IMDb RATING
6.7/10
1.2K
YOUR RATING
A gothic '50s high-school comedy about a love-triangle that goes terribly bad, as two young, murdered teens return to their prom to get revenge.A gothic '50s high-school comedy about a love-triangle that goes terribly bad, as two young, murdered teens return to their prom to get revenge.A gothic '50s high-school comedy about a love-triangle that goes terribly bad, as two young, murdered teens return to their prom to get revenge.
- Awards
- 1 nomination total
Eric Gilliland
- Spud
- (voice)
Sarah Silverman
- Cherri
- (voice)
Dermot Mulroney
- Rod
- (voice)
Beverly D'Angelo
- Darlene
- (voice)
David Carradine
- Mr. Snerz
- (voice)
Keith Carradine
- JoJo
- (voice)
Martha Plimpton
- Miss Crumbles
- (voice)
Tom Noonan
- Principal
- (voice)
Justin Long
- Dwayne
- (voice)
Michael Showalter
- Wally
- (voice)
Hayley DuMond
- Buttercup
- (voice)
Craig Bierko
- Sarge
- (voice)
Peter Jason
- Coach
- (voice)
Matt Groening
- Will
- (voice)
Don Hertzfeldt
- Dill
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"Hair High" is a full-length Bill Plympton cartoon that is very different from his hilarious shorts. Instead, it's more story-oriented, less funny and a bit padded. Many scenes seem to be drawn out....and the experience is certainly different.
Spud is a new student at the high school. Soon he draws the ire of Rod, the school bully and quarterback of the football team. To punish Spud for existing, Rod forces Spud to be Cherri's slave...and Cherri is Rod's girlfriend. Eventually, however, the plan backfires when Cherri and Spud falls in love and decide to go to the prom together. In response, Rod runs the pair off the road...killing them. While this should be the end of the story, it isn't...and the dead pair are determined to get to the next prom.
Like many of Plympton's cartoons, this one is certainly NOT for kids. It's filled with sexual material and violence...the sort of stuff teens and adults will enjoy but certainly NOT kids! In fact, I talked with Mr. Plympton a few years ago at ComicCon New York, and he said he did NOT want kids watching some of his films. They just can, in some cases, be way too adult for the little ones! It also is a film NOT for the casual viewer, as the material and especially the pacing are not typical of a Plymton cartoon...so I recommend that those not familiar with his work try something else first. Worth seeing despite its pacing...and very, very strange....sort of like the John Waters film "Cry Baby"...but on acid!
Spud is a new student at the high school. Soon he draws the ire of Rod, the school bully and quarterback of the football team. To punish Spud for existing, Rod forces Spud to be Cherri's slave...and Cherri is Rod's girlfriend. Eventually, however, the plan backfires when Cherri and Spud falls in love and decide to go to the prom together. In response, Rod runs the pair off the road...killing them. While this should be the end of the story, it isn't...and the dead pair are determined to get to the next prom.
Like many of Plympton's cartoons, this one is certainly NOT for kids. It's filled with sexual material and violence...the sort of stuff teens and adults will enjoy but certainly NOT kids! In fact, I talked with Mr. Plympton a few years ago at ComicCon New York, and he said he did NOT want kids watching some of his films. They just can, in some cases, be way too adult for the little ones! It also is a film NOT for the casual viewer, as the material and especially the pacing are not typical of a Plymton cartoon...so I recommend that those not familiar with his work try something else first. Worth seeing despite its pacing...and very, very strange....sort of like the John Waters film "Cry Baby"...but on acid!
