November

Greetings again from the darkness. Although I never got the "Friends" fascination, I have always thought Courtney Cox has potential as a movie actress. On this one point, I believe "November" succeeds. She does have a nice screen presence, even when made out to be frumpy, deceitful and purposefully confusing.

This mess of a movie is presented by two relative new comers to the movie biz, director Greg Harrison and writer Benjamin Brand. Both may have something to offer, but it definitely is not on display here. The movie bills itself as a psychological thriller, but the best of these are smart, exciting and intense. This one is only intense for the viewer as we try to assemble the mish-mash of pieces. The M Night Shyamalan wanna-bes use Courtney's photos as clues to what really happened at the crime scene. The use of color change (Courtney's hand bag) and lens focus are also supposed to "assist" us with the timeline and understanding the real story. As the detective says in one scene, "it is too artsy for its own good".

The twists on the Anne Archer (as Courtney's mom) scene are fun to watch, James LeGros is capable as the murdered boyfriend, and the supporting cast is fine, but what kills this one is the failed presentation. I always admire filmmakers who will take a risk (there aren't enough of them), but this one proves there is little uglier than when that risk fails.

It's not without its bumps, but this artsy shot-on-digital psychological indie drama with a potent turn by Courtney Cox and a haunting atmosphere engulfed by trauma, guilt and lost had me engaged through to the end. When her boyfriend is killed in an armed robbery, photographer Sophie struggles to recover when the line between reality and fantasy begins to blur.

Seems to start fairly straight-forward, and this is where I think it's at its best with effectively off-putting and strange moments. Transmitted through its dreary L. A colour plateau and creepy imagery centred around Sophie's photography. But come to the second act, perceptions change constantly. Becoming convoluted in spite of the clues, little by little, foreshadowing a foreseeable outcome. Actions are repeated with varying results, and a non-linear storyline messily switching back and forth between twists and turns. Very gimmicky, but not particularly innovative or smooth in its execution. It was Cox's naturally anxious, and weathered performance which grounded this distorted story structure and style.

I was sort of tossing up between 5 or 6, but I went with the latter due to it keeping me involved in spite of knowing where it was heading.

I really enjoyed the movie "November". I don't pretend to be an "intellectual snob" like some people who reviewed this movie - I just know what I like and what I don't. And I liked this movie. I thought the acting was terrific, the storyline intriguing and thought-provoking, and the film visually very haunting. I would recommend it to anyone - anyone that is who wants to go to a film and "think" about it afterward! I especially enjoyed the use of light and sound to convey the storyline and to move the plot along. The scene's that were I think the most interesting were the one's that kept repeating with different results - i.e. the trips to the counselor and dinner with Sophie's Mother (the terrific Anne Archer). Also, I thought that Courntney Cox gave a great measured performance. It was refreshing to see her play against type and appear in so bold a film. In conclusion, I would love to see this movie again - I believe it is a film to be watched over and over, and each time you would get so much more out of it. I look forward to owning it eventually on DVD. But I would recommend anyone who has the opportunity to see it on the large screen, since it would obviously be so much more effective that way.

Impeccably designed and crafted psychological study appears at first to be in an artistic disarray, yet the filmmakers' strategy is very clever and they have put together an excellent--if brief--thriller about living in a state of limbo. A young photography teacher experiences a night in November within three different frameworks, each with much the same detail but a different outcome in the scenario. It's impossible to criticize the minutiae since the movie's agenda isn't made clear until the finish, but some of the plot-points can be frustrating (such as the photo of a mysterious hand under a market bin, or a police investigator carping about not getting a clear look at a convenience store robber when the store itself had four security cameras going). Nevertheless, the well-chosen cast, particularly Courteney Cox in the lead, is flawless and the mood music and arty cinematography--while at times overstated--is haunting. *** from ****

This movie had a great structure. I liked exploring the real emotional reactions of "denial", "despair" and "acceptance" when dealing with trauma with the main character played by Courtney Cox. This movie is really difficult to talk about without giving it away and that is the one thing you don't want to happen when watching this movie. Trying to figure it out is what makes this intriguing.

I will say that the movie kept my interest and was terrific up until the ending. It is the type of ending that you can figure out so it doesn't "cheat" you. But it still wasn't a satisfying ending. Why? Because there were too many elements that were thrown in and even though I can understand why the main character would go through the thought processes that she did, I don't think that I would if I were in her shoes. That is, if I understood the ending properly.