A woman is wrongly accused of murdering her husband in the early 1920s, in London.A woman is wrongly accused of murdering her husband in the early 1920s, in London.A woman is wrongly accused of murdering her husband in the early 1920s, in London.
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I bloody well HATED this mess of a film. Slow, stupid, melodramatic in the shrillest and most tasteless fashion. Everybody in it is a crashing bore. Edith and, what's his name ... oh, you know, her lover ... are the most unlikeable people I ever had to endure. We're to think Edith is an original, imaginative woman, but she merely comes off as flighty, silly, tiresome and annoying. As for Nick Moran's and Ioan Gruffud's acting, the less said, the better. I couldn't care less whether the lovers were guilty or not. I just wanted the two wretches to be put out of their misery. And mine.
Anyway. Watch this dud, if you absolutely must. But, as Dante said on a similar occasion: 'Abandon all hope ...' and all that.
Anyway. Watch this dud, if you absolutely must. But, as Dante said on a similar occasion: 'Abandon all hope ...' and all that.
This is an interesting picture for several reasons. It is primarily a tale of jealousy and murder, but there is virtually no blood. English mysteries are like that. The film forces you to follow the story in order to understand it. You will have no choice but to develop conflicting feelings about the protagonist.
Edie is the younger daughter of a typical English family at the turn of the century. Unlike her parents, younger brother, and older sister, she is what we might describe as a free spirit. She is extremely intelligent. She smokes, she drinks, she plays the coquette with boys, and she eventually lures a hapless weakling into marrying her by providing him with outrageous sex before marriage. This marriage sets the scene for the murder mystery to come. She comes to despise her husband Percy after dallying with a family friend. Her affair with Fred becomes obvious to her husband, her Mum and Dad, and her sister Avis (who is also in love with Fred). Edie doesn't care. Free spirits are willing to leave a trail of broken hearts in their paths.
The story is often told in the first person, and it's this introspection that gives us insight into her character and creates the mixed emotions we have about her. Is she just a self centered dreamer with no thought for the pain she causes those around her? Or is she a calculating narcissist who is willing to sacrifice anything or anyone who gets her way. Is Fred the driving force in this tragedy, or is he just a tool she uses to get what she wants? We come away from this movie wondering, and that is what makes it worth watching.
Edie is the younger daughter of a typical English family at the turn of the century. Unlike her parents, younger brother, and older sister, she is what we might describe as a free spirit. She is extremely intelligent. She smokes, she drinks, she plays the coquette with boys, and she eventually lures a hapless weakling into marrying her by providing him with outrageous sex before marriage. This marriage sets the scene for the murder mystery to come. She comes to despise her husband Percy after dallying with a family friend. Her affair with Fred becomes obvious to her husband, her Mum and Dad, and her sister Avis (who is also in love with Fred). Edie doesn't care. Free spirits are willing to leave a trail of broken hearts in their paths.
The story is often told in the first person, and it's this introspection that gives us insight into her character and creates the mixed emotions we have about her. Is she just a self centered dreamer with no thought for the pain she causes those around her? Or is she a calculating narcissist who is willing to sacrifice anything or anyone who gets her way. Is Fred the driving force in this tragedy, or is he just a tool she uses to get what she wants? We come away from this movie wondering, and that is what makes it worth watching.
The conviction and execution of Edith Thompson is now generally considered to be a miscarriage of justice. I rather thought that that would be the focus of this film. It's not. It's mostly about a failed marriage and an adulterous affair. The murder and the aftermath of it are skimmed over. It is fairly apparent in this depiction that Thompson had no part in the murder but, since the investigation and trial are barely portrayed, it's rather hard to see how she ended up getting hanged for murder. It happened, as far as I can see as a consequence of a weak jury who were unduly influenced by the prejudiced summing up of a rotten old misogynistic judge. Even with that judge she might have survived if she had been properly represented and this dim jury had had the law, and the burden of proof properly explained. That's the story that the film should have concentrated on.
An excellent British Cast in a film bafflingly overlooked at Cannes. Natasha Little in particular deserves the highest praise for the emotional range of her acting. In fact the whole cast gelled exceptionally well in a film that encompassed touches of light humour and extreme emotional pain.
Costume, set design and make up painstakingly recreated the era of the 20's and 30's. A modern day tragedy.
Costume, set design and make up painstakingly recreated the era of the 20's and 30's. A modern day tragedy.
I was interested to see this film as a relative of mine shared a flat with one of the Thompson family and my family remember the case as we came from the same area. Another connection is that I was an extra on the film. The clothes we had to wear weren't Edwardian at all it was definitely twenties. The film seems to have vanished and having searched on Amazon I found it is on DVD so I am looking forward to seeing it at last. As it was made in 2001 I would like to know where it has been hiding all this time. In the court scenes that I was in Natasha Little and Ioan Gruffudd were excellent. It seems a shame that it didn't publicised further because it definitely should have been seen far and wide.
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