Freeze Frame

This film, although not to everybody's liking, shows the world exactly how talented Lee Evans actually is. We all know his comedy skills aren't lacking (think Parole Officer) but this picture really does show off his acting abilities.

I found it a little slow to start, but it keeps you guessing all the way, whether this is intentional or not it certainly keeps you glued to the screen!

My advice is go grab it! Probably not one to watch again and again but certainly an enjoyable movie, Evans really does shine and makes this movie. Watch out for the crazy plot twist at the end, beats sixth sense's twists any day!

Firstly, I have to say Lee Evans is without doubt stunning in this film. We can only hope that he gets further meaty roles on the back of this performance.

A triple murder suspect has his case thrown out of court due to police incompetence. Vowing his innocence, he becomes a paranoid who tapes himself "24/7/52" and keeps the tapes in a special vault. Just before the 10th anniversary of the murders, he is again arrested on suspicion of murder, and when he tries to produce the relevant tapes they are missing.

The only downside to this superbly edited, visually stunning film is the lack of suspects as there are only half a dozen characters throughout. Other than that, it's well worth watching. Unlike most people here, I even enjoyed the ending (especially Evans last words!)

This Irish movie is my surprise hit of the weekend so far. I've never heard of this movie, and had no idea what to expect except what is on the DVD box, which looked pretty good. The story is about a guy that was accused of a brutal triple homicide ten years ago, and was let go because of technicalities. Since he believed he was being set up the police, he started videotaping every single thing he has done since then, 24/7/52, believing the cops were trying to hang other murders on him, he's turned into a real paranoid. And for good reason, because a dying sick detective is trying to get him for anything he can, before he dies himself. Bring into this a forensic crime writer who keeps giving lectures and writing books about guilty criminals that get off because of technicalities. So, our guy even has a camera mounted on his torso pointing towards his face whenever he leaves his bunker like home, which has cameras everywhere possible. Along come the cops who accuse him again, of a murder five years ago, and when he goes to find that particular tape, it is missing. YEEKS!!!! Then things get really complicated for him, and we get into a bunch of twists and turns towards the climax of the story, that made this a great Saturday night flick that's a little off center, and somewhat disturbing. Great movie, and I hope some of the rest of you have a chance to see it. Very very original, and quite creative, with excellent performances. This is my pick of the week for something out of the blue.

This is a pretty cool movie. Very stylish with all the handy-cam shots and the unsaturated colour.

A great performance from Lee Evans.

The plot was great but I found the ending a little too convenient and clichéd. I think it would have been better to spread some of the revelations around a bit, or at least give some stronger hints - or did I just miss them? Or was a different ending initially planned?

While watching I was distracted by wondering how such a guy could finance himself for so long? Would have been nice to have been given a simple reason.

Coincidentally I'd watched The Final Cut the evening before and couldn't help noticing the similarity and opposites of the two films. In The Final Cut the main character is tormented by guilt for something he remembers doing, whereas in Freezeframe Veil is tormented by accusations of doing something that he believes he didn't do. Both characters use av-recording technology to help themselves cope.

Anyway, well worth seeing.

Sean Veil is the ultimate paranoiac, a man so convinced that everyone is out to get him that he's even begun spying on HIMSELF. However, there is actually a method to his madness, for unlike many paranoiacs, Sean has a valid reason to be fearful and suspicious of those around him. About ten years prior to the time of the story, Sean was falsely arrested for the brutal slaying of a woman and her two young daughters - a crime for which he was eventually acquitted, although the experience has left him emotionally devastated and psychologically damaged. His reputation ruined, Sean has since devised an elaborate system whereby he can videotape himself 24/7, so that he will always have an alibi if someone ever attempts to accuse him again of a crime he didn't commit. Unfortunately, Sean soon discovers that even the latest in modern technology can't guarantee his safety if the forces out to get him can figure out how to beat him at his own game.

This quirky and original Irish film suffers a bit from the constraints of its budget and the amateurishness of some of the performances. Director John Simpson's split screen technique, though intriguing at first, becomes a bit trying after awhile, and the storyline is not always as cleanly and clearly developed as it might be, although the drab, colorless look of the film perfectly reflects the drab, colorless life of its protagonist.

The movie overrides most of its flaws thanks to one element that is the real thing: Lee Evans' searing and uncompromising portrayal of an innocent man driven to the brink of madness by his obsessive need to prove that innocence. With his nervous, soft-spoken demeanor and constant look of terrified submission, Evans makes what could have been a creepy, repulsive character into a thoroughly sympathetic figure. We find ourselves so drawn to his predicament and so involved in his fate that, even at those moments when the movie itself falls flat, we stick with it anyway.