In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.
- Awards
- 1 win total
Philip Haldiman
- Denny
- (as Phillip Haldiman)
Carolyn Minnott
- Claudette
- (as Carolyn Minnot)
Mike Holmes
- Mike
- (as Mike Scott)
Kari McDermott
- Party Member #2
- (as Kari McDermont)
Jennifer Vanderbliek
- Party Member #3
- (as Jen Vanderbliek)
Bennett Dunn
- Party Member #4
- (as Bennet Dunn)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Happy Accident
This film is completely worth seeing. A friend of mine recently said it was as if a deer made a movie about human interaction, unable to comprehend what it is to be a human being. It is hilarious.
It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.
There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.
It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.
There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.
Hard to decide: should I give this a very low or a very high grade?
There are a number of "so bad it's hilarious" movies out there but almost all of them are in the sci-fi and horror genres. "The Room" is exceptional in that it's intended as an edgy independent psychological drama. To see a "Plan 9 From Outer Space"-style version of that genre is even funnier! This film is absolutely bizarre. The dialogue is at once very childlike and yet it tries to tackle "heavy" themes like adultery, terminal illness, drug abuse and the like. As a result, it feels like it was written by an alien from outer space. And when you see The Room's protagonist, who is also the director, writer and producer, you'll see that he very likely IS an alien from outer space! It's absolutely unbelievably, jaw-droppingly awful... And highly recommended!
Amateurish
This film has a reputation for being so bad it's good. I personally didn't find much humour in it, just a constant sense of befuddlement. Everything is disconnected and nobody acts like a real human being. This film feels like aliens trying to emulate human behaviour and filmmaking.
It's so bad that it becomes good
This film tells the story of a man who will be marrying his girlfriend of seven years. However, his girlfriend seems not to settle for what she has.
I would not have known about this film if not for "The Disaster Artist". Seriously, the sets are bad, the lighting is bad, the camera angles are bad, the camera is mostly static, the acting is horrible, and the story is just bad. The plot is so thin that it almost appears to be a soft core film. It is worse than a B film. It is so bad that I laughed out loud several times, such as the infamous bottle throwing scene, or when Jack throws the girlfriend on the sofa, or the fight in the party. And could they have at least filmed on a real rooftop, instead of the fake computer generated scenery? The acting is so bad, most of the characters are wooden, except the mother who has a quite a character. The film is so bad that it becomes good. I do recommend it.
I would not have known about this film if not for "The Disaster Artist". Seriously, the sets are bad, the lighting is bad, the camera angles are bad, the camera is mostly static, the acting is horrible, and the story is just bad. The plot is so thin that it almost appears to be a soft core film. It is worse than a B film. It is so bad that I laughed out loud several times, such as the infamous bottle throwing scene, or when Jack throws the girlfriend on the sofa, or the fight in the party. And could they have at least filmed on a real rooftop, instead of the fake computer generated scenery? The acting is so bad, most of the characters are wooden, except the mother who has a quite a character. The film is so bad that it becomes good. I do recommend it.
The "Plan 9 from Outer Space" of chamber dramas
Forget all the three-line raves this movie has received (which all seem to be suspiciously similar in tone). THE ROOM is one of those rare laugh-riots that is so fantastically inept as to border on genius. While most bad movies offer a handful of terrible scenes divided by stretches of just plain dull, writer-director-producer-star Tommy Wiseau's film offers one moment of disaster after another.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
Did you know
- TriviaAccording to Greg Sestero, Tommy Wiseau submitted the film to Paramount Pictures, hoping to get them on board as distributor. Usually, it takes about two weeks to get a reply from such a studio. This movie, however, was rejected within 24 hours.
- GoofsMark asks Lisa "what's going on" with "the candles [and] the music", but neither music nor candles are present.
- Crazy creditsCraft Service - L.A. & S.F. Fast Food
- Alternate versionsIn the DVD and theatrical versions of the film, when Johnny throws his TV out the window in the climax, it is obvious that it is daytime when the TV smashes to the ground despite taking place at night. However, in the Blu-ray transfer, a partial "day for night" filter was added.
- ConnectionsFeatured in Tim and Eric Awesome Show, Great Job!: Tommy (2009)
- SoundtracksYou're My Rose
Performed by Kitra Williams
Written by Kitra Williams and Wayman Davis
Music written and arranged by Wayman Davis for Nu-Rhythmn
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $549,602
- Gross worldwide
- $5,275,346
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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