IMDb RATING
4.2/10
3.3K
YOUR RATING
Delgo, an adventurous but naive teenager, must rally his group of friends to protect their world from conflict between the Lockni and Nohrin people.Delgo, an adventurous but naive teenager, must rally his group of friends to protect their world from conflict between the Lockni and Nohrin people.Delgo, an adventurous but naive teenager, must rally his group of friends to protect their world from conflict between the Lockni and Nohrin people.
Freddie Prinze Jr.
- Delgo
- (voice)
Val Kilmer
- Bogardus
- (voice)
Anne Bancroft
- Sedessa
- (voice)
Chris Kattan
- Filo
- (voice)
Malcolm McDowell
- Raius
- (voice)
Louis Gossett Jr.
- King Zahn
- (voice)
Burt Reynolds
- Delgo's Father
- (voice)
Kelly Ripa
- Kurrin
- (voice)
Sally Kellerman
- Narrator
- (voice)
Melissa McBride
- Miss Sutley
- (voice)
- …
Jeff Winter
- Giddy
- (voice)
- …
Don Stallings
- Gelmore
- (voice)
- …
Brad Abrell
- Spog
- (voice)
Featured reviews
As a scriptwriter and producer of, and all-round lover of all types of animation, no matter where in the world it is from, I rushed to see this movie as soon as possible. The trailer looked okay and the art seemed original. So how disappointed was I when it turned out to be this bad. I spent an hour with the deepening niggle that I had seen this all before and in the end realised that, of course, I had. The character and set designs are taken from old (admittedly high quality) adventure games a la 1985, the animation movement is just a little out in many scenes, the script is an awful cobbled hash of better films, and even the voices don't really fit. It may be her last film, but sadly Anne Bancroft simply sounds old and tired. So what was Delgo about? The bad guy secretly pushing peaceful neighbours to go to war, the boy and girl from each side of the divide, the awful, bad leader/general, the overwhelming odds... yadda yadda yadda. You've seen it all before, and the fact that it is from a "new independent" studio makes no difference to its quality, which is cynically derivative, rushed to the screen and generally inferior. Do yourself a favour and play the old adventure games instead. They still have an air of naive originality.
the references are the basic support for transform Delgo in an acceptable animation. the fight between good and bad, the bitter memories from past, the characters who seems be from The Dark Crystal. all ordinaries ingredients are present. all the glamour from fairy tales, love story, the good king against cruel relative, different people with so common links, the revenge, the ordinary guy who becomes hero, the goodness in all the nuances and the drops of humor. and that does the film acceptable, predictable and almost boring. because the same story, with better adaptations, is not exactly a virtue. but, like many simple animations , the references, the nice scenes, maybe Filo more than Delgo are reasonable solutions for entertain. but a film saved only by memories of the public about another films with the same subject is far to be the most inspired option.
I admit the animation was wonderful. The initial use of alien creatures was right on the mark -- special -- creative -- enticing... the voices were amazing throughout, but then there's the pesky need for a good story.
As an author of 11 scripts I noticed the scripted flaws immediately and continuously. The introduction narrative was completely unnecessary and should have been incorporated (if at all) into the movie as it unfolded.
The logic and progression of plot points were very flawed: so much so that I was annoyed that the film turned away from its initial strength 'originality' and fell on the sword of blandness. The reason so many people keep saying this film in plagiarism is simply because it follows such common event sequences you can't help but compare it to many other movies: Camelot (guards attacking the helpful hero), Star Wars (comic relief was the mirror image of a famous Gungan), Cinderella/Sleeping Beauty (hero finds a lost item, evil dragon lady,) and even the Lion King (when you see it you'll understand), etc.
The script was quite frankly pathetic in parts, but also (to be fair) had some moments of honesty. Those moments were presented but then lost when the script failed to follow-up on the logic thread.
So much of the movie is filled with clichés, and the comic relief was really annoying -- not funny -- that I was totally outside the movie and making remarks to myself (OMG, please not that, YGTBKM) instead of flowing along with the action. By the way, I was the only person in the theater. When I asked the ticket person if the movie was worth the price he said, "Opening day sold only 2 tickets." What this story has in beautiful animation and initial originality (the first few minutes) was completely lost to illogic. The amazing creatures were pushed to the background for the most part and the main characters were developed by narrative not action. We were usually told, not shown (or allowed) to feel with the characters. There was no character growth as such, just a jarring thump from one sequence to another as if the characters were puppets on a string.
How sad that what could have been a great adventure turned into trivialities. I would just like to say the burning bush had such possibilities.
As an author of 11 scripts I noticed the scripted flaws immediately and continuously. The introduction narrative was completely unnecessary and should have been incorporated (if at all) into the movie as it unfolded.
The logic and progression of plot points were very flawed: so much so that I was annoyed that the film turned away from its initial strength 'originality' and fell on the sword of blandness. The reason so many people keep saying this film in plagiarism is simply because it follows such common event sequences you can't help but compare it to many other movies: Camelot (guards attacking the helpful hero), Star Wars (comic relief was the mirror image of a famous Gungan), Cinderella/Sleeping Beauty (hero finds a lost item, evil dragon lady,) and even the Lion King (when you see it you'll understand), etc.
