On the Edge

There doesn't seem to be enough good movies about the mental asylum anymore. While this film will inevitably be compared to Girl, Interrupted, it really shouldn't be. Girl, Interrupted focuses on girls going crazy, while this movie is mainly focused on three young adult characters trying to figure out how to deal with traumatic amounts of pain after losing a significant other.

The quick story is that a person named Jonathan cracks after his father passes away and attempts to kill himself by taking a stolen car and driving off cliff yet still manages to survive. He is sent to a place for the criminally insane to get rehabilitate. This movie tries to be both a love story & a coming of age story, but I don't know at times which its trying to be. The main plot is that Jonathan is attracted to a patient named Rachel who also has a thing with blood. Jonathan becomes a friend with Toby and they seem to become best friends. Whenever the two would be together, Toby would end up getting in trouble and Jonathan would have to bail him out. I found this subplot to be much stronger in the film and feel it should of been explored a lot further. Another turnoff was the relationship between Toby and Rachel that was barely scratched on yet was a major turning point (no spoiler here) during the film.

The main point of the film was Jonathan learning about himself, how he affects over people, and the changes of good & bad things happening to people. With a great soundtrack of music put in this film, this is recommended film to people who are 16-28 dealing with issues about life, death, losing someone important, and suicide. Just be sure not to bring a significant other, as this is not a date movie.

The central theme of the film revolves (mainly) around three of the young patients in a Mental HOME; Jonathan - (Cillian Murphy) - Rachel -(Tricia Vessey) and Toby - (Jonathan Jackson) all of whom have feelings of suicide and complex self-harm scenarios, including various idealisations of death imagery. Dr. Figure, (Stephen Rea) who is an osmosis figure to help to explore and hopefully deal with their deep-rooted demons. The surnames of the characters - Breech, Row & Figure also say something!

Jonathan kicks off the story by driving a stolen car off a cliff in an attempt to kill himself shortly after his (alcoholic) Dad's funeral. The consequences offer up the the ultimatum of facing jail or three months in the institute - he goes for the "easy" option ; )

The personification of Jonathan is invested heavily for the first part of the film; Outwardly witty, inwardly dark, charismatic, and quite sexy.

Dispensing with society's protocols and anti-establishment, he comes across as highly intelligent and 'on top' . . . maybe some may find it difficult to warm to his inner angst at first, but perhaps the alternative working title of "The Smiling Suicide Club" would help to explain more about him and other central characters.

Jonathan's 'battle' of wits against the passive Dr. Figure, and whole structure of the institute is very witty, intelligent, and reveals a great deal about both. A fairly corny part of the dialogue draws in the "Good Will Hunting" scenario (Only because Jonathan says so in the film).

The relationship between him and Dr. Figure gives room for some very witty and at times profound observations.

The clever dialogue (always peppered with underlying angst) is PERFECT for Cillian Murphy's character.

The Group Therapy sessions let us meet and greet the other in-patients, who have occasional but important focus in the film. The love-story then ensues; NO! nothing like "One Flew" - The love part of the story and the components within it will be understood from many differing angles - depending on where you've been with your *own* demons.

The occasional night 'escapes' to the local pub, bring the needed inside-outside interaction - especially the bowling alley scene, a central turning point in the film. John Carney ensured that the stereo-typical alley was not entered regarding the love scenes.

We have an occasional snatch of the historical nature of Toby and Rachel's 'relationship' which is left to the dialogue mainly; not on screen.

This is possibly a neglected part of the film which seemed to have got lost on the cutting room floor or so it seems; perhaps with these included it may not have its cult following?

Cillian is extremely bright, charismatic, fluent and cocky with it . . . American Jonathan Jackson's Northern Irish accent is much praised by followers of this cult film and gave great pathos...

Tricia Vessey (looking, sounding and acting a ***little*** like the new Vicky from Eastenders - oops!) Drags her feet, whilst much of the walking is inside her head. To be honest you would need to have had some emotional traumas to understand and even like her. Eastenders Vicky still comes to mind - but only as a resemblance of her image.

The characteristic intake of deep breathes in sync with his raised eyebrows, Stephen Rea carries his passive, calm, role and acts very much as a mirror for the cast.

# BRILLIANT soundtrack in all the right places . . . enough to make you want to go and buy it. ON THE EDGE is totally enjoyable the first, second and maybe third time around - a great film.

If Cillian Murphy had only one movie role to identify himself by, On the Edge should be it. You could almost feel the energy coming off his slender body in waves as he strode through the scenes, wise cracking one minute, driving a BMX off a cliff the next. In this story of Jonathon Breech, a young Irishman's battle with death, depression, and love, my only beef came with Jonathon Jackson's accent. It wasn't terrible, but it was enough to make me cringe a few times when I'd rather have concentrated on Cillian's ice blue eyes, Cillian's deep Irish brogue, Cillian's large, working man's hands... Well-known for playing mentally off-kilter roles, Cillian Murphy is one of those blue-eyed actors (Paul Newman, Robert Redford) who can emote with stillness. There were times when the soundtrack in this film seemed to dominate, catchy teeny-bopper gingles gangling in the background, and then the camera light would catch a certain nuance in his face. It was like seeing a window opened. If you're a romantic, this one is worth renting.

In a way, On the Edge is a wasted potential, but it's hardly a film that should be avoided.

Its main problem is the fact it doesn't offer anything new. Patients in the mental institution, group therapy, doctors, rebellious patient that just doesn't want to follow the routine. That's right: we've seen it all, and we've seen it better; One Flew Over the Cuckoo's Nest is simply too memorable and impossible to forget when watching one of the films about mental institutions.

On the Edge also feels a bit rushed, as if 30 minutes of it is missing. This doesn't let us get to know characters better or understand their stories.

But the film isn't completely bad. Stephen Rea does make us believe he's a doctor, and it's possible to sense a real person behind the professional persona, even if we never get to know much, if anything, about him. But the real heart of the film is Cillian Murphy, who manages to make his Jonathan as complex as the script allows him to.

He brings warmth, honesty and sarcasm to his character, without being over the top, even in extreme situations. Cillian Murphy is one of those actors who can speak with their eyes, and in this early role he proves himself as a talented actor that should not be overlooked.

After seeing this film's premiere at the Galway Film Fleadh, I cannot wait for it to be released in theatres. The acting is exceptional, especially on the part of Cillian Murphy. John Carney's direction is innovative and hopeful, and his free use of camera movements, angles and extreme close-ups adds so much to the depth of this film. Finally, the soundtrack is essential to the emotional impact of the movie. All in all, a versatile and funny film that is optimistic without nearing sappiness.