Neverland

Wendy: Peter, are you gay? Peter: Hell no! I'm pansexual.

At point I was laughing my but off! I new from the start that it was a low budget film, but it sparked my interest about Peter Pan and it bring the story up to date; it makes it almost more believable.

A lot a freaky turns, like Hook a janitor? And he is into doing kinky things with his "Hook" and bad boys.

OK its hard to explain I guess, but you do get what you except and a bit more.

SO if you are a big Peter Pan fan like myself, bunch of my crazy friends, we will enjoy. Neverland is more of a have to see film and don not truly believe the comments of others. It s a film you must see to judge. Oh and one more question . . . Do you believe in fairies?

Variety was absolutely correct when it referred to the movie as "... A Dark Reimagining of Peter Pan." In the end however, a range of factors led the movie to be nothing more than an attempt at breaking the mainstream cycle of "acceptable" films.

The idea of taking the well-known story of Peter Pan and applying it to modern times, in an attempt to display current social problems is respectable and clever. What the audience received however was a movie in which the acting was lacking. Scott Mechlowicz surprising given some of his other works, appears dazed, and as if he is reading his lines off of a queue card. Melany Bell, although decent at times, tends to set the wrong emotions. Rick Sparks is just annoying as hell, and fails to really play slightly neurotic case of the "boy who wouldn't grow up." He comes off as more of the defiant adolescent, who rebels not because of his fear of society, or his fear of his inability, but rather due to his arrogance. Gary Kelley gave an excellent performance as Hook, although I would say that his performance didn't exactly fit in with the story-line, except for the fact that is disturbing, if not outright creepy. The majority of the other minor characters serve as nothing more than mouthpieces for the screenplay.

Transitions in Neverland are painfully slow. In that dull, menacing, and irritating montages continue for minutes at a time, prompting me to fast forward. It almost appears as if they were added to boost the time of the film, due to the fact that they add absolutely nothing other than substandard music, vexing sounds, and shamefully dull images.

The cinematography is by all means nothing special, nothing too innovative. There is one scene in which Hook is lecturing his employees that displays some amount of editing and camera talent. There were at times however, where the audio did not match the images on the screen.

Overall, this film is a decent introductory film for director and screenwriter Damion Dietz. It tried to take a good idea and make a good film, but in my opinion failed. It relied too much upon stereotypical understandings of society's youth, an odd, if not unnecessary overriding homosexuality component, and what appears to be attempt to manipulate every aspect of Peter Pan as much as possible. It did, honestly, try to emulate the book more than say, the Disney version, but the extremes to which it is taken results in something of chaos.

Also, it is interesting to note that a large majority of the highly positive reviews were the first, and only reviews of some IMDb members.

It takes a lot to surprise me, but I was shocked by this. This has to be one of the most subversive things I've ever seen... and not like a porn version of "Alice in Wonderland" or something like that. This low-budget movie very subtly and gradually melted away the Peter Pan mythology and rebuilt it in the most disturbing way. It was as if the filmmakers took the story of Peter Pan and forced it to grow up, without changing its core. A masterful concept that was handled extraordinarily well despite some obvious budget limitations. My wife cried at the end of this film and couldn't stop. While I found it challenging on an intellectual level, I didn't have the emotional response that she did. When I asked her why she found it so sad she told me that when she was young she would always dream that Peter would show up and fly her away to Neverland, and as she got older she of course had the "prince charming" fantasy. She told me that watching this movie was like the symbolic nail in the coffin of that dream. So not only did this movie freak me out, it made my marriage more depressing. In any case, it was powerful, entertaining, and thought provoking... and very captivating. So when someone says they hate this movie and they want to throw the DVD against the wall, I can understand where they are coming from.

Neverland delivers a strong, sometimes harshly realistic message, but we can't hate the messenger now, can we? Neverland gets an 8.

This movie never promises to be anything that it isn't. The description basically tells you that it's low budget and shot on DV tape. If you were expecting Titanic or Lord of the Rings - then yes, you will be very disappointed.

If you go into it knowing that it's an independent film that was done on a minimum budget by someone just getting started in the business, then it's really not that bad.

Being someone who is just starting out in the world of movie making, I could appreciate the effort and work put into it.

So if you like weird, cult, independent, low-budget movies (and who doesn't?), then check this movie out. On a scale of 1-10 (10 being best), I'd give it about a 6 or 7. My friend thought it was totally weird and didn't like it at all.

I agree with the other commentary on this movie. This movie is interesting in that it takes an otherwise "children's story" and sets in a hyper-reality, very much adult, setting. This allows the more adult aspects of the story to be explored. Adult issues such as drug abuse, sexual "norm" deviance, and avoidance of responsibility take center stage in this update.

While a grand experiment, this movie ultimately failed for me on several levels:

The cast of characters is far too large to allow for meaningful character development for ANY of the characters. The most prominent victims of this flaw are the lost boys. There are too many of them, and as such their decision to follow Wendy and leave Neverland seems more of a plot device than a real decision on their part, as is Peter's ultimate decision to return to Neverland alone.

The Darling kids' decision to leave their home in the first place home was another problematic issue for me. Sure, they try to explain it during Wendy's "story" to the Lost Boys in Tiger Lily's dressing room, but as is the case with literary writing, showing is always better than telling. And the short sequence with the parents in the beginning is not enough to show me the kids' rationale. Wendy telling it to me just didn't cut it.

And then there's the acting. Oh, the acting. "Bad acting" is being kind. It's a shame that an experiment of this caliber couldn't gain major funding and established actors, because the premise is fabulous. I find it very interesting that through most of the movie, the acting is horrendous from each member of the cast; however, the actors playing Wendy and Peter show their real chops during the last scene they play together. They both moved me incredibly during this final scene, and the fact that they were able to do so clearly demonstrates to me that the problem (at least for these two) was not the acting, it was the writing and direction. Both actors seem promising during this final scene, languishing in otherwise poor material. This movie felt like the writer began with the final scene and worked backward.

Overall, I love the premise. I related to Wendy's concern for the drug-addled man-boy refusing to grow up because, yeah, I've dated him, and she completely conveyed the frustration in trying to break through the haze and reach him intellectually. The DVD is watchable, although grainy in parts and particularly blurred during the pirate dungeon scene. Watchable once.