentence has a misunderstanding, a mixed metaphor or something downright silly. If you like lines like: 'if John and Mary are still together in two years they'll both have been married to the other person, as husband and wife, for the same period of four years', make sure you watch 'People Like Us'. But if you prefer to snigger at custard pies, painful blows to the groin or creepy Benny Hill chasing bikini babes, this won't be your cup of tea.
This is cerebral rather than visceral comedy. There are some running jokes, mainly about the appearance, marital status and name of Roy/Ray Mallard/Nolland/Mattard and the succession of faux pas he commits.
The acting is excellent throughout. Even the credits play the game by not linking performers with their roles. All we see is that the BBC wishes to thank Tom, Dick and Harriet, etc.
Each episode is superficially pedestrian and boring, as we appear to follow a typical day of 'people like us' in the time-honoured 'fly-on-the-wall' manner. But this isn't wham, bam, in your face comedy. You have to concentrate very hard to get everything. Watch out for the flustered mother loading slices of uneaten toast into the dishwasher. Listen to the flight attendant, Susan Churchfield, switching to French, introducing herself as Suzanne Eglisechamp and later asking passengers to return to their assiettes. Note the plane reflected in the office block windows flying backwards.
'People Like Us' is a wonderful series, for those who like that kind of thing. For aficionados, it could hardly be bettered. Rarely has humour been so clever and concentrated. For others, reruns of Benny Hill, Paul Hogan and too many others of that ilk can always be found. I know what I prefer.
To give an example of the texture of People Like Us, here are the only two lines the actress playing a shoe-shop assistant in episode 5 has. All the other characters speak like this as well, only more so.
"You'll find that over time your feet will start to give with wear."
"Most people have at least one foot that's bigger than the other."
In the same episode, the announcer at a train station can be heard in the background droning po-facedly something like "This train stops at Berksley only, Hemperdon only, Staffordsly only, and Blackpool only."
From an episode set in a school; "Mr. Hensley's Problem-Solving club meets at lunchtime on the third floor, but you're not allowed to use the stairs."
These are only short examples from memory. The body of it, Roy Mallard's narration, relies on him going on so long like that that he forgets how he started the sentence.
You can buy some episodes of the radio series if you want a clearer example. Or look at the entry on radiohaha. That summarises it better than I can. Recommended for fans of On The Hour / The Day Today, although you probably know about it already.
"You'll find that over time your feet will start to give with wear."
"Most people have at least one foot that's bigger than the other."
In the same episode, the announcer at a train station can be heard in the background droning po-facedly something like "This train stops at Berksley only, Hemperdon only, Staffordsly only, and Blackpool only."
From an episode set in a school; "Mr. Hensley's Problem-Solving club meets at lunchtime on the third floor, but you're not allowed to use the stairs."
These are only short examples from memory. The body of it, Roy Mallard's narration, relies on him going on so long like that that he forgets how he started the sentence.
You can buy some episodes of the radio series if you want a clearer example. Or look at the entry on radiohaha. That summarises it better than I can. Recommended for fans of On The Hour / The Day Today, although you probably know about it already.
Did you know
- TriviaThough host Roy Mallard (voiced by Chris Langham) is never actually seen on-screen, a part of him will be seen in each episode, either a body-part or a reflection - a glass sliding door in episode 1.2, 'The Estate Agent', on the CCTV in 1.3 'The Police Officer' and in a shop window in episode 1.5, 'The Photographer' as well as seen briefly in a badly developed photo. In 1.4 'The Solicitor' his cheek and nose are seen when he spills his tea.
- Quotes
Alison: This is going to be it now, isn't it?
- How many seasons does People Like Us have?Powered by Alexa
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