The Mountain Head

Atama-yama (2003)

*** 1/2 (out of 4)

Japanese film received an Oscar-nomination for Best Animated Short and in my opinion it should have won. We meet an elderly miser who is so cheap that he prefers to fill up his house with various garbage he can get for free in the streets. One day he picks up a bunch of cherries and decides to eat the pits since he doesn't want to get rid of something free. Soon a tree begins to grow from the top of his head. The idea of a tree growing from someone's head is silly but this film is so incredibly smart and well-drawn that you'll overlook that minor plot detail. I was really surprised at how effective this film was and the majority of the credit has to go to director Yamamura who really adds some great stuff. Having the start of the film being shown from the point-of-view of the man was a great touch as was one of the final scenes in the film where we see the same image just repeating itself to great effect. It should go without saying that this short is 100% Japanese with its look and style. It's doubtful American kids would know what to make of the images here but some of them are very dark and moody, which will sit a lot better with adults.

Here's a feast for the eyes that will give you indigestion. Once in a while a work of art will come along that is so appealing to the senses, yet its theme is flawed. Let's talk about the flaws first.

The story attempts to tell a moral tale of greed and its hazards; however it fails to distinguish between "greed" and "economy". The protagonist of the story is an economical man; he saves everything; he finds value in other people's trash; he recycles things that everyone else throws away. He despises waste and tries to find a use for everything. I equate this to the Native American Indian who kills an animal and finds a use for every last bone & sinew. Or, perhaps less noble but equally economical: the dumpster diver.

The fable then focuses on the greedy; those who rape & ravage for their selfish and wasteful purposes. I would equate this to the modern American hunter who kills a deer, takes the tender meat and dumps the majority of the carcass on the side of the road (try driving through Montana, and you'll see what I mean).

This film fails to make the important distinction between the two. Both the former and the latter are lumped into the same category. And as a result, the central theme is invalid.

The protagonist's only flaw (the act for which he is punished) occurs in the very beginning when he gathers cherries from the sidewalk and eats them. Not wishing to waste the seeds, he eats them too. Folks, is this "greed"? Far from it. But apparently the writer thinks it is. Apparently the writer feels that we should waste fallen cherries and instead go buy them at the supermarket. And we should trash everything but the savory part. I wonder how the writer would feel about recycling aluminum, paper and plastic.

OK, that's the philosophical critique. Now on to the artistic. From the opening scenes this blew me away. The style is unlike any other animation I've seen. The artist/director paid close attention to perspective, perception and visual angles. The result is that the viewer is truly drawn into this cartoon world as if it were reality. There's nothing bubble-gummy about this. You feel like you're standing right inside the room with the man (and often you are placed within the eyes of the man himself).

The music (traditional Japanese) is quite good, but you must have a taste for this "weird" sort of stuff. Be prepared to hear the narrator sing his lines with thick tenor vibrato whilst accompanied by a twangy instrument that sounds something like a banjo with 3 strings. Personally I loved it.

I am extremely impressed with the artistic side, but that only intensifies my disgust at the rather vapid and undevelopped theme underneath it. As a result I must average my artistic rating (10 stars) with my thematic rating (4 stars) and give it an overall 7.

Watch it if you get a chance. Then post back whether you agree or disagree with what I've said here.

I just discovered this animation artist from Japan, Koji Yamamura, from Amid on Cartoon Brew. One of Yamamura's animated shorts showcased there was this one as linked from YouTube, Atama-yama (Mt. Head), that was nominated for the Oscar as Best Animated Short for 2002. It tells how a man who chews cherry pits keeps having some leaves grow on top of his bald head that he frequently cuts off and saves in a jar. After a while, he lets the leaves grow into a tree but then people start hanging around on his head so he tears the tree off leaving a hole with water. As all this happens, a narrator tells what goes on in various pitches. This was such an interestingly weird short that I may watch it again to catch up on all the images. Yamamura is truly an artist among his country's animators. Uniquely funny especially with the way it all ended. So on that note, I highly recommend Atama-yama.

I freely admit that I don't think I truly grasp it quite yet, but that does not prevent me from absolutely loving this piece. Contrary to some previous reviews, I absolutely love the sound effects. I thought the audio pitch when it switches to POV shots really envelope the viewer into the picture, particularly noting the cherry eating scene. The animation is stylistically rough, avoiding solid fills, but complements it's rough construction with soft pastel-like strokes. The deep earthy palette reinforces the connection between the man and nature. Don't expect a conventional animated piece (I.E. vibrant colors, hard edges, and a conspicuous theme). I absolutely loved it and would highly recommend it to any animation buffs or lovers of the unconventional film.

This film is a little difficult to digest, much like the cherry pits consumed by the main character. I personally quite enjoy Japanese film, though as another commenter posted earlier, it can sometimes take some acclimation. And even I found this a little weird, though only for the story content itself.

The animation is quite striking and well done, and I disagree with some comments that objected to the singsong style of the narrator throughout the story; for myself, the Japanese language lends itself well to this type of iteration (if you've been to Tokyo, think of the "Irasshimase!" that greets you when you enter a shop) and I thought it added to the authenticity of the story.

The film probably comes across as weird and bizarre to some people, and for good reason: it is indeed a bit off kilter. But I don't think that's any reason to dismiss it. There is some clear talent here, and some very nice storytelling - and the ending had me laugh out loud, proving once again that comedy is 70% delivery.