Festival Express

There is nothing more to add to the other commentaries: all you want at this end of the almost perfect documentary is MORE MUSIC!! Indeed I could see the same technique used by Pennebaker, and the same groove as in "Woodstock", but this is the closest you'll ever get in these modern times to a recreation of the flower-power atmosphere!! Today we have no more Janis, no more Jerry, and the whole world just feels empty without them, now even more than before, thanks to this movie. JANIS just steals the show every time she appears in the film, but there are many other people with memorable lines and comments, so in the whole it's an amazing feast for the eyes and ears! GO AND SEE IT

I'm a little baffled by some of the comments here regarding the film making style or skill in this film. I watched the film to see Janis and the Grateful Dead and The Band -- happy, young, and exuberant, and that's exactly what I got. I even liked the footage of the promoter talking about the festival and the issues with the crowds.

ANYWAY... I recommend the DVD over the theatrical release, since everyone here seems to mention that they want to see more musical performances, and the DVD delivers. There are two DVD disks -- the movie disk and the extras disk. On the MOVIE disk, go to the menu and select "extras" and there are a dozen additional music performances from Janis, the Grateful Dead, Flying Burrito Brothers, and others. (I hear that the extras disk contains interviews with the director, but I haven't seen it). Enjoy!

I live in Winnipeg and unfortunately missed FESTIVAL EXPRESS when it rolled through back in 1970. I opted instead to go to Winnipeg's other huge ticket that summer - Manpop - which featured Led Zeppelin, Iron Butterfly and the Youngbloods as headliners. I've always remembered Festival Express as a golden opportunity missed - but being only sixteen years old with limited funds - I was forced to live with the consequences of a tough choice.

Seeing the film "Festival Express" isn't quite like being there in person, but it's the next best thing! For young folks who weren't even born in 1970, it's a chance to see Janis Joplin, the Grateful Dead, the Band, the Fly Burrito Bros, Buddy Guy, Ian & Sylvia, et al... in their prime and find out what the buzz was all about. Janis and Jerry Garcia are in particularly great voice. Janis gives a gut wrenchingly poignant performance, particularly during "Cry Baby". I'm not sure what brought the tears to my eyes, her greatness or the knowledge that she would leave us just a few short months after that performance (followed later by the tragic death's of the Dead's drummer "Pigpen" & guitarist/singer Jerry Garcia and the Band's piano player Richard Manuel & bassist Rick Danko)

The concert footage of Janis and the Dead alone justify the film's admission price. My biggest gripe was that there should have been far more concert footage included. However, a local newspaper writeup mentioned that much of the concert footage was non-usable (bad sound, out of focus cameras, sound/no pix, pix/no sound....). It was so bad apparently - the fact that anything remotely resembling a cohesive film was wrought from the mounds of botched footage was nothing short of minor miracle! Don't get me wrong - the behind the scenes footage of the band partying and jamming stand on their own merit. Jerry Garcia pops up jamming on stage and off with everyone from Ian & Sylvia and the Great Speckled Bird (on stage in Calgary) to the Band's Rick Danko (on the train along with Janis - quite schwacked - hilarious!) Shots of protesters bitching about "the pigs" and high admissions prices (Fourteen dollars - how outrageous!)are also good for a chuckle and help capture the flavour of the period.

"Festival Express'" split screen camera techniques, the documentary style narrative and band lineups are bound to invite comparisons to the movie "Woodstock." I believe the camera techniques and documentary style are intended to help recapture the time period and mood rather than to ripoff "Woodstock." Further, neither Janis', the Dead's nor the Band's Woodstock performances made it into the original "Woodstock" movie. The experience of trucking a load of monstrously talented - notoriously hard partying rock n'rollers across Canada in a train with a well stocked bar, guitar amps, and a drum kit while the cameras rolled is singularly unique in the annals of rock n'roll - so is this film! Check it out!!

I was there at the Toronto performance(s). I was inside the venue all the time and never got to see any of the hassle with the cops and the gate crashers. The first time I saw it was in this film. I must say, Altamont it was not.

I was fairly well connected from working on the fringe of the music business in Toronto at the time and I knew some of the people who were on the tour. I would have given my left arm to have been on that train but it wasn't to be.

Let me tell you... this film just comes close - but no cigar - to how it REALLY was like to be there as it happened. The performances were, for the most part, electrifying and I can confidently assure you that the audience(s) had about as good a time as the performers!

I had been exposed to the "California contingent" which was on the tour years earlier in 1967 when I was living in Berkely and hanging out at the Avalon and the Filmore. I got to see the Dead and Janice before anyone had heard of them outside of California. This tour and this film caught them at their best as far as I'm concerned. Janice and the band were KILLER! Her set alone is worth the price of the DVD.

Watching this film was, for me, like going through a time-warp and being transported back to a more carefree time when I was minus wife, kids, mortgage,etc.

Although the production values aren't up to today's Hollywood snuff, considering what the producers had to work with, that they got it this polished is miraculous. I especially liked that the producers rounded up a number of the participants to interview them and get their take on it from over thirty years later.

The only significant down-side from my point of view is that some of the performers who appeared on the tour were not in the film and, in my opinion, their performances were no less worthy of inclusion. Some of the "travelogue" shots in the film could have been dumped to make more room for the music. I suppose that certain rights issues and technical quality issues were a barrier.

Anybody who has a warm spot in their heart for the music, the bands and the ethos of that era MUST add this DVD to their collection.

Before seeing this film, I was a completely novice to The Band, Grateful Dead, Janis. I'm 22, I didn't grow up with this stuff, my only knowledge of The Band is that Scorcese directed a film on their last concert. I have a few hippie friends that endless blathered about the brilliance of Janis, which fell upon my deaf ears. I was expecting Festival Express to be this dull, venture into 70's nostalgia crap and tedious jam band boredom.

Oh...how my opinion has changed. I mean, its nothing like the music I love (90's alternative stuff and electronic stuff) but the performances are so absolutely incredible and passionate. In reality, its a film for musicians more than fans, people that who have, even for a moment, felt the sheer exhilaration of collaborating musically with people and it being perfect! Festival Express feels exactly like that. You see it in their eyes in these performances. Janis may have been.....kind of crazy, but in the track in the film ("cry baby"?) I can completely see her absolute passion for music and her amazing showmanship (or show-womanship). Festival Express is the best example of a completely non-contrived and purely candid look into these bands. Even if they are brief glimmers of their natural selves.

I think the die-hard fans who are criticizing the film are asking too much. If I can wait 30 years after the demise of my favorite bands (Radiohead, Tool, Nine Inch Nails)...to see an amazingly honest and brilliantly shot look into their touring lives, I would be very very grateful, not critical because the damned filmmakers didn't get everything I wanted. The interviews with the performers and particularly the promoter, are fantastic. Not only are they a good dose of humour, but...its so easy to see WHY they are saying this tour was absolutely special and unique and memorable. It's right there on film, this was the pinnacle of that era and that place and that mentality and musicianship that was going on. You have to appreciate what Festival Express showcases. You might not like every bit of music (I didn't) but I can appreciate the total intensity and passion of the performances.