Mother of Mine

I saw this film at the Toronto International Film Festival in September '05, near the end of the festival. By that time, I have seen enough, and I am quite critical: I will walk out on films (I almost never do that!), or resent a mediocre film for wasting my precious TIFF time.

Not this film. I can't think of a reason why I shouldn't give this beautiful film a 10. It had me literally from the opening shot, right through to the credits. When I see a film like this, it makes me wonder what American film makers are doing, offering rehashes of stuff we saw thirty years ago (think Batman, Star Wars, even King Kong).

Here is a wonderful story, gut wrenching at times, painful to see, but compelling. Maria Lundqvist as Signe is amazing to watch, as is Topi Majaniemi as Eero. Michael Nyqvist (Hjalmer) is sublime in the supporting role.

Beautiful cinematography, fabulous acting, a great thought provoking story. What more could you ask for at the cinema?

My final comment on "Mother of Mine:" Find a way to see this film.

This movie is amazing as it is simply beautiful. Never a movie I have seen with such a delicate subject made into big screen so beautifully. Its a story of a kid who has to leave his mother to be safe from bombing and gets into another country to other parents who lost their child in some accident. The kids longing for his own mother and in time love for his new mother is depicted amazingly by the child, he is absolutely brilliant kid actor. Also brilliant acting by both the women in the central character's and also the kid's new father is superb in his role. The movie shows how the war has affected everyone using a simple story yet based on some true events of evacuating kids to a safer land, removing them from their birth parents. Its a very touching movie. I am actually beginning to love foreign language movies for their excellent depiction of human nature in a very caring and sensitive ways.

I saw this at the 2006 Palm Springs International Film Festival and of the 35 films I saw there this one was my #1. The audiences at the festival seemed to agree in that it won the Audience Award for Best Narrative Feature. Actually it tied with the film Mrs. Palfrey at the Claremont for the award in a rare first place tie. I was hoping this would gain a nomination for Best Foreign Language film at the Academy Awards but it's submission didn't make the final five. Director Klaus Härö, Producer Ilkka Matila and Music Score Composer Tuomas Kantelinen were on hand to present the film and take Q & A after. I was happy that they brought with them the guy who scored the music soundtrack because the music was a perfect fit for this film. Topi Majaniemi as Eero is charming and Michael Nyqvist as Hjalmer Jönsson is excellent but Maria Lundqvist as Signe Jönsson is superb and really carries this film. This is a very, very good film and I would rate it a 9.0 and highly recommend it.

Having only just finished watching this film, I can say that I consider it to be the most emotionally authentic story I have viewed in a very long time. This is a truly beautiful film, and I was not in any way distracted by having to follow the story by reading sub-titles. All actors are to be commended for their performances, but special mention must go to child actor Topi Majaniemi for an outstanding performance as Eero, the child who is sent by his Finnish mother to Sweden for the remainder of the war. He is in almost every scene - a big ask for a child - and he never ever wavers; I hope we see more of him in the future.

As well as Majaniemi, special mention also must go to Maria Lundqvist, who played the child's troubled foster mother, and also Michael Nyqvist (who can do no wrong IMO) as the kindly, but often out-of-his-depth foster father, and the one to first befriend Eero in his foreign environment. All three actors give such realistic performances that I kept forgetting that I was watching a work of fiction, albeit based upon true stories. I felt that I was being allowed into this private world of these people trying to find their way through a situation none of them asked for, and so I had better be quiet and respectful.

And this is beautiful to watch, set chiefly in coastal rural Sweden, complete with rolling green hills and white-washed buildings. Cinematography and Direction of this film as so flawless as to be invisible; the film just flows gently, but is never ever boring.

Just one piece of advice........have some tissues handy, as it is an emotional journey, but without any of the emotional manipulation found in many English-speaking movies.

I give it 12 stars!

I used to think that it's silly to cry over something like a movie and that it's only girls that do so - until now. I felt like being torn apart when realizing the pain Signe felt when she realized that there was nothing in the world she could do to keep Eero.

It was beautiful to see the development of the bond between Signe and Eero, and it made the outcome so hard to bear. It was easy to understand how deep wounds were left in the souls of the Finnish children that were sent to "safety" in Sweden during WWII.

This is a film everybody should see. It shows a depth I have NEVER seen on the movie screen.

Thank you Klaus Haro!