The Dark Power

This was my first movie as "Gaffer," or Chief Lighting Technician, and boy does it show. My apologies to all viewers! Director-Producer Phil Smoot, is one of the nicest guys in the film business, however, and he constantly encouraged everyone to do their best on this little film.

One of my fondest memories was working with Lash LaRue. Lash was a consummate professional, full of great stories and patient with our inexperienced crew. I'll never forget how one night, waiting what seemed like hours for a shot to be set up, Lash just sat on an applebox, casually flipping his ever-present whip. There was a roll of toilet paper hanging from the handle of the tripod head mounted on the camera dolly. Lash would flick that whip of his, neatly tearing off one sheet of TP at a time. There was a little pile of single toilet paper sheets, steadily growing as time passed by.

Funny how little memories stay with you.

You like a good time with a whip? Look no further than the cheesy, but charm-ridden 80s horror "The Dark Power". What is an interesting set-up (the story's background is well-devised), eventually makes way to its ridiculous writing, low-brow dialogues and goofy, lightweight execution with a lot whip-cracking and wise-cracks ("Feel my whip you son of a b!tch") thanks to legendary B-western star Lash La Rue. Still this low- budget regional horror was lot more entertaining than it deserved to be… maybe more so unintentional, but entertaining nonetheless. Just listen to what comes out of these character's mouths… its rib-tickling (especially from the red-neck woman)… but it doesn't break loose until a good hour when our four evil Toltec zombie sorcerers come to terrorise some college coeds. For the first hour we got to listen to boring, if exaggerated exchanges, whip talk and numerous legends and theories involving the house on Totem Hill where the girls have moved into. At least you got an attractive buxom cast in Anna Lane Tatum, Mary Dalton & Cynthia Bailey. Then it turns crazy with plenty of hysterical screaming and "Benny Hill" chases, as now I don't know what was going on. You can see were most of the money went to though, as the effects are actually well staged and there is one very memorable face-lift. Too bad these zombie sorcerers looked and acted rather stooge-like, than anything truly threatening. Even watching La Rue go up against one of these sorcerers with his whip -- made out of materials from the four corners of the world was a battle of epic proportions. Watch as these two standoff as they go ahead whipping each other in turns, one a pure amateur while the other a master. Crack that whip! It was hard to tell if director/writer Phil Smoot was trying to be funny or not, but this slapdash effort is playful enough. Now that music score was like something out of an old-fashion western film… it even sounded like if someone's mobile was going off.

Wow, what a cheesy movie this is! It starts off looking like it's gonna be a backwoods slasher, with the camera following dogs running through the woods. It then gets a bit boring and follows the story of some girls moving into some house haunted by Indian spirits. We then get plenty of shots of one partially clad girl and another naked girl in the bath. It suddenly gets really cheesy when the "Zombie Indians" arise from the earth and start terrorising the girls. We even get a samurai Indian.

This movie starts off pretty boring although I did find the story of the four Indians who buried themselves alive quite interesting. Once the Indian zombies (or whatever you want to call them for they aren't technically zombies) start terrorising the girls is when all the fun begins. This is not a special flick and can't be taken seriously, it's just something fun to watch when you're bored or when you're drinking with friends. I can't help thinking though that it would have worked better as a short story because the first half is tediously boring.

Another re-watch with Rifftrax that made it somewhat more palatable, but not much.

'The Dark Power' is an appalling movie, most notable, for 'starring' a 68 year old Lash La Rue, bullwhip Western actor from the 1940's & 50's, although here he sounds completely drunk and his whip skills look decidedly dodgy.

The film masquerades as a horror, but the horror on show is story, script, acting, make-up, editing, sound and music. It's racist and misogynistic and is not funny even though it tries to be. It's an all round fail.

Okay, this is a mid-80's movie about the spirits of the dead returning to have their revenge on the living. So you pretty much expect cheesy-looking zombies who have no consistency in their behaviour, a bunch of stupid, screaming college students who are only there as splat-fodder, leaving the (mildly) more likable ones behind to be saved in the nick of time by a hugely unlikely hero, who utters the line "I'm getting too old for this" at least once. You also expect some pretty gory moments where hands and heads come off and blood stains the grass, and cringe-worthy dialogue like "Die, you corpse!"...and, you get it with this movie XD.

The only real complaint is that the Zombies are not really zombies, they are just menacing undead creatures who run around with sharp weapons (well, two of them do, the other two just run around and fumble at their victims while making dubbed grunt/moan noises) and kill people. This is a pretty good splatter movie to kill a hour or so with i suppose. You even see some titties!, and it features a similar racial theme to "Night of the living dead", except handled much more clumsily, with all the subtlety you would expect from an 80's splatter flick. Great viewing all round, but don't pay more than £6!

Tally (yeah, i decided to incorporate this in all my reviews): Sex: 1/10, Drugs: 0/10, Rock 'n roll: 2/10, Zombies: 7/10, Classic cars: 0/10, Splatter: 6/10