Ring 0: Birthday

After the original Ringu, there were many people who tried to ride the horror wave. Not much unlike the known Hollywood tradition, the Japanese film industry made many horror movies in the same vein, as is this prequel to the original Ringu.

This is one of the better movies to come out of the many copy-cats that followed the success of Ringu. It does tell you the story of the girl that lead her to become what she is (or was) in the Ringu movie, when you saw her. So if you've watched Ringu, you do know where this movie is going. Still it is more than interesting and engaging to see the journey of her! I don't know how it would feel if you'd watch this movie before Ringu, but one thing is for sure, if you like Ringu, you should watch this one too! It stays true to the original premise!

This is a prequel which actually works and explains things rather than giving even more questions. You can argue weather the mystery of Sadako is better left untouched, but the fact still remains; this is a good movie.

The lead (Yukie Nakama as a shy Sadako) is very good, even though it's obvious she's a Japanese version of Carrie White; misunderstood, creepy and with gifts she never wanted. That's the only real problem with this movie; the original ring movie was just that; original. This movie however, get's inspiration from other sources, such as Carrie, and that removes some of it's power.

While it's not as moody as Ring, Ring 0 still has some very good horror scenes and some smart camera-work. Seeing a white shape just at the edge of the screen is much more effective than, for example, the killer's POV.

As with Ring, this is a bit slow but builds up to a good finale. There are no special effects really, and it's very down-to-earth, one of the qualities of this and Ring.

Finally, there's the fact that it's Japanese. There's something refreshing about seeing a movie in a different language, in different environments, in a different culture.

I recommend this movie to those who liked Ring. It's definitely a worthy prequel. 7/10

Shortly after an oddly quiet young woman, Sadako Yamamura (Yukie Nakama), joins a drama troupe, strange events, including deaths with suspicious circumstances, start occurring. Is Sadako somehow connected to these events? And what does it have to do with a reporter investigating a years-old tragedy at a psychic demonstration?

Series Note: There are many different films, television series, books, comic books, etc. based on the "Ring Universe", and it's very complicated trying to sort them out. The Japanese films known as "Ring" or "Ringu" can be numbered 0 (this one), 1 (Ringu, 1998) and 2 (Ringu 2, 1999), and function well as a self-contained story. This film, Ring 0: Birthday is a prequel. I prefer watching it first, but if you want more mystery in the other films, watch them in their release order: Ringu, Ringu 2, then Ringu 0. Note that there is also a Japanese film named Rasen (aka Spiral, 1998) which was meant to be a "Ring 2", but that was later superseded with the 1999 Ringu 2. Rasen is supposedly closer to the second Ring novel, but 1999's Ringu 2 is seen as more or less the "official" Ringu sequel.

There is an infamous mock commercial from the early days of "Saturday Night Live" (1975) about a product named "Shimmer". Shimmer was notable for being both a floor wax and a dessert topping. Ring 0 has Sadako as a Shimmer-like entity. Only, instead of being just two kinds of things, she's six--a telekinetic, a psychic, a precognizant, a ghost, a psychic healer, and a physical manifestation of a split personality. The film overall has a Shimmer-like quality, too. It's both a horror film and a slow, realistic drama with romance overtones. The horror stuff generally works, although Sadako would have benefited from not having so many functions. The more serious dramatic sections, which take up almost an hour of this 90-minute film, are not quite as successful.

The script, by Hiroshi Takahashi, from a story by Ring novelist Koji Suzuki, is admirable on an artistic level. Takahashi is fond of parallelism, setting up the drama troupe's rehearsals and performance as an innocuous veil that often matches more sinister events beneath the surface. He frequently changes our perspective so that we see a stage performer scream, say, at the same time someone offstage should be screaming. These kinds of parallels can be found throughout the film.

The problem is that director Norio Tsuruta just cannot get much momentum going with the material. The dramatic rehearsals and backstage bickering that take up a large percentage of screen-time just aren't that eventful or exciting. There are glimpses, through Sadako or around her, of a more intriguing world, but they're often little more than "flashes" that might cause us to do a double take. Takahashi and Tsuruta work hard to establish a romance subplot involving a love triangle (or two), but this can barely get off the ground. It often feels superfluous.

The best material featuring Sadako in the earlier part of the film resembles something of a cross between a Hitchcockian thriller and Brian De Palma's Carrie (1976). But those are overly generous comparisons, since at least the first hour of Ring 0 has little of the suspense, style or directorial panache of either.

I would have preferred a stronger focus on Shoko Miyaji (Yoshiko Tanaka), the reporter who is trying to investigate the psychic demonstration tragedy. Her scenes, which tend to have the flavor of a police procedural with slight horror twinges, are entertaining, and a larger focus on her would have broken up play rehearsal scenes better. It would have also given the character more weight for the climax, which would have given the ending even greater impact.

As it stands, the last half hour is still the best part. We finally unravel much of the mystery behind Sadako (although there are a lot of questions that could still be answered), and gain insight into some of the events and comments in the first two-thirds of the film, which otherwise can seem cryptic (it pays to rewatch the first hour after the film is over--I enjoyed it more the second time).

There are a number of events during the climax that are breathtaking in their brutality, all nicely scripted and directed. One of these, when two characters are enigmatically killed off-screen, is a rare example of an "attack scene" where I agree that what you're not shown can be more effective than what you are shown. We get to see the event leading right up to the death, and we see the bloody aftermath. Filming how it happened would have drained much of its mystique. Another outstanding development in the climax is rooted in the relationship between two characters, and works so well because of strong cultural taboos.

While it's probably my least favorite Ring-related film, Ring 0 is worth viewing because of its place in the series and the excellent climax.

Wonderful? Great? Excellent? I read with disbelief some of the reviews here. Was I watching a different movie? Of the three Ringu movies, this one was definitely the weakest link. The problem was, I couldn't quite decide whether Ringu 0 was a horror movie, or a throwback to 1970s Asian romance movies. Specifically Taiwanese ones, where the female half of a romance usually ended up either blind, stricken with some incurable disease, or dead, and there were usually an evil parent, step-parent, in-law, or rival in the background. Ringu 0 had an incomprehensible plot, and was mostly melodrama at its worst. Where were the scares that defined Ringu and Ringu 2? A repeat of spooky scenes from the first two movies (e.g. mad mother staring into the mirror, bone-cracking walk/crawl, etc.) do not count. There were simply no original scary scenes here. Plus, what was that nonsense about Sadako splitting into two? Aieee!! What works well in Japanese horror manga (for example, the excellent "Tomei" series about a teenage girl who cannot die despite being murdered repeatedly because her body parts simply regenerate into separate identical persons) simply do not work well on screen. I wished the producers had stopped at Ringu 2. Sigh...

A great prequel to the Ringu series. In this film we see the human side of Sadako before her death & the cruel attitude of others towards her. By the end of the film you feel sorry for Sadako & not her victims. I enjoyed this more than the original film, in many ways this film follows a more traditional story structure than the original.