No Direction Home: Bob Dylan
- Episode aired Sep 27, 2005
- Not Rated
- 3h 28m
IMDb RATING
8.4/10
12K
YOUR RATING
A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.
- Won 1 Primetime Emmy
- 9 wins & 8 nominations total
B.J. Rolfzen
- Self
- (voice)
Anthony Glover
- Self
- (as Tony Glover)
Allen Ginsberg
- Self
- (archive footage)
Dave Van Ronk
- Self
- (archive footage)
Featured reviews
Having been a casual listener of Bob Dylan, I found this documentary rather insightful and well-made. Narrated by Dylan, director Martin Scorsese basically interviews friends, colleagues and family of Dylan (as well as Dylan himself) and gets to the roots of his inspiration and upbringing.
As I said above, I'm not a huge fan of Dylan insofar that I'd be able to tell you all of his songs, albums, etc. Some of my personal favorites are "Like a Rolling Stone," "The Man in Me" and of course "Knockin' On Heaven's Door." The film's soundtrack uses Dylan songs which is a nice addition as well. It's four hours long and when screened on TV comes in two parts, so you may have to see it in two viewings. But I found out a lot about Dylan that I didn't know before and I think that's the point.
Well-made, well-documented.
As I said above, I'm not a huge fan of Dylan insofar that I'd be able to tell you all of his songs, albums, etc. Some of my personal favorites are "Like a Rolling Stone," "The Man in Me" and of course "Knockin' On Heaven's Door." The film's soundtrack uses Dylan songs which is a nice addition as well. It's four hours long and when screened on TV comes in two parts, so you may have to see it in two viewings. But I found out a lot about Dylan that I didn't know before and I think that's the point.
Well-made, well-documented.
I won't say - Thank you Scorsese, I'll say - Thank you Dylan. I wasn't aware you had all that humor as a young man (and still): - How many protest singers? - 136. And this reporter don't get it, even though people are laughing: - Do you mean exactly 136, or ca 136?? And so on.
Of course I love Dylan's music, his singing voice, his words (I've read his poems, and the novel Tarantula, no wonder he has been suggested for the Nobel Prize in literature more than once).
But this film, then, it's not just about Dylan, it's about how humanity evolved on this planet in the decade we call the sixties. There's so many voices in this movie, I learned so much: - Who is she? - Who is he? - What was that? .. and so on. And searching the internet I found out a great deal, and so got inspired to find out even more.. and so on..
..I'm glad to be alive, thank you all, thank you Scorsese, thank you Zimmerman, Gunnn, Dylan, whatever...
Ola, Norway
Of course I love Dylan's music, his singing voice, his words (I've read his poems, and the novel Tarantula, no wonder he has been suggested for the Nobel Prize in literature more than once).
But this film, then, it's not just about Dylan, it's about how humanity evolved on this planet in the decade we call the sixties. There's so many voices in this movie, I learned so much: - Who is she? - Who is he? - What was that? .. and so on. And searching the internet I found out a great deal, and so got inspired to find out even more.. and so on..
..I'm glad to be alive, thank you all, thank you Scorsese, thank you Zimmerman, Gunnn, Dylan, whatever...
Ola, Norway
Beautiful, beautiful, beautiful. Martin Scorcese makes another visually stunning film, and paints Dylan in a way nobody else could have. Instead of being asked stupid questions by stupid journalists, Dylan has a camera put in front of him and he just speaks. He's got a bit of a schedule, but he does what he wants with it. I really don't have words for how this movie made me feel. The sheer passion behind it just fueled my fierce love for Dylan even more.
The live bootlegs and behind-stage clips give a wonderful insight into Dylan's world. He is a man who just emanates coolness like it was the way he was born. It seems like nobody can ever have the upper hand on this man, and it's truly a delight to watch.
Beautiful.
The live bootlegs and behind-stage clips give a wonderful insight into Dylan's world. He is a man who just emanates coolness like it was the way he was born. It seems like nobody can ever have the upper hand on this man, and it's truly a delight to watch.
Beautiful.
Well, it took a director as great as Martin Scorsese and 45 years of recording, travelling, ramblin' and bein' busy bein' born instead of dyin', but at long last Dylan fans from Dharma to Duluth have a glimpse behind the genius in the dark sunglasses. A remarkable film--for so many reasons that it would take at least 3 1/2 hours (the length of the movie) to list them--but the main reasons anyone with an interest in His Bobness needs to view this film are as follows: 1) Scorsese's direction: Almost 30 years after he chronicled the passing of a musical era with his magnificent film The Last Waltz, Scorsese once again captures musical brilliance and history on film as only someone who truly appreciates Dylan's historical as well as cultural influence could. A Master Director chronicles a Master Musician. 2) Archival footage of everyone you never saw before on film, including Gene Vincent, Hank Williams, and early 60's Greenwich Village pioneers aplenty and of course.. 3) Bob. For reasons known only to himself, Dylan actually speaks on record about his least favorite topic, himself. Along with last year's autobiography, this film reveals far more of the portrait of the artist as a young man than could ever have been anticipated given Bob's notorious closed-mouthed history on his own history.
