IMDb RATING
5.8/10
3.1K
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Two months shy of their wedding, a couple decide to allow each other last flings until their wedding.Two months shy of their wedding, a couple decide to allow each other last flings until their wedding.Two months shy of their wedding, a couple decide to allow each other last flings until their wedding.
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This is a rather intelligent and sincere film about commitment. Personally I find it to be more romance than comedy, because of its insight in the emotions involved. There are some funny lines, but the exploration of love is more poignant. As the story goes, it becomes more and more obvious that we're not in a screwball comedy about swingers, but in a plea for long-term relationship. The acting is good enough, especially from Julianne Nicholson and Lauren Graham (who are supposed to be sisters, haha). Too good that the cynical sister prevented the danger of situation becoming corny after Alice's final, emotional speech (pause... "We don't do laundry"). But that also underlined the fact that this kind of relationship wasn't for everyone.
Alice (Julianne Nicholson) and Ed (Jay Mohr) are in love, live together, and are going to be married. The timid Alice realizes that she hasn't really slept with many men and regrets that. She suggests to Ed that they have sex with other people before getting married. He doesn't want to, but she insists that if they are both completely honest, it could work. He reluctantly agrees.
This movie works for the first half. It is funny, clever, and well-acted. Unfortunately, making a movie about polyamory that has something interesting and unique to say is really difficult. This storyline becomes less and less serious halfway through. The comedy turns screwball and is pretty ridiculous. We also see glimpses of side-character relationships (including two dishonest cheating friends, as well as a single friend dating a single mom) that ostensibly serve to compare and contrast with the lead relationship, but none of these stories go anywhere far enough to accomplish this. This movie's saving grace is its solid B-list ensemble cast including Josh Charles, Lauren Graham, Helen Slater, Jill Ritchie, and Andy Richter. On a sidenote, I watched this movie because rock goddess Liz Phair is in it. She has one pointless scene and you can't even tell its her. Sigh!
This movie works for the first half. It is funny, clever, and well-acted. Unfortunately, making a movie about polyamory that has something interesting and unique to say is really difficult. This storyline becomes less and less serious halfway through. The comedy turns screwball and is pretty ridiculous. We also see glimpses of side-character relationships (including two dishonest cheating friends, as well as a single friend dating a single mom) that ostensibly serve to compare and contrast with the lead relationship, but none of these stories go anywhere far enough to accomplish this. This movie's saving grace is its solid B-list ensemble cast including Josh Charles, Lauren Graham, Helen Slater, Jill Ritchie, and Andy Richter. On a sidenote, I watched this movie because rock goddess Liz Phair is in it. She has one pointless scene and you can't even tell its her. Sigh!
"Seeing Other People" is very similar to the British original series "Coupling" so it's nice to know that American sit com writers can be guffawingly funny about sex and relationships when freed from the networks.
While it's male/female co-written, by Maya Forbes and director Wallace Wolodarsky, the premise feels like a male fantasy gender-switch of wanting both free love and the laundry done, though both guys and gals do end up getting their comeuppance.
Jay Mohr, as a mensch for a change, and Julianne Nicholson, who was captivating in the drama "Tully," considerably humanize the coincidental goings on through their sincerity.
Lauren Graham and Josh Charles enjoy being deliciously nastier sidekicks than their respective "Gilmore Girls" and "Sports Night" personas. Andy Richter does a surprisingly grown-up turn as the most grounded of the group on the sexual merry-go-round.
It may have been shot on video and blown up to 35 mm as the print was a bit fuzzy. The font on the credits was the largest I've ever seen in a film so I could see that the director and Liz Phair had a cameo, though I think we only saw her legs, and that several sit com directors and producers were thanked. The excellent songs and music were not identified, however.
While it's male/female co-written, by Maya Forbes and director Wallace Wolodarsky, the premise feels like a male fantasy gender-switch of wanting both free love and the laundry done, though both guys and gals do end up getting their comeuppance.
Jay Mohr, as a mensch for a change, and Julianne Nicholson, who was captivating in the drama "Tully," considerably humanize the coincidental goings on through their sincerity.
Lauren Graham and Josh Charles enjoy being deliciously nastier sidekicks than their respective "Gilmore Girls" and "Sports Night" personas. Andy Richter does a surprisingly grown-up turn as the most grounded of the group on the sexual merry-go-round.
It may have been shot on video and blown up to 35 mm as the print was a bit fuzzy. The font on the credits was the largest I've ever seen in a film so I could see that the director and Liz Phair had a cameo, though I think we only saw her legs, and that several sit com directors and producers were thanked. The excellent songs and music were not identified, however.
Well, the movie did turn out a lot better than i expected. It's not boring and it's not unoriginal. It's really not a silly romantic comedy. The situations the characters put themselves in are very unusual, of course, we're still talking about a movie, but the main characters are indeed plausible. Donald is, of course, an exaggeration, but he's just a pawn in the movie, a means to prove something. The ending isn't one of those ridiculously happy, always the same, moral containing pieces of crap you can usually see in movies of the genre. I genuinely liked it and i'm hard to please when it comes to this particular genre of movies. It's worth a watch. Besides, it's better directed than other movies, the story line always stands up, the characters themselves stand up. And they do not experience this miraculous change and love is not revealed to them like a holly god given artifact, yada, yada. At the end of it all you actually see yourself going through it all, the movie makes you feel something, you may even learn a thing or two. It's not the usual hope-producing, tissue moistening idiocy. It's a good movie, not a consolation prize for teary women around the world.
I channel surfed past this many times, mainly because the synopsis sounded so cheesy, so "Love American Style". However, it turned out to be quite good, very well done. The two stand-out features are the dialog and acting. Great cast. The premise is actually well executed and there aren't too many weak moments. I guess what I was most amazed by was how often you thought the wheels are going to come off the cart, and instead, the cart just banks the turns, so to speak, and the movie keeps flying. There are some nice little sub-plots, particularly the relationship that develops between the character played by former Conan sidekick Andy Richter. Also, want to mention that the music accompanying it was good.
Did you know
- TriviaOn episode 433 of Jay Mohr's podcast he admitted falling for Julianne Nicholson during shooting, but never acted on his crush sure that Julianna was only acting.
- GoofsWhen Ed is talking to Sandy and says, "I seem sad?" his words does not match his mouth.
- ConnectionsReferenced in Conan: Death Gets a Paper Cut (2011)
- How long is Seeing Other People?Powered by Alexa
Details
Box office
- Gross US & Canada
- $87,923
- Opening weekend US & Canada
- $38,182
- May 9, 2004
- Gross worldwide
- $87,923
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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