Head-On

In St. Pauli, Hamburg, the alcoholic, drugged and hopeless German with Turkish roots Cahit Tomruk (Birol Ünen) lives like a pig in a small dirty apartment and survives collecting empty bottles in the night-club "Der Fabrik". One night, he gives up living, and hits his car against a wall. However, he survives the crash and is sent to a clinic, where he meets Sibel Güner (Sibel Kekilli), a younger German Turk, with suicidal tendencies. Sibel is the younger daughter of a conservative Turkish family, and proposes a fake marriage to Cahit, in order to permit her to leave her family; in return, she would share the rent of the flat, and she would cook and clean the place, and they could have independent lives. Cahit accepts, but while living with Sibel, he falls in love for her, until a tragedy happens.

I saw "Gegen die Wand" yesterday and I am still very impressive with this powerful German movie. It is bitter, sad, heavy, unpleasant – but also an original and very realistic non-Hollywoodian love story. The location in St. Pauli, close to the famous Reeperban Street, could not be more perfect as the environment for such depressive story of losers. The precise direction of Faith Akin (obs: IMDb dictionary does not allow to write correctly the name of the director) is stunning, and the performance of Birol Ünen and Sibel Kekilli are outstanding and deserved nominations to the Oscar. When the character Sibel reaches the bottom of the well in Istanbul, Sibel Kekilli shines with a mesmerizing performance. Unfortunately we will never see Hollywood shooting this type of story, which is recommended for very special audiences. My vote is eight.

Title (Brazil): "Contra a Parede" ("Against the Wall")

Some people think this movie is about a culture immigrants (German, Turkish) But that is not the emphasis, the emphasis is about how low one can go, where does one hit the bottom, and a love intertwined in such a spiral. A magnificent tragedy, but it doesn't make you feel depressed, it makes you take a big deep breath in and damn and appreciate life at the same time. The actor and actress are magnificent so was the supporting actors. The director doesn't treat the audience as dumb nor as people who have to really think hard to get it. The sequence of events, the transition from scenes are magnificent.

The movie swept every possible film award in Europe and is sweeping rewards in North America and rest of the world. This this is the best foreign movie I've seen. PERIOD (.)

I haven't watched such a great movie for a long time and it is really great to see that this is a Turkish movie. After Nuri Bilge Ceylan's success with Uzak in Cannes Film Festival, Fatih Akin made a very successful move in contributing to Turkish cinema. First of all, the movie explains the life of the Turkish immigrants in Germany in a perfect way. We see how they cannot be neither German nor Turkish anymore. They are stuck in between and they act as punks. For instance, it is really true that most of the young Turkish people in Germany cannot speak Turkish, like Cahit. We also see the ridiculous pressure of Sibel's family: For instance, while her married brother threatens&beats her whenever she has a boyfriend, he and his friends can comfortably speak about how they sleep with prostitutes! Also the cast is very good, especially Sibel Kekilli and Birol Unel. I loved the scene where we can see the smile in Sibel's eyes in the amusement park: she is so much in love... In addition, there are so many things to say about the movie.. The story is a very striking one itself. The hopelessness of the characters in a world without love and moral values are explained so well-without making it dramatic. Also, Sibel's life in Istanbul, her cousin's life-like many of us: still single and waiting to be promoted!- are also judgements beside the main genre. The music is also very nice, with Depeche Mode and also traditional Turkish music. Faith Akin has really made a good job.. The script is excellent and the scenes are all pieces of artwork. I wish the best for him and all the cast and I hope to see movies perfect like this in the future too...

This movie surprised me, because although I had read that it was good, it exceeded my expectations. The characters felt authentic and possessed believable strengths and weaknesses. The actors turned in powerful performances and I find myself, the day after I saw the film, still thinking about the plot but mostly remembering the expressions on the actors' faces.

The movie did seem a little too long, but in trying to think of scenes to cut, I realized that nothing in particular felt superfluous or irrelevant to the storyline or character development.

Finally, I didn't like the end! But that's probably because I've been ruined by Hollywood with its sappy happy endings. This film ended as it should, and probably as it had to.

I saw this film yesterday for the second time (I originally saw it last year) and loved it as much as I did the first time. This is probably my favourite film in the last 12 months so hence the need to say my bit. There is a wonderful, powerful, visceral quality to this film which is extremely rare in any art-form (lets be honest), so credit needs to be placed where credit is due - and it is due in huge amounts here. 'Head On' takes you on an emotional journey to the edges of the human experience, tempered by an nihilism and a soul-searching despair that feels all too real. These are not so much characters but real people with real dilemma's, and their life experiences oozes from every visible pore. The two central performances are bloody amazing and a reminder of what real acting (and characterisation) is all about. The direction is profound, not to mention the wonderful soundtrack (the Birthday Party track much appreciated!!). I can't say anything but complimentary things about this film and in my humble opinion is a modern-day masterpiece. On the small off-chance that the actors/producers/ director or anyone connected to this film reads this, congratulations on a fantastic piece of film-making!