João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a seri... Read allJoão Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.
- Director
- Writer
- Stars
- Awards
- 1 win total
Ligia Soares
- Narcisa the Antigona
- (as Lígia Soares)
Suzana Borges
- Hortênsia Vuvu
- (as Susana Borges)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is a complete waste of time. The whole thing consists of endless static shots of the writer/director/star, Monteiro, spouting witty sounding or profound sounding gibberish.
Every now and then Monteiro minces around, quasi-adorably, like a wizened little Portuguese Nosferatu.
To sustain audience interest and to presumably show what exquisite taste he has, Monteiro places a young nubile Latina hottie in the shot, and allows her to listen in rapt attention while he spouts off endlessly. All I can say is, I certainly hope she was paid well for what must surely have been the sheerest torture.
The only redeeming qualities to this film were a couple nice musical numbers on the soundtrack and the beautiful outside location shots of Lisbon.
I've seen one other of Monteiro's movies, "God's Comedy", and that had similar problems, but not as bad as "Vai E Vem".
Much is made of the fact that this was Monteiro's last film before he died in 2003. It seems pretty clear from the hugely self absorbed and self indulgent character of this film that it constitutes more of a curse than a blessing on the world he was leaving behind.
Every now and then Monteiro minces around, quasi-adorably, like a wizened little Portuguese Nosferatu.
To sustain audience interest and to presumably show what exquisite taste he has, Monteiro places a young nubile Latina hottie in the shot, and allows her to listen in rapt attention while he spouts off endlessly. All I can say is, I certainly hope she was paid well for what must surely have been the sheerest torture.
The only redeeming qualities to this film were a couple nice musical numbers on the soundtrack and the beautiful outside location shots of Lisbon.
I've seen one other of Monteiro's movies, "God's Comedy", and that had similar problems, but not as bad as "Vai E Vem".
Much is made of the fact that this was Monteiro's last film before he died in 2003. It seems pretty clear from the hugely self absorbed and self indulgent character of this film that it constitutes more of a curse than a blessing on the world he was leaving behind.
I loved this film. The dialogues are wonderful and the story itself is amusing as we see J.César Monteiro in one of his best performances. The script has wonderful dialogues and is filled with bright and irreverent humour (a quality of Cesar Monteiro's writting). It's the story of an old-man (João Vuvu played by João César Monteiro) who has a son in jail and lives alone..strange events takes place as he goes to the hospital after being sodomized by a a very weird beard woman who fancies women. This is the last film by João César Monteiro because he left us this year at february..another victim of cancer..this film holds his memory.
I saw this movie one year and half ago... When I saw, i give 1 star, and now, after all this time, I gave another's 4 stars.. Its a movie like the book Little Prince, you have to grow to understand, and get the knowledge to realize what its the main problem there, and after that, you will see the pain behind the movie... Its a movie to see every 3 years, and every time you will change your perspective about this magnificent piece of art. Its a slow movie, but once you get the reason and love from the characters, the slow begin to feel faster that you want your life to be. It was the mirror of many old people that feel left from their family, and after all they give for us, we felt them. I love the movie, and most the message.
Light, peaceful, wickedly erudite humour of a kind long since unheard of. A Portuguese film from a Portuguese film maker. A film about "everydayness" and availability to be aroused by others and by their words. An experience of declined immortality for the sake of life.
João César Monteiro, as always, in all is movies, showed a great disregard for conventions. Branca De Neve was a good example of that, Vai e Vem is also a good example of that.
Considered a madman by some and a fraud by others, is attempts to create movies that were at the same time groundbreaking and interesting were always misunderstood.
One of the greatest and most underrated Portuguese Directors of all time, no doubt about that.
Now one thing is, if you are not from Lisbon, or if you never visited Lisbon, you won't ever understand this movie. Because this lives out from the feeling that Lisboa is... I see this as an ode to the things that João Cesar Monteiro found dearest to him. Almost a farewell to life itself, and since this was Monteiro's last film, this is revealed to be true.
The last shot of the movie is the strangest thing I've seen ever in cinema. And you can take many conclusions out of it. Maybe he's trying to invert the papers, watching the spectators as they are watching him. Saying goodbye to the people that admired is work for decades.
Just like all the good things, you need to have a developed sense of inner-depth, to stomach this. Or else you're just going to quit after the first 2 minutes.
This is a unique film-maker, this is a unique film. If you don't appreciate you can always go watch, Scary Movie or some Meg Ryan movie. There's no problem with that.
Considered a madman by some and a fraud by others, is attempts to create movies that were at the same time groundbreaking and interesting were always misunderstood.
One of the greatest and most underrated Portuguese Directors of all time, no doubt about that.
Now one thing is, if you are not from Lisbon, or if you never visited Lisbon, you won't ever understand this movie. Because this lives out from the feeling that Lisboa is... I see this as an ode to the things that João Cesar Monteiro found dearest to him. Almost a farewell to life itself, and since this was Monteiro's last film, this is revealed to be true.
The last shot of the movie is the strangest thing I've seen ever in cinema. And you can take many conclusions out of it. Maybe he's trying to invert the papers, watching the spectators as they are watching him. Saying goodbye to the people that admired is work for decades.
Just like all the good things, you need to have a developed sense of inner-depth, to stomach this. Or else you're just going to quit after the first 2 minutes.
This is a unique film-maker, this is a unique film. If you don't appreciate you can always go watch, Scary Movie or some Meg Ryan movie. There's no problem with that.
Did you know
- TriviaThe on-screen title is Vai-E-Vem, which was the pre-release title. After the film negative editing was complete, the director decided to change the title to Vai e Vem, and this is the registered title, and the promotional Portuguese title used by the Distributor company.
- GoofsWhen speaking with policewoman Bárbara, João smashes and throws an empty pack of cigarettes to the floor, and it rolls under the table. After opening the door to let Jorge in, João returns to the table starting a new cigarette and there is no empty pack under it.
- ConnectionsReferences Gone with the Wind (1939)
- SoundtracksBella Ciao
Written by Mondine
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Come and Go
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $33,429
Contribute to this page
Suggest an edit or add missing content