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The Mountain Head

Original title: Atama-yama
  • 2002
  • Not Rated
  • 10m
IMDb RATING
6.8/10
1.6K
YOUR RATING
The Mountain Head (2002)
Adult AnimationAnimeDark ComedyHand-Drawn AnimationAnimationComedyFantasyShort

A sad rakugo of a stingy old man experiencing the unforeseen consequences of eating a few cherries whole, without throwing the pits away.A sad rakugo of a stingy old man experiencing the unforeseen consequences of eating a few cherries whole, without throwing the pits away.A sad rakugo of a stingy old man experiencing the unforeseen consequences of eating a few cherries whole, without throwing the pits away.

  • Director
    • Kôji Yamamura
  • Writer
    • Shôji Yonemura
  • Stars
    • Takeharu Kunimoto
    • Bruno Metzger
  • See production info at IMDbPro
  • IMDb RATING
    6.8/10
    1.6K
    YOUR RATING
    • Director
      • Kôji Yamamura
    • Writer
      • Shôji Yonemura
    • Stars
      • Takeharu Kunimoto
      • Bruno Metzger
    • 18User reviews
    • 6Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Nominated for 1 Oscar
      • 5 wins & 1 nomination total

    Photos6

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    Top cast2

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    Takeharu Kunimoto
    • Narrator
    • (voice)
    Bruno Metzger
      • Director
        • Kôji Yamamura
      • Writer
        • Shôji Yonemura
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews18

      6.81.6K
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      Featured reviews

      7Spanner-2

      Too loud and noisy

      This animated short from Japan is bizare. It is a fable I suppose about a guy who eats too many cherries so a cherry tree grows out of his head and then a bunch of people have picnics on his head. Yea, it makes no sense and features a anoyingly bombastic Japanese voice over that will enrage you more than it is entertaining. The animation is intentionaly crude but this one was somewhat hard to swallow. GRADE: B
      7radonner

      Quite non-conventional

      This film is a little difficult to digest, much like the cherry pits consumed by the main character. I personally quite enjoy Japanese film, though as another commenter posted earlier, it can sometimes take some acclimation. And even I found this a little weird, though only for the story content itself.

      The animation is quite striking and well done, and I disagree with some comments that objected to the singsong style of the narrator throughout the story; for myself, the Japanese language lends itself well to this type of iteration (if you've been to Tokyo, think of the "Irasshimase!" that greets you when you enter a shop) and I thought it added to the authenticity of the story.

      The film probably comes across as weird and bizarre to some people, and for good reason: it is indeed a bit off kilter. But I don't think that's any reason to dismiss it. There is some clear talent here, and some very nice storytelling - and the ending had me laugh out loud, proving once again that comedy is 70% delivery.
      7rooprect

      Artistically brilliant, philosophically awful

      Here's a feast for the eyes that will give you indigestion. Once in a while a work of art will come along that is so appealing to the senses, yet its theme is flawed. Let's talk about the flaws first.

      The story attempts to tell a moral tale of greed and its hazards; however it fails to distinguish between "greed" and "economy". The protagonist of the story is an economical man; he saves everything; he finds value in other people's trash; he recycles things that everyone else throws away. He despises waste and tries to find a use for everything. I equate this to the Native American Indian who kills an animal and finds a use for every last bone & sinew. Or, perhaps less noble but equally economical: the dumpster diver.

      The fable then focuses on the greedy; those who rape & ravage for their selfish and wasteful purposes. I would equate this to the modern American hunter who kills a deer, takes the tender meat and dumps the majority of the carcass on the side of the road (try driving through Montana, and you'll see what I mean).

      This film fails to make the important distinction between the two. Both the former and the latter are lumped into the same category. And as a result, the central theme is invalid.

      The protagonist's only flaw (the act for which he is punished) occurs in the very beginning when he gathers cherries from the sidewalk and eats them. Not wishing to waste the seeds, he eats them too. Folks, is this "greed"? Far from it. But apparently the writer thinks it is. Apparently the writer feels that we should waste fallen cherries and instead go buy them at the supermarket. And we should trash everything but the savory part. I wonder how the writer would feel about recycling aluminum, paper and plastic.

      OK, that's the philosophical critique. Now on to the artistic. From the opening scenes this blew me away. The style is unlike any other animation I've seen. The artist/director paid close attention to perspective, perception and visual angles. The result is that the viewer is truly drawn into this cartoon world as if it were reality. There's nothing bubble-gummy about this. You feel like you're standing right inside the room with the man (and often you are placed within the eyes of the man himself).

      The music (traditional Japanese) is quite good, but you must have a taste for this "weird" sort of stuff. Be prepared to hear the narrator sing his lines with thick tenor vibrato whilst accompanied by a twangy instrument that sounds something like a banjo with 3 strings. Personally I loved it.

      I am extremely impressed with the artistic side, but that only intensifies my disgust at the rather vapid and undevelopped theme underneath it. As a result I must average my artistic rating (10 stars) with my thematic rating (4 stars) and give it an overall 7.

      Watch it if you get a chance. Then post back whether you agree or disagree with what I've said here.
      10surrealFriend

      Acquired taste

      I fell in love with this film the first time I saw it, and it remains one of my absolute favorite animated shorts. I can entirely understand why a lot of people dislike Atama Yama - it's slow-paced, eccentric, and the story is kinda nonsensical. But for me it works. Amazingly so.

      The art is very original. Its unique design is quite different from the typical anime style, and much more expressive. The animation is very lively as well. Though rough, it has a wonderful sense of weight, space, and movement. Complementing the visuals is a narration sung by a minstrel, who also plays the shamisen.

      When it all comes together, the result is beautiful. For me, Yamamura creates an evocative, humorous mood in every scene. Can't wait to see what he does next.
      8Hitchcoc

      There Is Nothing to Compare It To

      This has as absurd a premise as one can imagine. A stingy man feels he will be wasteful if doesn't eat the cherry pits along with the cherries. Soon a cherry tree begins growing out of his head. This leads to some social missteps and some pretty weird responses to the cruelty of people.

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      Short

      Storyline

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      Did you know

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      • Quotes

        Narrator: Finally, the man threw himself into his head pond.

        Narrator: and he died.

      • Connections
        Featured in The 75th Annual Academy Awards (2003)

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      Details

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      • Release date
        • January 2004 (United States)
      • Country of origin
        • Japan
      • Official site
        • Yamamura Animation
      • Language
        • Japanese
      • Also known as
        • Mount Head
      • Production company
        • Yamamura Animation
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        • 10m
      • Color
        • Color
      • Sound mix
        • Dolby Digital
      • Aspect ratio
        • 1.37 : 1

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