IMDb RATING
6.1/10
1.4K
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Cynthia is a young Chinese woman in love with Itami, a Japanese man about to be sent home for military service.Cynthia is a young Chinese woman in love with Itami, a Japanese man about to be sent home for military service.Cynthia is a young Chinese woman in love with Itami, a Japanese man about to be sent home for military service.
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Many have commented on how confusing the film's plot is, and I agreed on first viewing. A second viewing, however, shows everything quite intricately and deftly and =coherently= composed. People are used to films telling them things with words, which a visual medium doesn't necessarily have to do. The images give you everything here, provided you're paying attention, which shouldn't be too much for a director to ask. The first 20 minutes play out almost like a silent movie, as Lou uses the most delicately suggestive fragments to introduce us to the star-crossed lovers Itami (Toru Nakamura) and Cynthia (Zhang Ziyi). Zhang, in my opinion, deserves every close-up she gets.
Purple Butterfly has a chaotic editing style and claustrophobic cinematography. The story line cuts back in forth from the past to the present and is hard to follow. The scenes are rainy and blurred and the cinematographer's choice of lens made some of the action blurred. This all makes Purple Butterfly seem like a bad movie, but it is suitable to the mood and story being told. Purple Butterfly is dramatic and experimental in its ways and was one of the best films at Cannes Film Festival.
9whs5
"Purple Butterfly" puts us in media res in a moment in history--the years leading up to the Second Sino-Japanese War--that may be unfamiliar to some viewers. It links the lives of several people tragically brought together with a time-scrambling plot, a device familiar from "Amores Perros." This combination may account for some of the impatience and confusion some viewers have expressed; but I found the film brilliant. I particularly liked the courageously (for Westerners)slow pace of many scenes--the scene at the railway station, where the protagonist (played by Zhang Ziyi) gradually moves from background to foreground, is especially good. Those looking for Hong Kong-style action will be disappointed. Those open to a humane, thoughtful twist on the intrigue genre will probably like it. Fans of Ms. Zhang from her martial arts films will have the opportunity to see her in a less stylized role.
While the story might give one an eye sore and a headache having to keep up with the multiple characters in the storyline, there is an air of independent film-making that transcends the film's confusion. One should also note how excellent the camera-work is for those who enjoy the Italian Neo-realist films of the 1940's and 50's.
This film is perhaps one of the most interesting of films on Chinese history told from the perspective of the Chinese themselves. The background, actors, crowded train stations and gunfights, would seem difficult to recreate in an independent film. However, the director succeeds in creating 1930's Japanese occupied Shanghai and how war affects those who are involved, both politically & non-politically. For anyone who hasn't seen a film from China other than the heavily laden Kung Fu movies made here in the U.S., Purple Butterfly is both a refresher and an excellent look at Neo-Realism in Chinese Cinema today.
This film is perhaps one of the most interesting of films on Chinese history told from the perspective of the Chinese themselves. The background, actors, crowded train stations and gunfights, would seem difficult to recreate in an independent film. However, the director succeeds in creating 1930's Japanese occupied Shanghai and how war affects those who are involved, both politically & non-politically. For anyone who hasn't seen a film from China other than the heavily laden Kung Fu movies made here in the U.S., Purple Butterfly is both a refresher and an excellent look at Neo-Realism in Chinese Cinema today.
Sixth Generation Chinese director Ye Lou's visually stunning revolutionary romance "Purple Butterfly" is set in Japanese occupied Manchuria in the 1930's and for the first 45 minutes or so you may find it impossible to figure out who's who or what's going on, (I certainly did). Lou uses hand-held cameras to dizzying effect and shoots mostly in various shades of blue and with an awful lot of rain. What is clear is there is an underground organization, (the Purple Butterfly), dedicated to fighting the Japanese and that there's a traitor in their midst. Otherwise the plot is reasonably complex and the time structure not always clear while a case of mistaken identity does little to help. Nevertheless, trying to put the pieces together in some kind of logical order turns out to be hugely rewarding and, as I've said, it's visually magnificent with superb performances from the entire cast. Inevitably it will remind you of the cinema of Kar-Wai Wong but Ye Lou remains his own man and even if you need to see this a couple of times to 'get it' it will be time well spent.
Did you know
- SoundtracksCould Not Get Your Love
Written by Yao Min (composition), Yan Kuan & Su Wong (lyrics)
Performed by Yao Li
Courtesy of EMI Music Publishing Hong Kong
Details
Box office
- Gross US & Canada
- $17,790
- Opening weekend US & Canada
- $6,970
- Nov 28, 2004
- Gross worldwide
- $17,790
- Runtime
- 2h 7m(127 min)
- Color
- Sound mix
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