Roberto Succo

ROBERTO SUCCO is a good movie, especially when considering the fact that it's based on a true story. But if you want to watch a real, disturbing 'serial killer movie' like only the French can make (meaning character driven and néo-realiste), check out HARRY UN AMI QUI VOUS VEUT DU BIEN ("with a friend like harry" in english), C'EST ARRIVÉ PRÈS DE CHEZ VOUS ("man bites dog") and BERNIE. Also, if you can find it, see SEUL CONTRE TOUS ("i stand alone") by Gaspar Noé.

SUCCO just doesn't have the intensity and the tension that those movies have. But it has its moments. The minimaliste direction and the outstanding performance of Stefano Cassetti make it an enjoyable ride after all. But again, it just can't compete with HARRY.

For a film about a killer this is surprisingly dull.

Nothing much happens and even when things do happen they don't generate any real excitement or interest.

The acting is good from the two leads, Cassetti in particular delivers a great performance combining the certainty and stupidity of Succo but the rest of the cast also do what they need to.

The problem is that there is poor writing and direction and the fact that as a true story it isn't interesting, Succo is not a unique character, he isn't interesting or exciting.

Films of this sort normally try to generate tension or empathy or outrage and this generates nothing except a feeling of regret that you wasted your time watching it.

Roberto Succo is a "based on true tale" of an Italian serial killer. Roberto ended up mostly in France living an incredibly strange life with normal(ish) girlfriends for some of the time, whilst stealing, raping and murdering the rest of it.

For me some parts of the film were interesting. Obviously the interplay between this insane man and the people he was with, including the girlfriend in France for the most part. Also some of the police chases were somewhat incredible to behold, and had a very real feel to them, unlike normal Hollywood fluff. The direction and acting were particularly good, giving the film an almost fly-on-the-wall feel. Ultimately though the whole film was massively let down for me by two serious failings. Firstly, the execution of either the editing or the story. The story itself jumps around horrendously in time, and broke continuity for me. Although I could pick up the continuity of what happened I can't help but think there were better ways to fill these huge gaps. Secondly, there was very little insight given into what drove Roberto to do the things he did. For example pretending he was a terrorist and spy. Of course he was insane, but I was expecting some attempt at trying to explain his background (other than the fact he murdered his parents). There was also what appeared to be a plot line with the French policeman and Roberto which carried right to the end, but again was never really explained as to why this was significant. 2/5

Cedric Kahn's films have been character-based, rather than action-based (I'm thinking of L'Ennui and Feux rouges) so it is jarring to see this series of really expert car chases interspersed with some plodding attempts to give character to Succo. I don't find Stefano Cassetti to be an interesting actor; he reminds me of pro athletes who are coaxed into movies, like Bret Favre. That blank stare looks like a really vicious deer caught in the headlights. A real actor would have forced us to reflect more on Succo's personality, rather than admiring his skill at carjacking.

The little acting there is comes mainly from Isild le Besco as the needy schoolgirl Succo takes by storm. The interview at the police office is a marvel of bland obstinacy with a little fear of the future blended in. Le Besco apart, there is little to recommend this film.

This film is stunning but really.

Everything is great; cast's performances, cinematography, plot, score and soundtrack, editing, and of course directing. All this makes you gaze at the empty screen after the movie's over for some minutes and think 'wow!'.

Maybe the film might be a bit too violent for some people. The violence in this motion picture is actually quite interesting. On the one hand there is graphic violence, gore; on the other hand the violence is underneath. It is how easily and spontaneously Succo kills that really shocks, more than the blood. And the fact that Roberto Succo really lived should really frighten.

The director Cédric Kahn in fact tried to show as less blood as possible, but still wanted the audience to be shocked. To do this he stays objective, he never tries to condemn Succo's acts or even to explain them. No, he just shows them. This gets even more ambiguous with Succo's love affair. Through this romance he seems to be quite a nice guy, strange but nice. So, on the one hand he is a really bad killer, and on the other hand he is a usual man in love. And this really killed me, I loved that effect. You don't really hate this guy, Succo, but you don't really love him neither. Kahn pushes this effect even further. The whole movie is structured that way. There are funny parts or love scenes and there are violent parts. So you can't just put this film in some category. The film is ambiguous in itself.

Then the cinematography. That is really great, especially in a scene where Succo climbs up on the prison's roof to kill himself (but the building isn't high enough he complains, actually this is one of the funny scenes). Most of the shots look like paintings. Really great job the director of photography did here.

The cast is great. Stefano Casseti had never acted before! He was discovered in a café by a friend of the casting director. But his performance is stunning! He has such great eyes, really scary, but also sad.... Islid Le Besco is perfect as usually and Patrick Dell'Isola should be mentioned also for his great acting.

So, I could go on and on that way, but just get that movie watched guys, it really is worth to be seen and you sure won't regret.