Avellaneda's Moon

At once universal, in its complex Dickensian portrait of a society, and extremely timely - narrating in microcosm the recent economic crisis in Argentina - Luna de Avellaneda is a beautiful, eloquent film that will resonate deeply with both Argentine viewers and audiences worldwide. Very funny and very moving, the film is rich in human drama, its characters ranging from a small boy whose braces are killing him to an old man on his deathbed, with all sorts of variations in between - a man who discovers his wife is having an affair, a son who wants to escape the catastrophic situation by emigrating to Spain, a drunk who falls in love and tries to reform, a girl from a shanty town who wants to learn ballet. Small miracles occur throughout the film. The dialogues are brilliant, the acting consistently strong. As in reality (though not often depicted in films), economic concerns are never far from anyone's mind, yet at the same time the emotional life persists. Rarely have I seen such a felicitious melding of the two, as when the central character, Roman, whose marriage is failing, goes to buy cologne to try to spice things up and, after perusing the range of possibilities, can only afford the cheapest, and most acrid-smelling, scent on the shelves. Or when a still infuriated divorcee invites her ex to a romantic dinner in a five star restaurant and, after ordering numerous bottles of the best champagne, then slips away leaving him to foot the bill. I cannot recommend this film highly enough.

I am a great admirer of Juan Jose Campanella's films and this was the main reason why I decided to watch this film in first place. I did watch Son of the Bride and The Secret of Your Eyes, both great films. Ricardo Darin was another reason why I decided to watch it. I think he is now the greatest actor in the Hispanic cinema. It's amazing how the Capanella-Darin contributions worked so well in this "trilogy".

What is really cool about those films is that Campanella can create from a different situation many parallel stories. Like here for example, the main plot in "Luna..." is the administration board trying to save their beloved 70 year club from bankruptcy and to avoid the club to be sold and to build in his place a casino instead. From that plot Campanella shows not just the effort that the club employees do in order to save the club but he also shows the family and love relationships in the life of those people.

The trademark in the Campanella films is that he can balance the comedy with the drama. The soundtrack is beautiful as well like in all his films always with a great presence. The chemistry between Darin and Eduardo Blanco is always moving.

Although the film could it be a little bit shorter and sometimes the story does not develop as it should, its another great film by Juan Jose Campanella and Ricardo Darin that I definitely recommend it!

A superb movie, the best Argentine movie I've seen. The entire plot (the attempt to keep the neighbourhood social club going) is an allegory for Argentine recent history, and each character represents a strand in that, eg the old Don, the Spanish immigrant who came to Argentina so full of hope - like many - but whose time has passed. Despite the light relief and clever humour it's ultimately a tragic tale, as any good tango. I'm not sure how well it would play outside the country ie if it would resonate with people who didn't understand the allegory, but for anyone with an interest in Argentina it's a definite don't miss.

"Luna de Avellaneda" it's a good movie. Sometimes it reminds some Italian ones where "nostalgia" was used. The idea of the movie -talking about a social and sports club as a symbol of the Argentinian situation during the 90's is good, specially if it takes human feelings to explain the loss of some people values in the last decade. Exploring in feelings and contradictions of the human being is one of the best characteristic of Campanella's movies. Ricardo Darín, Mercedes Morán y Eduardo Blanco are very good in their characters specially Blanco. It's not a depressing movie although the topic can be sound like that. Actually, it has a hopeful message that tell us: "Never say that everything is lost". Nevertheless, "Luna de Avellaneda" isn't the best Campanella's movie. It repeats some concepts we saw in "Son of the Bride" or "Same love, same rain" -perhaps the best one.

A group of people from a neighborhood come together in the midst of their many troubles in order to attempt saving a sports and social club which they have been a part of for most of their lives. Things get complicated as the economy takes a hit and people fight through their own struggles on the side. Juan Jose Campanella places us, the viewers, right in the middle of the many problems which exist in the lives of all the people who share the commonality of being on the board of the CLA. Each one of the characters is both emotionally torn due to family or relationship issues, and in big financial need. Although the club is a large part of the reason for so much financial instability, it also seems to serve as the fountain of energy and inspiration for all of the characters. The story demonstrates clearly how society has changed and how difficult it is to move past economical issues, even when it means throwing a lifelong tradition to the side. Furthermore, it does paint a beautiful picture of finding hope and passion in the memory of how things used to be and how they could be once again with some time investment and sacrifice.