With Elvis, Ray Charles and John Lennon gone, there are few--if ANY--artists whose historical and musical importance even come near that of Bob Dylan. In No Direction Home, we see as much, if not more, than we are entitled to see about how and why young Robert Zimmerman from Hibbing, MN became the most important songwriter of the 20th century.
He's got everything he needs--he's an artist--but just this once, he DOES look back.
With Elvis, Ray Charles and John Lennon gone, there are few--if ANY--artists whose historical and musical importance even come near that of Bob Dylan. In No Direction Home, we see as much, if not more, than we are entitled to see about how and why young Robert Zimmerman from Hibbing, MN became the most important songwriter of the 20th century.
He's got everything he needs--he's an artist--but just this once, he DOES look back.
NO DIRECTION HOME is, without a doubt, the very best music-themed Documentary I have ever seen in my life!
Before diving in...Let us FOCUS on the Title´s Content & Context:
For any person who considers themselves someone with a special interest in pop culture, music, sociology or even contemporary history, this mesmerizing Martin Scorsese documentary not only is a "MUST SEE", but I would say a "Must have"! (As in "your collection"!)
Here we gain the most fascinating insight into many aspects of Dylan's early career, his creative process, his relationships with other artists and music industry insiders, (particularly with one time love interest, Joan Baez) and the general interaction of Bob Dylan, his music, his growing popularity and the overall effect of these on our culture in the 1960's!
Some of what is covered, I think I was previously aware of, some of it, I wasn't, and quite a bit of it had simply been forgotten, owing to the half a century that has passed!
What surprised me most in DIRECTION HOME? Well, Joan Baez is interviewed extensively and has perhaps the most on-screen time other than Bob Dylan himself. In the 60's and 70's, I always admired Baez as a very talented, outspoken and highly principed young woman ...But, quite honestly, never considered her as being very attractive. She has to be, what?... Like mid-70's when she was interviewed for this documentary. To see her now, so mature, articulate, radiant, overflowing with self-confidence... Well, let's just say that all of this made it EXTREMELY HARD for me to overlook her onscreen appearance!
Well, I hope this review did not contain too much imformation!
ENJOY! / DISFRUTELA!
Any comments. Questions or observations.... in ENGLISH o en ESPAÑOL... are most Welcome!
Before diving in...Let us FOCUS on the Title´s Content & Context:
For any person who considers themselves someone with a special interest in pop culture, music, sociology or even contemporary history, this mesmerizing Martin Scorsese documentary not only is a "MUST SEE", but I would say a "Must have"! (As in "your collection"!)
Here we gain the most fascinating insight into many aspects of Dylan's early career, his creative process, his relationships with other artists and music industry insiders, (particularly with one time love interest, Joan Baez) and the general interaction of Bob Dylan, his music, his growing popularity and the overall effect of these on our culture in the 1960's!
Some of what is covered, I think I was previously aware of, some of it, I wasn't, and quite a bit of it had simply been forgotten, owing to the half a century that has passed!
What surprised me most in DIRECTION HOME? Well, Joan Baez is interviewed extensively and has perhaps the most on-screen time other than Bob Dylan himself. In the 60's and 70's, I always admired Baez as a very talented, outspoken and highly principed young woman ...But, quite honestly, never considered her as being very attractive. She has to be, what?... Like mid-70's when she was interviewed for this documentary. To see her now, so mature, articulate, radiant, overflowing with self-confidence... Well, let's just say that all of this made it EXTREMELY HARD for me to overlook her onscreen appearance!
Well, I hope this review did not contain too much imformation!
ENJOY! / DISFRUTELA!
Any comments. Questions or observations.... in ENGLISH o en ESPAÑOL... are most Welcome!
Did you know
- TriviaColumbia/SME Records, Sony Music, and Bob Dylan's management gave Martin Scorsese access to its vaults, something Dylan has never given to any documentary filmmaker.
- GoofsWhen A&R man John Hammond is introduced, Billie Holiday, whom Hammond signed to Columbia Records, is heard singing the anti-lynching protest song "Strange Fruit." In truth, Hammond did not allow Holiday to record "Strange Fruit" for Columbia; she recorded the song for Milt Gabler's Commodore Records instead.
- ConnectionsFeatures The Ed Sullivan Show (1948)
- SoundtracksLike a Rolling Stone
Written and Performed by Bob Dylan
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Bob Dylan Anthology Project
- Filming locations
- Hibbing, Minnesota, USA(Stock Footage)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 3h 28m(208 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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