A look at actresses who starred in films with thought-provoking subjects made between 1929-1934 - before the Hollywood Production Code was enforced.A look at actresses who starred in films with thought-provoking subjects made between 1929-1934 - before the Hollywood Production Code was enforced.A look at actresses who starred in films with thought-provoking subjects made between 1929-1934 - before the Hollywood Production Code was enforced.
- Director
- Writers
- Stars
Jane Fonda
- Self - Narrator
- (voice)
Kitty Carlisle
- Self - Interviewee
- (as Kitty Carlisle Hart)
Loretta Andrews
- Chorus Girl
- (archive footage)
Fred Astaire
- Self
- (archive footage)
Robert Barrat
- Self
- (archive footage)
John Barrymore
- Self
- (archive footage)
Lionel Barrymore
- Self
- (archive footage)
Wallace Beery
- Self
- (archive footage)
Charles Bickford
- Self
- (archive footage)
Virginia Bruce
- Self
- (archive footage)
Maxine Cantway
- Chorus Girl
- (archive footage)
Maurice Chevalier
- Self
- (archive footage)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
The more things change...
This is an excellent look at women in the pre-Code films. Narrated by Jane Fonda, it is extremely thought-provoking in this age of wardrobe malfunctions, hue and cry over a sexy Paris Hilton commercial, and Nicole Sheridan dropping a towel during an ad on Super Bowl Sunday.
I found this documentary comforting in a way - 70+ years later, we're still going through all the same stuff we did back then. The way things are going, we'll be back in 1933 before you know it.
Fonda narrates with a lot of expression as she takes the viewer through pre-code movies showing prostitutes, women sleeping their way to the top, menage at trois, bisexuality, abortion, and unfaithful wives. If you're not familiar with movies done before Breen and Hays, this will be a revelation.
I found this documentary comforting in a way - 70+ years later, we're still going through all the same stuff we did back then. The way things are going, we'll be back in 1933 before you know it.
Fonda narrates with a lot of expression as she takes the viewer through pre-code movies showing prostitutes, women sleeping their way to the top, menage at trois, bisexuality, abortion, and unfaithful wives. If you're not familiar with movies done before Breen and Hays, this will be a revelation.
EXCELLENT AND ACCURATE
The people who are saying that this documentary was in any way exaggerated or inaccurate are themselves inaccurate. This film is historically documented and completely true to the spirit of the pre-Code era. And lest anyone think the film pandered to a modern sensibility, keep in mind: It had three ninety year old ladies in it, and was narrated by 66-year-old JANE FONDA, not Courtney Love. The fact is, the pre-Code was an extraordinary period for women's films -- something that becomes more not less evident after one has seen two hundred or three hundred pictures from this period. And it was not extraordinary only for what it showed or dared but for the points the films made -- for those points that were intrinsic to the MESSAGES of the films -- which go way beyond a flimsy gown or anything that could be edited into tameness. If anything this documentary needed more time -- three or four hours -- to do justice to the range of pre-Code women's films. Still working within the constraints, this was a splendid achievement and yet another laurel for Turner Classic Movies.
Good Doc
Complicated Women (2003)
*** 1/2 (out of 4)
Wonderful look at the women who made Pre-Code films from 1929-34. The film shows clips from the most popular films of the era and shines a spotlight on the women who brought the sexiness to these films. The film doesn't run too long, which is a shame because this era of Hollywood is so interesting but the movie does a good job of introducing this era to those who might not know too much about it. The discussion about the Catholic Church putting an end to this type of film is an interesting one. Jane Fonda narrates.
*** 1/2 (out of 4)
Wonderful look at the women who made Pre-Code films from 1929-34. The film shows clips from the most popular films of the era and shines a spotlight on the women who brought the sexiness to these films. The film doesn't run too long, which is a shame because this era of Hollywood is so interesting but the movie does a good job of introducing this era to those who might not know too much about it. The discussion about the Catholic Church putting an end to this type of film is an interesting one. Jane Fonda narrates.
Exceptionally interesting and a good introduction to those not acquainted with the "Pre-Code" era
This film is a wonderful introduction to the women of the so-called "Pre-Code" movies--movies that were made through about the middle of 1935. They were called "Pre-Code" in that they were made before the rigid Production Code was enforced and the films abounded with sexuality, violence and topics of questionable taste for the time. This documentary focuses not on this overall topic, but specifically on women of the films and their smoldering sexuality. Because of this it is NOT indicative of the general topic of Pre-Code films but on a narrow aspect of the movies.
The documentary is great because I was shocked how well-preserved some of these old leading ladies were and listening to their stories about the era was extremely fascinating. I also liked all the old clips, though I felt that many times important films were omitted from discussion or clips. For example, while the very tawdry nude swimming scene from TARZAN AND HIS MATE was mentioned and shown several times (a very spicy scene even by today's standards), very little mention was made of equally famous films with similar content, such as THE BARBARIAN and THE SIGN OF THE CROSS--the two bathing scenes in these films are amazing for the early 1930s. Also, the film seemed to indicate that the Pre-Code era was from the beginning of talkies until 1934, whereas there were MANY films in the silent era that featured copious amounts of nudity or sexually liberated females. Both these quibbles, though, are very minor, as only to film nuts like me will even notice or care!
The documentary is great because I was shocked how well-preserved some of these old leading ladies were and listening to their stories about the era was extremely fascinating. I also liked all the old clips, though I felt that many times important films were omitted from discussion or clips. For example, while the very tawdry nude swimming scene from TARZAN AND HIS MATE was mentioned and shown several times (a very spicy scene even by today's standards), very little mention was made of equally famous films with similar content, such as THE BARBARIAN and THE SIGN OF THE CROSS--the two bathing scenes in these films are amazing for the early 1930s. Also, the film seemed to indicate that the Pre-Code era was from the beginning of talkies until 1934, whereas there were MANY films in the silent era that featured copious amounts of nudity or sexually liberated females. Both these quibbles, though, are very minor, as only to film nuts like me will even notice or care!
Just Complicated Women
I almost feel guilty giving this the low score that I did, as, for what it is, it's excellent. Had it been part of a three-parter that expanded onto the (studio and real world) politics and society more at the time in question, and then even delved into the reversion of the code decades later, I'd have been deliriously happy, but alas all I got was the clip show part.
As such, it's great. First hand reports from the people who were there - the Complicated Women themselves - makes this a particularly insightful documentary. Mick LeSalle is a great writer with an encyclopaedic knowledge of the field (and also the single film reviewer I pay the most attention to, he sees through the fog when others can't), and if you're not familiar with the pre-Code movies you should hopefully find it a very interesting eye-opener...
... an eye-opener which will make you say "how did things go so wrong?", and then wish for the other two parts of the documentary :/
As such, it's great. First hand reports from the people who were there - the Complicated Women themselves - makes this a particularly insightful documentary. Mick LeSalle is a great writer with an encyclopaedic knowledge of the field (and also the single film reviewer I pay the most attention to, he sees through the fog when others can't), and if you're not familiar with the pre-Code movies you should hopefully find it a very interesting eye-opener...
... an eye-opener which will make you say "how did things go so wrong?", and then wish for the other two parts of the documentary :/
Did you know
- ConnectionsFeatures Flesh and the Devil (1926)
Details
- Runtime
- 55m
- Color
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