Intermission

I really enjoyed this movie. I laughed and laughed. It held me intrigued and wasn't a chore to watch or follow the story line. This movie dared to do what many others don't - very un-PC in places. Good on them for making such a refreshing movie. Sure we've seen many elements of the story line before and could anticipate many of the outcomes but I don't think this detracted from it at all. Great to see so many well known actors in different roles too. And demonstrating their acting talent by creating believable Irish accents. I did wonder if Colin Farrell had to practice his mother tongue after being in the USA for so long - seems he did OK though. I would definitely watch this again and recommend it whole heartedly to others.

I guess the fact that it has a great cast and a lot of black humour is what makes it so fun. But it has a good script, nice sound and that thick accent is funny as hell.

As some other guy here said, movies that show a lot of interconnected subplots that elevate the level of intimate knowledge about the characters is unlikely to get old, at most it is in danger of being done to death.

Bottom line: this is an Irish "Crash". I found it well done and funny, although a bit slow at times and you have to strain your ears a bit if English is not your mother tongue. However, I advice against translations, as you risk getting something an illiterate 10 year old thought he heard, like I did :(

You may develop a slight case of whiplash while watching "Intermission," but it will be a small enough price to pay for the pleasure of the experience. This is a fascinating film that ingeniously weaves together a myriad of overlapping stories whose common thread is life among the Irish working class.

The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.

Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).

The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.

And you'll barely feel that whiplash.

to be honest, the first scene sums this movie up, it's a punch in the face. you have to have a very dry sense of humor to like this movie, i don't think it was made for the usual "american" market. our culture is geared toward in your face comedy, like old school or dodge ball, where subtle darker humor about everyday life gets lost. husbands leave wives, people get fired from terrible jobs, and in general have crappy lives. but it is up to us to enjoy what we have, and finding the strength to keep on going no matter what, and this movie is like that. it has an all star cast, from Colin Farrell to Colm Meany, Shirley Henderson to Cillian Murphy they all shine like the stars they are.

Director John Crowley and writer Mark O'Rowe create a fascinating and hilarious black comedy farce. 'Intermission', what an interesting name for a film. The title itself caught my attention. It's set in a small Irish town and focuses on its working class characters. Overlapping stories aren't anything new in film but here it is done exceptionally well. As the story builds, the connection between each character is gradually (and subtly) revealed and it feels very natural. Despite a few characters that border on being criminally insane, most of the characters are the common man and woman from various walks of life, people you see everyday who want love and respect.

'Intermission' is full of energy. The action sequences are shot wonderfully, especially the final chase sequence. The writing is just solid and it has a wicked sense of humour that works excellently. Dialogues are witty and very funny. The score is quite unique.

Of the cast, Colin Farrell, Kelly MacDonald, Cillian Murphy, Colm Meaney and Brían F. O'Byrne are already well known internationally. They perform naturally and do nothing short of a superb job as do their costars Shirley Henderson and Ger Ryan.

'Intermission's already become a favourite. I would easily recommend it to anyone (especially those who love black comedy) who's interested in witnessing a different kind of slice of life with an extra dose of adrenaline.