The Animatrix: Beyond

It is interesting that no one mentions that this part is actually connecting the matrix universe to the Stalker movie from Tarkovsky. There are visual references and the whole idea of the zone of strange things makes sure for me that the creators kept that movie in mind. Maybe the reason is that the two audiences are quite different: Matrix-buffs and fans of classic russian movies do not overlap. However, this background information makes the part more interesting, and not necessarily as a backstory of the Matrix-universe (where all interpretations are aimed). This is my favorite, technically it is beautiful, and compositionally it is very oeconomical.

This is the sixth part of 'The Animatrix', a collection of animated short movies that tell us a little more about the world of 'The Matrix'. In this short we see some kind of flaw in the matrix. There is a house where things can not break and it seems that there is no gravity there. There is not much action and may be that is why I didn't like it as much as the other shorts. It was still a nice fantasy story so I was still entertained.

Unlike the other Matrix films and short films which seemed dismal and nihilistic, this short film has a very bright and lively feel to it. The characters are very human and expressive rather than stiff and wordy like they can be in the other films. The story is told through emotion and wonder, and it works.

Most everyone I've talked to feels this was by far the most moving of the Animatrix shorts. I wholeheartedly agree, but I wasn't sure why at first. I think I've figured it out.

We all have those beautiful moments in life that surprise us, overwhelm us, and then just disappear. The problem is that we as humans can't really communicate experiences with each other. The best we can usually do is vaguely explain the circumstances of an experience and hope to trigger memories of that experience in someone else. It still only works if the person has already had the experience. If someone tells me about their first love, I can only understand it by remembering how I felt during mine. If someone explains what it's like to be abused as a child, I really can't relate no matter how well it's described.

There is, however, a good trick that can be used to convey feelings. Use a fictional but literal description that should provoke the same feeling. For example, to describe heartbreak, I may say it felt like someone ripped my heart out and kicked it into a trash can. Hopefully, you can imagine this literally happening to you and end up with the same feeling as I have.

This is what "Beyond" does. It describes what it feels like to experience beautiful human moments without requiring very specific empathy. Sometimes, with the way they make us feel, the moments we experience might as well be glitches in a perfectly running computer program that we bumble into and are deleted from under us just as quickly. Even an alien who only vaguely feels awe and wonder at the possibility of physics breaking down elegantly for a short time could understand the excitement, awe, and sadness that a human feels every few years, if one is so lucky.

A young girl, Yoko, sets out food for her cat but gets worried when the pet doesn't show up at the usual time. Asking around the neighbourhood, she finds a group of kids who say they saw the cat over by a building they know as `the haunted house'. She goes over to see if she can find her cat but finds much stranger things than she expected.

Part of the series of animations making up the Matrix companion piece `The Animatrix', I saw this as a stand alone piece recently at a festival of shorts and animations and was drawn in by where it was going even if it was a bit strange and seemed unlikely in what I knew of the matrix universe. As the house gave up it's secrets, the short seemed more and more unlikely and it lost me a little bit.

The animation is pretty good but lacks the heavily stylised feel that some of the others of the series have. That is not necessarily a bad thing but it needed more in the way of substance to make it work. The feel at the start is good as it uses music and an observational atmosphere to good effect but I never bought into the plot and it didn't really go anywhere of interest that added to the universe of the matrix.

Overall this starts well but goes nowhere. Those who love the first film of the trilogy may also find the central premise rather hard to accept.