Hellbent

HELLBENT is a tough movie to classify. Yes, it is about a serial killer on one Halloween night in West Hollywood, but it also seems to be a light-hearted takeoff on all the silly teenage massacre horror films. Is it parody or was it meant to be a thriller? No matter, because what we get is an entertaining, well-paced, witty-scripted, full of tension foray through the clubs and alleyways of the very colorful West Hollywood Halloween atmosphere.

Don't search for story motivation: there doesn't seem to be one. A devil-garbed body builder beheads boys, leaving the corpses sans heads to the horror of the community just as Halloween festivities are beginning. Our main characters are four friends who are out for a good time, the leader of whom is costumed as a cop and in reality is a wannabe policeman who failed the course due the loss of an eye. His fellow friends are zippy, tight, and fun loving and along the way many of them fall victim to the 'devil's scythe' (and yes, that is shown in grisly detail!). There is a lot of chase action in dark rooms and darker woods and alleys and the fear quotient is pretty high. The problem is the ending, which doesn't answer any plot motivational questions and unfortunately leaves the door open for future follow-up adventures (or is this merely part of the parody of the multitudinous versions of Freddy, I Know What You Did Last Summer, etc teenie flicks?).

The cast is attractive and seems to be enjoying themselves as actors. The lighting and costuming and musical scoring are on a par with the best production values of films of this genre. In the end it is fun to see a thriller played solely in the gay community without preachy comparisons or strife with the straight folk. It is entertaining for everyone.

A gay "slasher"?? Well, what did you expect when West Hollywood's annual Halloween Carnival is the backdrop? HELLBENT is gay-themed "mainstream" horror (from the makers of HALLOWEEN and NIGHTMARE ON ELM STREET) that doesn't pander to a homosexual demographic and "fun for the whole family" despite its R-rating, if you know what I mean. A serial killer who collects heads is interrupted by a group of friends on their way to a Halloween parade and he relentlessly tracks them down one by one over the course of the night...

I was surprised to find myself actually caring who'd make it out alive but what's even more amazing is the potent blend of sex & death in the form of the supernatural (?) killer. Even behind his horned, three- quarter mask, "The Devil" is brutally handsome, the homo fatale embodiment of a demon lover one would surrender to willingly ("seasons don't fear the reaper -nor do the wind and the sun and the rain"). He also takes good head but be that as it may, this was wholesome entertainment compared to something like Peter de Rome's THE DESTROYING ANGEL.

Some may feel that queer cinema was due for a slasher film. But what is the point really? It's no longer enough for me to see a film only because it features attractive men with hot bodies. What about story? Character development? Acting? Are these not important?

The premise of this film is as follows. A psycho killer stalks a group of gay friends on Halloween night. That's it. More frustrating is the fact that at the end, the audience is given no indication as to who the killer is or why he did what he did. Honestly, if these were straight characters, would such an unoriginal film get released or even made for that matter? There wasn't even much humor in the film to make the excessive gore easier to take. I especially disliked the scene in the bathroom where the most likable character was beheaded right after he expressed his happiness about getting a phone number from a guy he liked.

So now we have our gay slasher film. A step forward or a step backward?

Four gay men are out for a night of fun at the infamous West Hollywood Halloween Carnival but make the big mistake to moon at a muscular fella wearing a horny mask. Little do they know they just provoked a serial killer who can truly hold a grudge...

Make no mistake, this is classic slasher territory. The film opens with the murder of a couple making out in a car parked in the woods and from there, well I'm sure you can fill the gap.

The originality here of course lies in the characters and for once, thank God, they are not the clichés one could have expected and feared. They are fun loving young men celebrating who they are (as opposed to so many miserable gay characters of the past struggling with their sexuality) and witty as hell, which makes for some funny lines here and there.

Don't get me wrong though. "Hellbent" doesn't play the self referential game that most modern slashers do. At times, the movie is tense and, I must admit, the last part got me on the edge of my seat. The characters are sympathetic and humane, albeit not quite fleshed out. The movie is well shot, the acting is convincing and some death scenes are quite impressive.

Sure, the plot is a bit thin but then again: it's only a slasher (hardly rocket science). Far from redefining the genre or breaking new grounds, the movie is at least honest in its intentions.

"Hellbent" is actually less of a gay movie for a strictly gay audience than it is a pure pop-corn movie for any open-minded movie goer looking for a genuine good time.

As a longtime slasher fan, I'm always looking forward to a new entry in one of my favorite sub-genres. When I first heard about this one, I was wary. Not because it was a gay slasher film, but because I was worried that the characters weren't going to be portrayed as real people, but rather caricatures of gay stereotypes. In order for a slasher film to succeed, you need to believe the victims... and thankfully, with Hellbent, I did.

What I got in this film was a really solid slasher flick that was really fun from beginning to end, with beautiful cinematography, plentiful gore, and a very fun locale. While the killer has no direct motive, it works within the context of the story and the movie never gets bogged down with pacing problems.

The characters, while an eclectic bunch, are all believable and keep the story moving along. While the occasional stereotype shows up, one gets the feeling that these are real people in a real situation, which is refreshing. The fact that the central characters are gay quits being a gimmick after the opening scene.

Judging from other reviews here, it appears as though a lot of people didn't care for this film, but I really did have a good time with it. Its funny, gory, and entertaining - which is all I ever ask of my slasher movies. People wanting high cinema should look somewhere else... but if you want high cinema, you probably aren't a slasher fan anyways.