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The Weather Underground

  • 2002
  • Unrated
  • 1h 32m
IMDb RATING
7.4/10
3.9K
YOUR RATING
The Weather Underground (2002)
Trailer
Play trailer2:17
1 Video
14 Photos
DocumentaryHistoryWar

The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.The remarkable story of The Weather Underground, radical activists of the 1970s, and of radical politics at its best and most disastrous.

  • Directors
    • Sam Green
    • Bill Siegel
  • Stars
    • Lili Taylor
    • Pamela Z
    • Jim Lange
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    3.9K
    YOUR RATING
    • Directors
      • Sam Green
      • Bill Siegel
    • Stars
      • Lili Taylor
      • Pamela Z
      • Jim Lange
    • 44User reviews
    • 29Critic reviews
    • 77Metascore
  • See production info at IMDbPro
    • Nominated for 1 Oscar
      • 4 wins & 4 nominations total

    Videos1

    The Weather Underground (2002)
    Trailer 2:17
    The Weather Underground (2002)

    Photos14

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    Top Cast38

    Edit
    Lili Taylor
    Lili Taylor
    • Self - Narrator
    • (voice)
    Pamela Z
    • Self - Narrator
    • (voice)
    Jim Lange
    Jim Lange
    • Self - Additional Narrator
    • (voice)
    Evan White
    • Self - Additional Narrator
    • (voice)
    Bernardine Dohrn
    • Self
    Mark Rudd
    Mark Rudd
    • Self
    Brian Flanagan
    • Self
    David Gilbert
    • Self
    Bill Ayers
    • Self
    • (as Bill Ayers)
    Naomi Jaffe
    • Self
    Todd Gitlin
    Todd Gitlin
    • Self
    Laura Whitehorn
    • Self
    Don Strickland
    • Self
    Kathleen Cleaver
    Kathleen Cleaver
    • Self
    Skip Andrew
    Skip Andrew
    • Self
    • (archive footage)
    • (uncredited)
    L.D. Barkley
    L.D. Barkley
    • Self
    • (archive footage)
    • (uncredited)
    Ivan Boesky
    Ivan Boesky
    • Self
    • (archive footage)
    • (uncredited)
    Fidel Castro
    Fidel Castro
    • Self
    • (archive footage)
    • (uncredited)
    • Directors
      • Sam Green
      • Bill Siegel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews44

    7.43.8K
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    Featured reviews

    fedor8

    Extreme violence as a means of promoting "peace".

    A "fair, unbiased documentary" that glorifies the 60s/70s terrorist movement, when white liberal criminally insane psychopaths tried to team up with Black Panther's criminal insane psychopaths in order to bring about a more fertile ground for a Red Revolution to take place. And who do you think they wanted to lead this new Red America devoid of democracy, freedom, intelligence and toilet-paper? Well, they themselves, naturally!

    The Left's notorious, continual defense of terrorist activities (provided they are/were carried out by Islamic extremists and left-wing elements) goes hand-in-hand with the Marxist notion of a (very) violent revolution.

    Far from liberals being the "pacifistic anti-war" lovey-dovey peaceniks they tried to portray themselves as to the increasingly gullible American public, they are in fact ready to support the most extreme types of violence and aggression, as long as that behaviour is in line with their own sick ideology. Hence why Hitler committed genocide, whereas Stalin committed "what was necessary for the Revolution".
    8rckspnn

    Shows the complexity behind political violence

    It's incredibly rare to see media depict the real root causes behind acts of "terrorism" during today's War On Terror. While Weather Underground does not glorify its subjects behavior, it does create empathy on the part of the viewer... and that alone is revolutionary at this historical point in time. The Weather Underground portrays a time in America's past when the populace was activated in a way that makes today's peace movement look like armchair intellectuals. Is it really just a draft that determines how aggressive our anti-war stance will be? That is pretty sad, since, if that is true, the anti-war movement isn't actually anti-war at all, it's just anti having to fight in a war. This is a documentary about a group of activists who made a true sacrifice, giving up their own freedom to try and stop a war.
    smilin'-2

    Great Film - Important Message Against the War Machine

    The Weather Underground presents a well-balanced view of the militant faction of the 1960s anti-war group that orchestrated a series of direct actions (including bombings) in protest of the Vietnam War and American imperialism.