One of the most easily recognisable auteurs working in animation, Bill Plympton has produced a succession of animated features and shorts which delight with their unique style and idiosyncratic world view. His is a bizarre world which, unusually for such hand drawn work, normally assumes the presence of an adult audience and where the exaggerations of sex can be sniggered over for all the right reasons. HAIR HIGH is no exception, and continues the animator's regular obsessions with the strained relationships between sexually optimistic men and women, detailed with black humour all the while laced with some side swipes at the ironies of romance. There's also plenty of hair spray, horny chickens, a good soundtrack, smoking, and the genital stimulation of frogs. Rudeness, surreality and extremes of physical contortion appear again as part and parcel of the plymptonesque world - which this time includes nods to such disparate films as REBEL WITHOUT A CAUSE, NIGHT OF THE HUNTER and THE CASTLE OF CAGLIOSTRO. HAIR HIGH is voiced by such talent as Keith and David Carradine, Ed Begley Jnr and Matt Groening. Ostensibly a moralistic tale of 50's high school love that ends in comi-tragedy, HAIR HIGH actually engages as a characteristic free wheeling fantasy, allowing the animator to indulge in all sorts of off the wall scenes and images propelling the narrative forward. For those better used to the tight pencil work and plot construction of more regularly exposed animation studios Plympton's work, which leaps more immediately from the artist's bizarre subconscious, often comes as a wake up call. In its attempt to drag cartoons out of the juvenile closet Plympton's longer work has been blazing a trail for years. With not a cuddly, wise-cracking animal in sight and a hands-off view with regards to any computer generated figures, HAIR HIGH is a must for admirers of Plympton. Since this film Plympton has completed two other features, including SHUT EYE HOTEL and, most intriguingly, TOKYO ONLYMPIC, which at 137 mins is slated at his longest yet, double that of the present title.
Hair High is a take-off of retro high school dramas, as a mild-mannered student finds himself being tortured by the top echelon at his new school. The story is little more than a frame for a series of insane set pieces that range from flies having sex to a crazed car battle.
This episodic, gag-first approach keeps one from caring much about the characters or events, but it's pretty consistently funny.
Bill Plympton has a weird sense of humor, but his mix of surreal cleverness and outrageous is always lots of fun. Hair High isn't quite as good as his shorts, but it is thoroughly enjoyable.
This episodic, gag-first approach keeps one from caring much about the characters or events, but it's pretty consistently funny.
Bill Plympton has a weird sense of humor, but his mix of surreal cleverness and outrageous is always lots of fun. Hair High isn't quite as good as his shorts, but it is thoroughly enjoyable.
This story is in the same mode as Rod Serling's original "Twilight Zone," except with much more heart and soul, and less Old Testament style revenge. You learn to love the characters, even the ones you initially think are cruel.
After all the overproduced and overhyped animated films, that promise wonders but give us the same old thing - THIS is the reason we come back to watch animation. I've seen several of Plympton's short films, but they didn't prepare me for the beautiful characters, the simple and clear story, and (most amazingly) the 50's - 60's style teen music.
See it in the theatres AND buy it on DVD when it comes out. Be aware, though; there's some violence and messy stuff that very little kids probably shouldn't see. Kids above age 12 should be able to handle it, though.
After all the overproduced and overhyped animated films, that promise wonders but give us the same old thing - THIS is the reason we come back to watch animation. I've seen several of Plympton's short films, but they didn't prepare me for the beautiful characters, the simple and clear story, and (most amazingly) the 50's - 60's style teen music.
See it in the theatres AND buy it on DVD when it comes out. Be aware, though; there's some violence and messy stuff that very little kids probably shouldn't see. Kids above age 12 should be able to handle it, though.
I wonder if Pink Floyd's The Wall animations helped inspire this little animation gem. I wish this had had greater circulation. The Triplets of Belleville comes to mind as well. The story is strange, the animation brimming with nicely realised ideas. I guess you could compare it to Carrie. It's sort of a grand All-American nightmare. I found this movie at an op shop. Another lucky day for me!
Did you know
- TriviaThe original idea for the film was inspired by a dream that Bill Plympton had, of a skull that oozed all these scary Gothic creatures - snakes, lizards, spiders and bugs. He felt that this image was perfect for a 50's teen "revenge at the prom" film. Once he had the concept, he began making concept drawings that evolved into storyboards.
- GoofsAll entries contain spoilers
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Saçlar havaya
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,342
- Opening weekend US & Canada
- $983
- Aug 6, 2006
- Gross worldwide
- $5,342
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