One Missed Call

First, I strongly disagree with some other posters at the board who weren't bothered by Chakushin ari facing a Hollywood remake. Why can't Hollywood keep their dirty fingers away when they fail in their own miserable creativity. Anyhow...

I've just started to dig deeper into the works of Takashi Miike and I have no problems admitting that his movies are awesome. Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things. What you get in Chakushin ari is, besides the beautiful surroundings and awesome camera work, tension, thrills and a plot which does quite good for being in this genre. It has its moments of originality and compared to the works of Hideo Nakata, I'd say Miike here accomplish a heavier load of tension throughout the whole movie, while Nakata's movies have tension coming in waves, sort of.

I have really nothing to whine about here or rant at. The actors are doing a good job and the piece kept me interested throughout the entire playtime. Thumbs up.

i read a lot of bad reviews about this fantastic movie, so i watched it without even expecting something good.Of course i was positively surprised,the actors are very good : very few American actress knows how to express pure terror on they're faces as well as a Japanese actress.Miike success in creating an intense and creepy mood that follows you all the way till the end credits.

o.k. so the story is not very original,if you have seen Ju-on, Ringu or Dark water there is nothing new here. it's another Japanese movie with a "grudge" (grudge: curse that happens when someone "most of the times a girl" dies in a tragic or horrible death,then the girl return from the dead to kill,usually grudges have long dark hair covering they're faces) but the ghost or grudge in "one missed call" is a lot more scary than Sadako in ringu or even the one in ju-on and there is a lot of murders going on from the beginning to the end. It's definitely not slow paced like dark water and a lot more entertaining.

But if your like me, when you watch a zombie movie you expect zombies,if you watch a killer movie you expect killings so if you watch a Japanese horror movie expect a grudge cause it's a part of the Japanese mythology so don't go crying out loud that this movie sucks because it's a pale imitation of ringu and ju-on, IT IS NOT!!!!

so, i give this movie 10/10 for three reason: 1: a lot of good scares 2: a very effective and disgusting grudge 3: entertaining from opening credits to the end

A good Japanese-surprise.

Was looking for something different to watch in Americanized Netherlands, and found this movie. If you have never seen any of the recent Japanese fear movies, then this one is a good compilation of the others (Ring, Dark Water, Kairo...) : strange camera angles, blurry pictures, good sound effects and music and a nice-and-somewhat logical script. I was worried about the Miike's touch, but in fact it was a surprising plus for this kind of movie, where ghosts and gore combine well. Takashi shows he knows a lot about filming methods, and also gives us an overview of the Japanese craziness about mobile phones : I can assure you that you will never look again the same way at your phone after seeing such a movie.

For the ones who have seen other Japanese horror movies, I would advise it as well, as you enjoy seeing again the same old tricks in a different context...and it works again !

So if you have the chance to have this one in a nearby theater...just try it !!

While in a bar with her friends, the teenager Yoko Okazaki (Anna Nagata) receives a call in her cellular with a voice mail from the future telling the date and time when she would die. On the next day, Yumi overhears a group of students talking about the urban legend that people connected in the address book of cellular are mysteriously receiving phone calls with date and time of their death in the near future. In the precise informed hour, Yoko is attacked by a supernatural force in a train station while talking to her friend Yumi Nakamura (Kou Shibasaki) by phone and dies with severed arm and leg. Yumi seeks out Kioto's boyfriend Kenji Kawai (Atsushi Ida), who also received a call, and witnesses his death in an elevator shaft. When her roommate Natsumi Konishi (Kazue Fukiishi) receives a call, Yoko befriends Hiroshi Yamashita (Shin'ichi Tsutsumi), who tells her that his sister Ritsuko (Azusa) that worked in the Child Guidance Center with abused children was the first victim of the phone call. While in the hospital, Yumi hears an asthma pump and recalls that she heard the same noise when Kenji died. They decide to investigate victims of asthma in the hospital and find the name of Marie Mizunuma and her daughters Mimiko and Nanako. They search the family together trying to save Natsumi from her fate.

"Chakushin Ari" is scary like most of the Asian horror movies, and has a promising beginning supported by a great acting and a good plot. However, the last quarter of the movie is confused, not clear, needing interpretation; therefore, the screenplay writer Minako Daira or the cult director Takashi Miike or both failed since they were not able to transmit a clear conclusion of the story to the audience. I glanced in IMDb the most different interpretations for the end of the story to ratify my opinion. My vote is six.

Title (Brazil): "Ligação Perdida" ("Missed Call")

After "Audition" and "Ichi The Killer", I had great expectations for this movie. What it delivers is essentially the "greatest hits" of Asian horror. There's more than a passing resemblance to "The Ring", with bits of "Ju-On" and other films thrown in for good measure.

The film revolves around mobile 'phones. A girl has a message left on her mobile 'phone answering service - only it's been left by herself and in the future! To make matters worse, it ends with a blood curdling scream! Well, it soon turns out that the message is the girl's final words on this mortal coil.

The girl is not alone. It's only a matter of time before the body count starts rising and a race against time begins to solve the mystery of the bizarre calls.

Despite being more than a shade Ringu-clone-esquire, I heartily enjoyed this film. It has some great set-pieces (including a memorable death), some spooky moments, a few "jump" sequences, etc. What the film didn't deliver, though, was any real fear. It was a case of "seen it all before" (a criticism that some levelled at "Ju-On").

The plot unravels in a logical manner and there's a decent pay off. It may not be a future classic, but this is a very well made example of Asian horror cinema.

My rating: 8 out of 10 for a stylish addition to Miike's portfolio