A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad.
- Director
- Writers
- Stars
- Awards
- 7 nominations total
Gabriel Thomson
- Sacha Filipov
- (as Gabriel Marshall-Thomson)
Hans-Martin Stier
- Red Army General
- (as Hans Martin Stier)
Clemens Schick
- German NCO
- (as Clemans Schick)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
It's the fall of 1942. Vassili Zaitsev (Jude Law) grew up hunting with his father in the woods. He, Tania (Rachel Weisz) and countless other untrained recruits are brought up to the front at Stalingrad. He and Commisar Danilov (Joseph Fiennes) survive a suicidal charge. Vassili kills 5 Germans in the aftermath and Danilov writes about him. Nikita Khrushchev (Bob Hoskins) seizes the opportunity to make him a star. Opposing him is the aristocratic German sniper Major König (Ed Harris).
The opening is an amazing opera of mass destruction. Then it's a matter of a chess game. It's a fascinating cat and mouse game in the ruins of the city. I'm glad that nobody decided to talk in a fake Russian accent. That would be too distracting. This is a rare good American war movie not about Americans.
The opening is an amazing opera of mass destruction. Then it's a matter of a chess game. It's a fascinating cat and mouse game in the ruins of the city. I'm glad that nobody decided to talk in a fake Russian accent. That would be too distracting. This is a rare good American war movie not about Americans.
No doubt the title is an indication of what the film would LIKE to be about. The Germans forces were indeed "at the gates" - they are on the verge of capturing Stalingrad, they would lay siege to Leningrad, and at one point even Moscow appeared to be in danger. The situation was desperate. But after we're told all this, the position of the German army turns out to have no more to do with the story than the position of the sun in the zodiac. After a bitter, violent battle over - well, we're never told - nothing of a military nature happens again. Not even offstage. (Until the end, when, after a brief "offensive" of unfathomable significance, an epilogue tells us that the Germans were repelled from after all.) All the action in Stalingrad freezes so that we can watch a protracted duel between a Russian and a German sniper.
Now I'm prepared to believe that snipers played a valuable role in this kind of warfare - I wouldn't know - but Vassili's primary value, we must assume in the absence of information to the contrary, is as propaganda - a means of keeping up the morale of the local troops. But there's something circular here. The snipers are the only people we see doing any actual fighting, and by the end of the film they seem to be devoting all their efforts to shooting a German sniper who is in turn doing nothing but trying to shoot Vassili. What does ANY of this have to do with, you know, the invasion?
The fact that the troops of a hostile foreign power are on Russian soil (they haven't yet been defeated, and it looks to be only a matter of time before even Moscow would be overrun) doesn't seem to motivate the characters to do much. Nobody makes a single decision for the good of the war effort as a whole. Danilov builds up the Vassili legend because of personal feelings and is ready to tear it down later for other personal reasons; Tania wants to kill Germans - kill them herself, by hand, rather than help her fellow soldiers as best she can by working in intelligence - because they killed her parents; Danilov tries to transfer her to a safer job not because that's where she should be (it's a mere coincidence that that IS where she should be), but because he's hitting on to her; Vassili's heart isn't in the duel with the German sniper until he has a casual acquaintance's death to avenge. When Sacha's mother is told that her son is a traitor (now serving the forces who have bombed the city she grew up in to rubble), her only reaction is, "Perhaps he'll be safer with them than with us." Wherever we look, we see dreary personal concerns. Did any of these people notice that the enemy IS at the gates?
If Anaud was trying to make his characters more plausible by making them pettier, he failed. When Sacha tells a third party what we supposedly already know - that Tania is in love with Vassili - it came as news to me. I hadn't seen any insipient love anywhere. I suppose I ought to have worked it out, by assuming that the single female character must be there to fall in love with someone and using a process of elimination to work out who it was (she plainly didn't care for one of the two candidates, therefore she must be head over heels with the other one), but really, even in a movie as dull as this, I have better things to do.
Now I'm prepared to believe that snipers played a valuable role in this kind of warfare - I wouldn't know - but Vassili's primary value, we must assume in the absence of information to the contrary, is as propaganda - a means of keeping up the morale of the local troops. But there's something circular here. The snipers are the only people we see doing any actual fighting, and by the end of the film they seem to be devoting all their efforts to shooting a German sniper who is in turn doing nothing but trying to shoot Vassili. What does ANY of this have to do with, you know, the invasion?
The fact that the troops of a hostile foreign power are on Russian soil (they haven't yet been defeated, and it looks to be only a matter of time before even Moscow would be overrun) doesn't seem to motivate the characters to do much. Nobody makes a single decision for the good of the war effort as a whole. Danilov builds up the Vassili legend because of personal feelings and is ready to tear it down later for other personal reasons; Tania wants to kill Germans - kill them herself, by hand, rather than help her fellow soldiers as best she can by working in intelligence - because they killed her parents; Danilov tries to transfer her to a safer job not because that's where she should be (it's a mere coincidence that that IS where she should be), but because he's hitting on to her; Vassili's heart isn't in the duel with the German sniper until he has a casual acquaintance's death to avenge. When Sacha's mother is told that her son is a traitor (now serving the forces who have bombed the city she grew up in to rubble), her only reaction is, "Perhaps he'll be safer with them than with us." Wherever we look, we see dreary personal concerns. Did any of these people notice that the enemy IS at the gates?