The script was quite frankly pathetic in parts, but also (to be fair) had some moments of honesty. Those moments were presented but then lost when the script failed to follow-up on the logic thread.
So much of the movie is filled with clichés, and the comic relief was really annoying -- not funny -- that I was totally outside the movie and making remarks to myself (OMG, please not that, YGTBKM) instead of flowing along with the action. By the way, I was the only person in the theater. When I asked the ticket person if the movie was worth the price he said, "Opening day sold only 2 tickets." What this story has in beautiful animation and initial originality (the first few minutes) was completely lost to illogic. The amazing creatures were pushed to the background for the most part and the main characters were developed by narrative not action. We were usually told, not shown (or allowed) to feel with the characters. There was no character growth as such, just a jarring thump from one sequence to another as if the characters were puppets on a string.
How sad that what could have been a great adventure turned into trivialities. I would just like to say the burning bush had such possibilities.
It's sad. There was so much hope in me that the little guy could stare down the Hollywood gods (in this case Pixar and DreamWorks) and come out a winner. I new going in that this film had problems; no advertising, no studio release backing, many production trials, a relatively expensive cast of voice actors for a venture of this type. Still I had hope.
What I was left with was, oh how glad I am that few will see this film and remember that it was Anne Bancroft's last work. Orson Wells didn't fare as well with his, but his last wasn't as bad. This film had a brief glimmer at the beginning then quickly sank into an abyss of unoriginality, cliché, confusion, too much narration rather than exposition, and too many irritations. The movie felt like a little pebble that gets into your shoe and just irritates the crap out of you until you take off your shoe and dump it out. I haven't had this bad of a time at a movie since "Blindness" and in fairness, "Blindness" was more of a masochistic experience to watch than this.
It all started for me Monday when I was off work, bored and had nothing better to do, so I figured I'd give this underdog a shot. The worst I thought could happen would be that I'd be bored and watching a movie instead of just bored and staring at the walls at home. That's your options when all your friends are at work and you can't bare the drivel of daytime TV.
Anyway, I was worse than bored and watching a movie, but I kept in there, hoping for the little guy to give me something to grab a hold of. Unfortunately it never came. I hoped that this movie could have been something triumphant in the face of adversity. Something that overcame the great odds against it and at least made back the money invested in it. I was looking for some unlikely cinematic surprise like "Facing the Giants" or its kin "Fireproof," but to no avail. Ultimately, I lost an hour and a half and $6.50.
What I was left with was, oh how glad I am that few will see this film and remember that it was Anne Bancroft's last work. Orson Wells didn't fare as well with his, but his last wasn't as bad. This film had a brief glimmer at the beginning then quickly sank into an abyss of unoriginality, cliché, confusion, too much narration rather than exposition, and too many irritations. The movie felt like a little pebble that gets into your shoe and just irritates the crap out of you until you take off your shoe and dump it out. I haven't had this bad of a time at a movie since "Blindness" and in fairness, "Blindness" was more of a masochistic experience to watch than this.
It all started for me Monday when I was off work, bored and had nothing better to do, so I figured I'd give this underdog a shot. The worst I thought could happen would be that I'd be bored and watching a movie instead of just bored and staring at the walls at home. That's your options when all your friends are at work and you can't bare the drivel of daytime TV.
Anyway, I was worse than bored and watching a movie, but I kept in there, hoping for the little guy to give me something to grab a hold of. Unfortunately it never came. I hoped that this movie could have been something triumphant in the face of adversity. Something that overcame the great odds against it and at least made back the money invested in it. I was looking for some unlikely cinematic surprise like "Facing the Giants" or its kin "Fireproof," but to no avail. Ultimately, I lost an hour and a half and $6.50.
We went and saw this opening weekend for the last show of the evening. We were the only ones in the theater. This disappointed me, since Delgo was really a fun film to watch. There were no surprises and there were a few moments that had me rolling my eyes. But over all we had a great time. My two year kept getting the alien races confused with real animals as they made the same sounds (ribbits and moos). This film was well animated, well voiced, and well scripted. I would have enjoyed this movie without having a child with me. Go see this film. It deserves to at least earn back the cost of making this film. Delgo was very promising. I'd like to see more from this production company.
Did you know
- TriviaThe film was released on 2,160 screens and grossed a total of over $690,000 against a budget of $40,000,000. It had the lowest per-theater gross on its opening weekend of any wide release in American film history, breaking the record set by The Ten Commandments (2007). The Oogieloves in the Big Balloon Adventure (2012) broke Delgo's opening-weekend record.
- ConnectionsFeatured in WatchMojo: Top 10 Movies So Bad They Were Pulled from Theatres (2017)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Anh Chàng Delgo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $694,782
- Opening weekend US & Canada
- $511,920
- Dec 14, 2008
- Gross worldwide
- $694,782
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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