Lymelife

Derick Martini's film 'Lymelife' is a fairly conventional, low key tale of growing up in a dysfunctional, suburban family on Long Island. It features a very typical performance from Alex Baldwin, a painfully convincing teenage sex scene and a surprising ending that shies away from sentimentality but which left in two minds: in some ways, the mood of the whole film sits awkwardly between heartwarming and unbearable awfulness, and perhaps there was no single conclusion that might have made it all seem right. Indeed, the better stuff in this movie comes when the subject is less black, more ordinary; elsewhere, it can be hard to watch.

I can't wait for my next three-Martini film! If Lymelife can be done in less than a month, let's have at least two more before year's end––the last positioned for awards season. Yes, I worry this remarkable film will be unheralded and forgotten in eight months. I can visualize every member of this excellent cast reading the script and beginning to drool. All this tight, little character-driven story needed was a cast that knew whereof it spoke and a director who could give that cast's instincts and improvisational abilities free rein. Obviously, the Martini brothers with a cathartic, autobiographical exercise in familial dysfunction said, "Hey, the Culkins will know where we're coming from!" And do they ever! The scenes between the brothers are heartbreaking in their awareness of fraternal love and filial disillusionment.

The sexual initiation scenes are tender, funny and soooo real. The floundering, faulty adults, right on the nose! This is Timothy Hutton's best work since Ordinary People.

The 1979 setting is subtly established by the scrupulously selected music and the vehicles of the time. The only effort to tie in current events in this post-Viet Nam war-weary era is an almost subliminal reference to the takeover of the American embassy in Tehran. And this is all so right, because the characters and relationships, which is what we're here for, are timeless.

The symbolism––right up to the real estate baron bearing the cross of a For Sale sign––hits just the right note. if you have a chance to see this film, go.

Lymelife is a slice of life. It deals mainly with a family in crisis in suburbia.It addresses themes like love, family dynamics, divorce...and it is one of the most refreshing movies I've seen. Teenager Scott Bartlett played by Rory Culkin is the main character and his life is turned upside down when he finds out that his family isn't perfect,his parents relationship is deteriorating and even his older brother isn't exactly who he though it was.The only positive thing in his life is the perspective of a new love, Adrianna Bragg,played by the lovely Emma Roberts, a girl he's in love for quite some time.But Adriana has some problems of her own too,her father has contrived lyme disease and her mother is involved with Scott's father.Trough the course of the movie Scott tries to hold himself together as everything around him falls apart.As I said, this Indie film is a slice of life,all the characters are layered and complex or in other words, they are real persons, flawed and all.The story although very simple is fascinating because it reflects the every day life.Brilliant direction and great acting,specially by Rory Culkin,Alec Baldwin and Emma Roberts.Some of the themes really hit home and its hard not to relate to something or someone in this movie. Absolutely beautiful film,one of the best Indies of the year and a must-see for everyone.

8/10

Like many US indie films, there's real sense of the extraordinary coming through from the very ordinary, here, with Lymelife.

Throughout, there was a real sense of odd detachment about it, especially in the scenes with the sufferer of the disease (Lymes) in question, Timothy Hutton, who keeps seeing a deer from his sick bed and then goes off out into the winter landscape to hunt it down, with a rifle....

The film itself was on late on BBC2 and I wish now that I'd been more alert to appreciate it, but what I did, is certainly memorable enough. Like Ang Lee's excellent The Ice Storm (set in the same 1970's) and in commuter belt Long Island, it's a gritty and often unsettlingly difficult to watch relationship drama. The family politics go haywire as father Alec Baldwin has an affair, which is one story and the other, that other reviewers have touched on, is of Rory Culkin finding his sexuality amongst this upset and upheaval.

Apart from the often cringe-inducing 'fashions' and hairstyles, it is probably his touching and nuanced performance as he fumbles with finding his first sexual experience that is the most memorable. Against the backdrop of Baldwin's often self righteous shouting rants, you can't but feel for him and his vulnerability and innocence.

As always, buying yet another DVD to view a film properly is offset against cash, so I might have to wait for it to reappear on TV somewhere before I can be reacquainted. I feel that it has the capabilities of being a very fine film, if offbeat and well worth taking a second look at. Intrigued!

Finally, a movie that doesn't take itself too seriously while tackling some serious issues. As an American living in Canada I see the condition of my home country today and this film feels like a prelude, or a humorous set up to the state of the country today. It seems this is unintentional as the screenplay was written during better economic times, but it sure is a strange coincidence. The astute observation of how many Americans become consumed with success that failure becomes inevitable. And the story is told with a raw unpretensiousness that doesn't insult you. It unfolds in a credible fashion, parents bickering, kids flirting, a brutal revenge on a bully then turns as serious as it is funny. the line between serious drama and hilariouis humor is so finely balanced that it's almost surgically seamless. I like when a movie keeps me off balance and in Lymelife you never quite know if you're going to kicked in the stomach or laughing hysterically. According to IMDb the film was made in 22 days for 1 million dollars. This I don't believe. It just doesn't seem possible. But then again, you can argue that the time and money constraints forced some very clever film-making. I especially enjoyed the cuts to little model homes with little plastic people and the characters being seen in reflections, I'm assuming the idea is the people on screen are reflections of who we are. But I don't know because it's not really spelled out. I'm just using my imagination. I recommend seeing it for yourself. I may even go back again for one scene in particular between the great Timothy Hutton and the brilliant Alec Baldwin. their only time on screen together and it is not only the best scene in the film but one of the most memorable scenes in recent film history.

by

ex-patriot who still loves America.