    To its credit, the film is not overly sympathetic to the members of the group. Rather, it portrays them in a direct and logical manner that tends to explain their more violent activities as the desperate attempts of extremely dedicated activists to engender dynamic change in lieu of those "publicly-sanctioned" methods which they felt were not sufficiently powerful to stop the war machine (i.e., non-violent demonstrations). It should be mentioned that none of the group's bombings resulted in injuries to people, with the notable exception of 3 WU members who were killed accidentally while making a bomb that was destined for an ill-advised attack on military personnel - a seminal moment the the organization's history that "opened their eyes" to the darkness they were headed towards. One cannot help but wonder what would have transpired had that attack been carried out - this is the chilling central lesson of the film, poignantly described by one former member who plainly stated that "the violence didn't work."

    At the screening I attended the audience had the good fortune of listening to two of the Weather Underground's key members in person: Bernadette Dohrn and Bill Ayers. This proved particularly interesting, as both individuals, while still espousing their anti-militarism/anti-imperialism views to strong effect, did not express the need for radical tactics as one would imagine they may (given the current climate gripping the nation). Instead, they talked of engaging the issue through learning, organized activism, personal growth and social consciousness/responsibility.

    It is this dialectic that makes this film so important right now, and I think that the directors have made an important step towards educating Americans in the subject of social awareness. My only complaint is that this lesson needs a counterpoint, something to break the ultimately sad feeling that one is left with when the screen flickers off at the end. Perhaps if viewed in tandem with a film that explores the victories that have been made through non-violent protest "The Weather Underground" can achieve its best potential.
    10noelartm

    Stormy Yet Clear Documentary

    This is one of the most amazing documentaries I've ever seen. Like a lot of people, I had a low opinion of the Weathermen at the beginning of the film. They seemed like selfish and unsophisticated amateur activists at first, and they were. It took a few of their own being killed by their own device -a homemade bomb- to wake them up. This was the turning point not only for them, but for the film.

    Although one is a narrative and the other a documentary, this film makes for a great companion piece with Antonioni's ZABRISKE POINT. I feel like I understand that film so much better now having seen this one. In fact, a couple of WU people appeared in Antonioni's film.

    The filmmakers have done an excellent job of capturing the emotional and political climate of the Vietnam War era. This is also the only documentary I have seen that shows Martin Luther King Jr. giving his personal opinion on that war. Also, it's a real ear and eye opener to hear a former Weatherman criticize modern day terrorists like Timothy McVey and those connected with the 9-11 attacks. What gives him the right to come across sounding so smug? Maybe the fact that The Weather Underground never killed anybody. If I could suggest a couple of things to the filmmakers it would be if they had only put the words "CASUALTIES: 0" with each bombing mentioned, it would have been more impressive. And secondly, I wish they'd gone into more detail about how the WU successfully broke Timothy Leary out of prison - but then as a magician never reveals, why should they?

    By film's end, I had a totally opposite view of these people than I had at the beginning. So there is a real arc to the film that showed how these people had changed, thus keeping the subjects human rather that mere counter-culture stereotypes. That is a challenge for any documentary filmmaker doing a film on such controversial figures as these.
    Sinnerman

    The calm after the storm, and the myriad lessons drawn.

    A friend of mine wrote:

    "I have a very sparse knowledge of (The Weather Underground's) particular historical context. My interest here is more in terms of how the film was put together, what the archival footage and interviews with former Weathermen members NOW reveals to us about their sentiments, their motivations, their actions."

    My sentiments exactly. Like the above well put thought piece, I foresee others more eloquent than myself will lavish raves (or rants) on The Weather Underground. Love it or hate it, you decide. That said, I shall post here, my expanded take.

    There is an incredibly balanced portrayal of these people in The Weather Underground. Though objectivity is arguably frown upon in documentaries, this film worked for me. For it allowed me to understand the information presented (Yes, I am just as ignorant about 60s/70s American history) and it helped me in making my own conclusion.