If Anaud was trying to make his characters more plausible by making them pettier, he failed. When Sacha tells a third party what we supposedly already know - that Tania is in love with Vassili - it came as news to me. I hadn't seen any insipient love anywhere. I suppose I ought to have worked it out, by assuming that the single female character must be there to fall in love with someone and using a process of elimination to work out who it was (she plainly didn't care for one of the two candidates, therefore she must be head over heels with the other one), but really, even in a movie as dull as this, I have better things to do.
If you go into this film hoping for an historically accurate portrayal of the battle of Stalingrad then go watch a documentary, if you are however looking to be entertained by an action packed and gritty WW2 movie set in the city of Stalingrad, then go ahead and pick this up because it's nothing if not entertaining.
The movie is about the real life sniper Vasily Zaitsev played by Jude Law and his exploits during the famous battle, the beginning of the movie is complete chaos as our main hero is sent to the front and we see the besieged and infamous city for the first time. It's honestly worth watching this movie just for the opening scene alone which is just incredibly well done in all aspects and portrays some of the horrors that the soviet troops would have witnessed when arriving there.
Overall this is a highly entertaining war movie, fantastic CGI for the time, everything is well shot, the set pieces are gorgeous and even the acting and characters are well done.
All that said this is of course a Hollywood production, don't expect much in the way of historical accuracy and definitely expect a silly love story (though not the worst) and everyone speaking English with poor Russian and German accents.
The movie is about the real life sniper Vasily Zaitsev played by Jude Law and his exploits during the famous battle, the beginning of the movie is complete chaos as our main hero is sent to the front and we see the besieged and infamous city for the first time. It's honestly worth watching this movie just for the opening scene alone which is just incredibly well done in all aspects and portrays some of the horrors that the soviet troops would have witnessed when arriving there.
Overall this is a highly entertaining war movie, fantastic CGI for the time, everything is well shot, the set pieces are gorgeous and even the acting and characters are well done.
All that said this is of course a Hollywood production, don't expect much in the way of historical accuracy and definitely expect a silly love story (though not the worst) and everyone speaking English with poor Russian and German accents.
All in all a brilliant war epic and a totally gratifying 2 hour plus experience.
Fantastic depiction of the bleak situation in Stalingrad,fantastic music,fantastic sniper scenes,great acting.
It might be a little bit flawed in the depiction of the Russian idiosyncracy,as all Western depictions unavoidably are because they are addressing western audiences.
Nevertheless the cat and mouse game between Zaitchev and his German counterpart are nothing short of outstanding and engaging.
It is touching,too,watching all the future acting stars at their,more or less,beginnings. Very appetizing appearances. The elder statesmen,as Ed Harris, are brilliant as usual.
Highly recommended!!!
Fantastic depiction of the bleak situation in Stalingrad,fantastic music,fantastic sniper scenes,great acting.
It might be a little bit flawed in the depiction of the Russian idiosyncracy,as all Western depictions unavoidably are because they are addressing western audiences.
Nevertheless the cat and mouse game between Zaitchev and his German counterpart are nothing short of outstanding and engaging.
It is touching,too,watching all the future acting stars at their,more or less,beginnings. Very appetizing appearances. The elder statesmen,as Ed Harris, are brilliant as usual.
Highly recommended!!!
Not a bad war film - but only if you know nothing about the actual battle. The film makers are entitled to take artistic license, and although some historical characters are present in the film, it never even comes close to portraying the battle as it was. Much of the fighting lacks reality and the computer generated Stuka dive bombers attacking reinforcements crossing the Volga are totally unrealistic.
The film takes a quick peek at several themes of the actual battle but explores none - including the character of Zaitsev himself, whose role in the battle was quite different from Law's character. It is worth mentioning that several other Russian snipers, in Stalingrad and elsewhere, killed many more Germans than Zaitsev. It is also amazing how many people believe that Konig is based on a real character called Hartmann, A good tale, but untrue. Still, its a decent film, but the real Stalingard epic has yet to be made
The film takes a quick peek at several themes of the actual battle but explores none - including the character of Zaitsev himself, whose role in the battle was quite different from Law's character. It is worth mentioning that several other Russian snipers, in Stalingrad and elsewhere, killed many more Germans than Zaitsev. It is also amazing how many people believe that Konig is based on a real character called Hartmann, A good tale, but untrue. Still, its a decent film, but the real Stalingard epic has yet to be made
Did you know
- GoofsIn the scene where Vassili is lighting the cigarette butt he picked up from the German sniper, it's apparent by the flame he uses a butane lighter. Butane lighters were not invented until the 1950's.
- Quotes
Commisar Danilov: I've been such a fool, Vassili. Man will always be a man. There is no new man. We tried so hard to create a society that was equal, where there'd be nothing to envy your neighbour. But there's always something to envy. A smile, a friendship, something you don't have and want to appropriate. In this world, even a Soviet one, there will always be rich and poor. Rich in gifts, poor in gifts. Rich in love, poor in love.
- Crazy creditsThe end credits are slanted and curved.
- SoundtracksLa Chanson des Artilleurs
Music by Tikhon Khrennikov
Lyrics by Viktor Gusev
(C) Musikvertag Hans Sikorski, Hamburg
Performed by The Red Army Choir (as Les Choers De L'Armee Rouge)
Courtesy of 7 Productions, Paris
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Enemigo al acecho
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $68,000,000 (estimated)
- Gross US & Canada
- $51,401,758
- Opening weekend US & Canada
- $13,810,266
- Mar 18, 2001
- Gross worldwide
- $96,976,270
- Runtime
- 2h 11m(131 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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