The Missing Gun

Anyone expecting a John Woo/Ringo Lam-type actioner will be sorely disappointed by this Chinese film, "The Missing Gun." Director Lu Chuan adopts western film-making techniques, but paces his film deliberately, not hurrying through the motions or adopting slam-bang action to tell his story.

You could draw parallels to Walter Hill's "48 HRS." (1982) and Akira Kurosawa's "Stray Dog" (1949), both of which dealt with similar stories of a police officer losing his handgun, which falls into the hands of a criminal.

"The Missing Gun" isn't as action-packed as Hill's film or as perceptive and intriguing as Kurosawa's. Then again, emulating Kurosawa is no easy task.

But the film provides an interesting lesson about gun culture. In this country, we have a nation obsessed with owning firearms. In "The Missing Gun," the protagonist is a police officer Ma Shan (Jiang Wen) facing embarrassment, ridicule and shame for having lost his service pistol. Private ownership of guns is banned so the police know exactly how many bullets are left in the weapon.

I am not advocating banning gun-ownership in this country, but "The Missing Gun" provides an intriguing cultural lesson, especially when we have an American president and congressional leaders who kowtowed to the gun lobby and recently let lapse the assault weapons ban, apparently not seeing the harm in letting the public purchase Uzis and AK-47s. Someone has still to explain to me why these weapons are needed to hunt.

"The Missing Gun" does not adopt film-making styles seen in the works of Zhang Yimou or Chen Kaige. This film definitely has a western influence. The camera moves quickly, there are quick cuts and for a low-budget film - it was apparently shot for about $250,000 - the cinematography is spectacularly good. But instead of clichéd storytelling techniques, Lu Chuan gives us some novelty. There's a delightful chase scene and his characters certainly aren't conventional. Ma Shan spends much of the first act asking various people whether they've stolen his gun. But there's a sense of mystery to all this, because we're never sure if they're being truthful. And the director opts for a denouement that's unexpected, especially if you've grown up with American films.

"The Missing Gun" is by no means a masterpiece. But it offers more insight into human nature than much of what Hollywood churns out these days. And if you're in the mood for something different, a film that takes its time unraveling the mystery, this film has much to offer the discriminating moviegoer.

In "The Missing Gun", a small town cop in China loses track of his sidearm when he gets drunk at a party. The first hour this film is dedicated to the cop running around town asking everyone if they have seen his gun to which all reply...."Nope!". It's not until later in the film we begin to see a plot develop and realize what has appeared to be a comedy is really a drama when our hero/protag/cop finds out his ex-girl friend has been murdered...apparently with his missing gun. The balance of the flick is about finding the gun and the killer. Pretty ordinary stuff by Western film standards, this flick is uneven and less than engaging with marginal English language subtitle translations. Story aside, however, it is a moderately enjoyable blend of contemporary Western filmmaking with the traditional Chinese feel and a small step forward in Chinese action/drama filmmaking from behind the bamboo curtain. A subtitled watch recommended only for those with a taste for traditional Chinese cinema. (C)

Ma Shan wakes up to find he has lost his police issue gun. This is going to be bad. With 3 bullets in it, it could mean the death of 3 or even 6 people if a professional got ahold of it. Or so his angry captain points out. Shan can't remember what happened last night as he got fall-down drunk at his sister's wedding. He races frantically about town, investigating those who were also at the wedding and accusing several of stealing his gun.

He has been married for 8 years to a fairly grumpy women when his ex-girlfriend moves back to town. The next day, she is killed with Shan's gun. This movie was non-suspenseful thriller. Fairly well done, quirky and interesting character, decent acting and a moderately intriguing story, I found myself watching with more of bemused expression than one of suspense. I was curious to find out who had the gun, not worried, not nervous, not involved. Although the movie was decent, nothing stood out, nothing will stick with me from this film.

I love good Chinese food, and for the most part, I've found that little local places are the best places to find good Chinese. In Provo, UT, there is a restaurant called Shoots that is amazing. Since I love Chinese food, I've been to P.F. Chang's twice. Everyone I know raves about it, but when I went I wasn't impressed. I can hardly remember what I had (orange peel chicken and great wall of Chocolate and spring rolls, I think). Nothing was bad, but nothing stood out as being great. "Oh, you have to try the lettuce wraps!" No, I wasn't impressed when I went, and I wouldn't miss it if I never went again. There is much better Chinese throughout the world. 5/10.

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It is not another Hong Kong excellent-made movie, but this is coming from the rural China with no martial arts or frenetic chase but the one with two old bicycles. The story is by itself strong and humanly ethical. A great man makes a mistake and he has to fix it up, above all the dilemmas or even his integrity moral o physical. The village where it was shot is a fascinating one, the photography is mesmerizing and some camera tricks give the magical touch to the visual without recurring to effects that surely they (the movie producers from China) can't afford. Somehow it reminds me the Brazilian City of God but with a more paced rhythm and a life philosophy that can only come from the rising East. Definitely a movie without the boring tastes of hollywoodean clichés, with this, who cares about reading the subtitles?

It was hard to believe the budget on which this movie was shot, as it puts most of the big budget Hong Kong (not to mention Hollywood) movies to shame in the cinematography stakes. This is the story of the fabled honest cop, who loses his gun during a drunken night at his brother's wedding, and his subsequent efforts to recover it. It is at once surreal, hilarious, paranoiac, and exhilarating... a real rollercoaster of a movie. The acting is superb, the scenery gorgeous, and the direction as tight as a drum. If you have not yet seen this one, do yourself a favour, and seek it out at your nearest Chinatown DVD shop. You won't regret it.