    This documentary shed interesting light on its subjects. The Weathermen failed in their radical movement. However turbulent that time and place might have been, the corresponding violence initiated by this splinter group did not contribute as much to the winding down of the Vietnam War, as did the natural progression of other events. Ironically, the continual pacifistic action from "the rest" arguably effected more of a shift in that period's socio politics (albeit gradually) than these radicals could ever accomplish.

    One telling line from Mark Rudd, one of the movement's members said:

    "I cherished my hate as a badge of moral superiority"

    Therein lies the danger.

    When smart, idealistic (more often than not, good intentioned as well) individuals share this belief that they stand on a higher moral ground, that they have a greater, grander purpose in their "calling", they'd willingly go to any lengths in pursuit of their causes. As a result, as one other interviewee put it, extreme violent actions would be considered. Ordinary human lives would ultimately become dispensable. Ergo, the seeds for terrorism has been planted. Mass Murderers are borne out of this ideological conceit.

    This cinematic thesis also suggested the generalised "hippie" movement of the 60's/ 70's slapped the faces of the Left real hard. It torn apart the fabric of the nation. Its unachieveable idealism when intermingled with the "violent" dynamics of that turbulent period (Vietnam, Drugs, Hedonism, Multiple Assassinations of Cult of Personalities, Watergate etc) brought about disenchantment and despair. As a result, the pendulum swung and many people ran towards the Right for comfort, denial, escapism and a combination of these mixed feelings.... It gave us Olivia Newton John, Rambo, Ronald Reagan and Jane Fonda - The 80's (yikes).

    I am actually quite glad the film ended on an optimistic note. These arguably misguided Weathermen brought with them enormous personal baggages all these years. Yet throughout this film, they were candid about their ideology and reflective about their frailties. Contrary to our natural expectations, these "failures" did not become jaded human beings. They moved on from this checkered past. They continued living their lives. One of them even won Jeopardy (Don't ask).

    All in, their humanity shone through.

    The Weathermen fought Da Man, and lost. Their strategies might not have been better thought out. Their continuous radical activities might have played into the hands of sophisticated government spin doctors. They might have lost steam due to gradually realising their movement's futility. Yes, their follies were explored abundantly in this movie. But their thoughts and actions were guided by the confusion of those turbulent times (however ironic this last sentence might have sounded). All in, their hearts were in the right place.

    On the other hand, if we look beyond the talking heads and read between the lines, we would realise that the questions raised in The Weather Underground are just as relevant today. About 50000 American Soldiers died in the Vietnam War, millions more Vietnamese perished. Who holds more destructive powers? The Weathermen or their "enemy"? Who then were the mass murderers? Look at Iraq today, Afghanistan the day before and Bosnia before that.

    Who then are the mass murderers?

    In closing, I guess all should know that History is written by the victors. This cinematic document about the "losers" is hence IMO, a most important piece of work. It demands a wider audience and need be accorded higher archival priority than something as insidiously engineered and time wasting as The Fog of War.

    For we have much more to learn from this Oscar losing flick.

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    Related interests

    Dziga Vertov in Man with a Movie Camera (1929)
    Documentary
    Liam Neeson in Schindler's List (1993)
    History
    Band of Brothers (2001)
    War

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In the segment about the accidental explosion of the Greenwich Village townhouse at 18 West 11th Street, Dustin Hoffman can be seen standing next to a fire truck observing the scene. He was living in the townhouse next door with his wife at the time, Anne Byrne.
    • Quotes

      Mark Rudd: I cherished my hate as a badge of moral superiority.

    • Connections
      Featured in The 76th Annual Academy Awards (2004)
    • Soundtracks
      Jynueythek Ylow
      Performed by Aphex Twin

      Courtesy of Sire Records

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    FAQ17

    • How long is The Weather Underground?Powered by Alexa

    Details

    Edit
    • Release date
      • November 13, 2003 (Australia)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Подполье погоды
    • Filming locations
      • New York City, New York, USA
    • Production company
      • The Free History Project
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $564,632
    • Opening weekend US & Canada
      • $13,984
      • Jun 8, 2003
    • Gross worldwide
      • $564,632
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 32m(92 min)
    • Color
      • Color
    • Sound mix
      • Mono

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