IMDb RATING
7.9/10
3.1K
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In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between Indi... Read allIn the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.
- Director
- Writers
- Stars
- Awards
- 11 wins & 14 nominations total
Manoj Bajpayee
- Rashid
- (as Manoj Bajpai)
- Director
- Writers
- All cast & crew
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Featured reviews
very well-made, and difficult to watch
This is a extremely well-made film. The acting, script and camera-work are all first-rate. The music is good, too, though it is mostly early in the film, when things are still relatively cheery. There are no really superstars in the cast, though several faces will be familiar. The entire cast does an excellent job with the script.
But it is hard to watch, because there is no good end to a situation like the one presented. It is now fashionable to blame the British for setting Hindus and Muslims against each other, and then cruelly separating them into two countries. There is some merit in this view, but it's also true that no one forced Hindus and Muslims in the region to mistreat each other as they did around the time of partition. It seems more likely that the British simply saw the tensions between the religions and were clever enough to exploit them to their own ends.
The result is that there is much cruelty and inhumanity in the situation and this is very unpleasant to remember and to see on the screen. But it is never painted as a black-and-white case. There is baseness and nobility on both sides, and also the hope for change in the younger generation.
There is redemption of a sort, in the end, when Puro has to make a hard choice between a man who has ruined her life, but also truly loved her, and her family which has disowned her, then later come looking for her. But by that point, she has no option that is without great pain for her.
This film carries the message that both Muslims and Hindus have their grave faults, and also that both can be dignified and caring people. The reality of partition makes that realisation all the more wrenching, since there can never be real reconciliation across the India/Pakistan border. In that sense, it is similar to "Mr & Mrs Iyer".
In the end, we were glad to have seen the film, even though the resolution was heartbreaking. If the UK and US could deal with their own histories of racism with this kind of frankness, they would certainly be better off.
But it is hard to watch, because there is no good end to a situation like the one presented. It is now fashionable to blame the British for setting Hindus and Muslims against each other, and then cruelly separating them into two countries. There is some merit in this view, but it's also true that no one forced Hindus and Muslims in the region to mistreat each other as they did around the time of partition. It seems more likely that the British simply saw the tensions between the religions and were clever enough to exploit them to their own ends.
The result is that there is much cruelty and inhumanity in the situation and this is very unpleasant to remember and to see on the screen. But it is never painted as a black-and-white case. There is baseness and nobility on both sides, and also the hope for change in the younger generation.
There is redemption of a sort, in the end, when Puro has to make a hard choice between a man who has ruined her life, but also truly loved her, and her family which has disowned her, then later come looking for her. But by that point, she has no option that is without great pain for her.
This film carries the message that both Muslims and Hindus have their grave faults, and also that both can be dignified and caring people. The reality of partition makes that realisation all the more wrenching, since there can never be real reconciliation across the India/Pakistan border. In that sense, it is similar to "Mr & Mrs Iyer".
In the end, we were glad to have seen the film, even though the resolution was heartbreaking. If the UK and US could deal with their own histories of racism with this kind of frankness, they would certainly be better off.
Breathtaking and deeply emotional saga...(keep a box of tissues handy though)
Pinjar is one of the few movies that really leaves a mark and makes you think hard. Set in Partition India, this film Shows the true reality of partition India. Urmila gets full marks for her beautiful and deeply emotional portrayal of a suffering woman with no way to go. Her freedom, personal identity and family respect taken away overnight over a tragic land dispute. Manoj bajpai is simply brilliant as her remorseful abductor. There several moments in the film where one is brought to tears. The film at points is deeply traumatic. Some of the partition scenes are spine chilling, yet Urmila's endurance and survival are both remarkable. From a woman robbed of her freedom to woman who gave freedom to women in similar situations. A remarkable film that should be given credit for intelligent characters and storytelling.
Excellent!
Pinjar is a genuinely good film, with great acting, good narrative, good presentation, touching emotions, etc.
