The Box

There is one thing that works better than a good twist: the absence of a twist when you are expecting one. Why? Because if this happens, it means the movie could surprise you, in the way it didn't choose the path you were thinking about. The Box falls in this category of films.

In its dark, somber and rough style, The Box has elements of the film-noir genre: an ex-convict just released from prison, a small urban town, a femme-fatale and a load of money. And as soon we realize everything is going from bad to worst - following a pessimistic storyline - we know Frank is doomed from the first moment he was released from prison, just because he left unfinished businesses when he was arrested. And for that reason there is no possible redemption, even if we can see, for some moments, glimpses of a new life for the doomed hero.

I like tragedies and doomed characters, and that's one of the reasons I liked The Box. Also, it's nice to see a thriller without a major twist in a time where every thriller marks its points by a closing twist. For this reason, The Box is surely an original piece or, at least, something different from the big-twist-ahead thrillers I've seen in the recent times. For its own good, The Box does not pretend to be smarter than its audience.

laconic old fashioned masterpiece, told very slow. if you don't like these better go off to bad boys II. I like Theresa Russel, she gives another excellent performance.

After three years in a penitentiary, the thief Frank Miles (Rene Russo) is released in probation. He is sent to a small town, where he lives in a very low budget hotel downtown and works as a mechanic in a junkyard. His best friend is Stan (Brad Dourif), an ex-small-time drug dealer, who became his friend in the prison. While having his meals in a simple restaurant, Frank meets the waitress Dora Baker (Theresa Russell), a woman with a hidden past, and they feel attracted for each other, starting a romance. Meanwhile, Frank tries to retrieve his US$ 200,000.00, left with a former partner, and Dora is threatened by her former husband, the scum Jake Ragna (Steve Railsback). When Dora finds a mysterious box hidden in her beautiful house, their troubles begin, as if it were the Pandora Box. "The Box" is a surprisingly good low-budget film-noir. Having a great low-paced dark story written by James Russo and very well developed characters, this movie is completely underrated in IMDb. The whole cast has an excellent performance, highlighting James Russo, maybe in his best role, and the good actress Theresa Russell. The pessimist and non-commercial storyline is very real, having no plot point or surprises, becoming darker and darker and without redemption, being a gem to be discovered by adults. Congratulations to James Russo, Richard Pepin, Theresa Russell and the cast and crew for such a good film. My vote is eight.

Title (Brazil): "A Caixa" ("The Box")

For the most part THE BOX is not a bad film but its not a very good film either, plainly put I had mixed reactions about this film, it had a good concept, the acting was above par, it maintains a slow pace throughout but when it ended I felt really disappointed because I waited for something big to happen and it never did, there was no major car chase scenes but there were a few quick shootouts nothing more, there is just nothing to get overly excited about in this film.

However, what kept me watching was the fact that I liked the cast, James Russo, Brad Dourif, Theresa Russell and Micheal Rooker are always great to see on screen no matter how the movie is, also I can safely say director Richard Pepin has done better films in the past, so I can easily let this one slide Overall, it might be worth seeing but you won't miss anything.

This film is a surprise. When I started watching the DVD, I was sure it's a cheap, campy, B or C, D-series kind of movie. The kind that goes directly to DVD, after the test-projection. But no! As the story unfolded, I became more and more impressed. I knew Theresa Russel from a series of good films, such as Kazan's "Last Tycoon", where she made a wonderful debut. I also knew James Russo, but I didn't expect such a special performance. Perfectly paced by the director (whom I haven't heard of, before this film), the chain of events doesn't give you the time to wonder If they make any sense or not. You just go along, and accept that Russel's character has a mysterious ex-husband that drags her into dirty business, that the real cops never show up and so on. Leaving for Hawaii, with the girl and the money, would have been such a great ending, but, after all, the girl wasn't very clean, and neither were the money... Which leaves us with one of the most sympathetic killers I've seen in films the last years and an interesting paraphrase-ending to "The Treasure of Sierra Madre". Check out this film.