It seems to me that the quality of films that Bollywood is producing is quite improving these days, and this film is one evidence.
No Bollywood movie that I can remember of made such an impact on me - I was literally thinking about the movie for hours - marvelling at the various emotional situations that test the human in a human.
The film rests on the great acting of Urmilla Matondkar, and also some from Manoj Bajpai. Urmilla plays a girl in North India in the background of the partition, and all troubles seem sweet if compared with the problems she happens to face.
A must-see film. A technically superior Bollywood product, which I feel is comparable to the best movies coming out of other countries in the world.
It seems to me that the quality of films that Bollywood is producing is quite improving these days, and this film is one evidence.
No Bollywood movie that I can remember of made such an impact on me - I was literally thinking about the movie for hours - marvelling at the various emotional situations that test the human in a human.
The film rests on the great acting of Urmilla Matondkar, and also some from Manoj Bajpai. Urmilla plays a girl in North India in the background of the partition, and all troubles seem sweet if compared with the problems she happens to face.
A must-see film. A technically superior Bollywood product, which I feel is comparable to the best movies coming out of other countries in the world.
A movie for the thinking public
I was haunted for days after watching this movie. Spent several nights tossing and turning. What makes this movie stand out is the authenticity. Since the movie is based on a novel by Amrita Pritam, a woman who experienced the trauma of partition first hand, the original story was bound to have a soul. Add to that Dwivedi's penchant for perfection, and we have a classic.
Urmila's relation with Manoj Bajpai, and the way it evolves, could not have been portrayed more authentically. The guilt on Manoj Bajpai's face makes your heart reach out to him. You want to go there and console him, tell him its not his fault.
Lilette Dubey's lullaby (original poetry by Amrita Pritam), can bring tears to the eyes. The scene where Urmila self aborts or the one where she tries to wash away the tattoo from her hand, stand out. The way she rescues Sandhali Sinha brings a sad smile to your face. And the climax is so poignant, there are no words to describe it.
This movie should have been India's official entry for the Oscars and should have participated in each and every film festival anywhere in the world. In fact, Amrita Pritam deserves a Nobel prize for this one. I have never seen a better Bollywood movie, and don't think ever will.
Urmila's relation with Manoj Bajpai, and the way it evolves, could not have been portrayed more authentically. The guilt on Manoj Bajpai's face makes your heart reach out to him. You want to go there and console him, tell him its not his fault.
Lilette Dubey's lullaby (original poetry by Amrita Pritam), can bring tears to the eyes. The scene where Urmila self aborts or the one where she tries to wash away the tattoo from her hand, stand out. The way she rescues Sandhali Sinha brings a sad smile to your face. And the climax is so poignant, there are no words to describe it.
This movie should have been India's official entry for the Oscars and should have participated in each and every film festival anywhere in the world. In fact, Amrita Pritam deserves a Nobel prize for this one. I have never seen a better Bollywood movie, and don't think ever will.
Finally, a sincere movie on the Indo-Pak issue
This movie was absolutely wonderful. The pre-partition time and culture has been recreated beautifully. Urmila has given yet another brilliant performance. What I truly admire about this movie is that it doesn't resort to Pakistan-bashing that is running rampant in movies like Gadar and LOC. With the partition as a backdrop, the movie does not divert to political issues or focus on violence or what is right and wrong. The movie always centers around the tragic story of Urmila's life. Her fragile relationship with Manoj Bajpai has been depicted excellently. The movie actually shows how the people, both Hindus and Muslims, have suffered from this partition. The theme that there is only one religion is truly prevalent in this film.
Did you know
- TriviaThe director of this movie has also directed Chanakya. The most acclaimed tv series in doordarshan era
- How long is Pinjar?Powered by Alexa
Details
Box office
- Gross US & Canada
- $66,290
- Opening weekend US & Canada
- $16,617
- Oct 26, 2003
- Gross worldwide
- $1,022,336
- Runtime
- 3h 8m(188 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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