After witnessing his parents' death, billionaire Bruce Wayne learns the art of fighting to confront injustice. When he returns to Gotham as Batman, he must stop a secret society that intends... Read allAfter witnessing his parents' death, billionaire Bruce Wayne learns the art of fighting to confront injustice. When he returns to Gotham as Batman, he must stop a secret society that intends to destroy the city.After witnessing his parents' death, billionaire Bruce Wayne learns the art of fighting to confront injustice. When he returns to Gotham as Batman, he must stop a secret society that intends to destroy the city.
- Nominated for 1 Oscar
- 15 wins & 79 nominations total
Summary
Featured reviews
What's impressive is that despite the weight of the franchise, Nolan has managed to work so many of his trademarks into a mainstream movie. The story does not progress in linear fashion for the first half, and there are some truly spectacular hallucination scenes. Parents thinking of taking their young kids along, think twice. When we left, a terrified 8-year-old boy was being comforted by his parents. Some of what's up there on screen really is the stuff of nightmares.
Of the cast of Brits chosen to bring this American tale to the masses, Christian Bale convinces in his dual role, while Michael Caine as Alfred comes up with the humour just when the film is in danger of taking itself too seriously. Gary Oldman and Tom Wilkinson provide able support, as does Morgan Freeman.
Most refreshing of all is the way that Nolan and co have come up with a way of bringing comics to the screen that does justice to the often adult source material in a way that, say, Daredevil, tried and failed to do (although the director's cut is better). If the Dark Knight doesn't return after this, there's no justice.
However, I am pleased to report I could not have been more wrong about how great Christopher Nolan's Batman Begins is. This is better than Burton. Sacrilege, you say?! Well Burton was still cartoony in many elements, he wasn't churning out the bilge of Schumacher but Burton's Batman was still over the top. As a kid this was ideal but Nolan's Batman is real. Everything in this world seems plausible and it is therefore a world that draws you in. Characters' vulnerability is that much more present. Every bruise, every scare, every concern, every emotion seems real.
Part of this is that Nolan has assembled an exemplary cast. Again, this concerned me prior to seeing the film. I wasn't sure a cast of big name legends like Michael Caine and Morgan Freeman and well known names like Liam Neeson and Katie Holmes wouldn't detract and distract from Batman. I was always sure Christian Bale could be the great moody Batman he's been waiting his career to be but the others I wasn't so sure about.
That said Bale is not just good, he's superb. I never thought I'd really be able to envision anyone other than Michael Keaton as the definitive Batman for me but since seeing Batman Begins a couple of days ago Bale has cemented himself in the position. Perhaps Keaton will now be able to escape the spectre of Batman he hasn't truly shaken off for 13 years.
The rest of the cast is also pitch perfect. Cillian Murphy is creepy as hell, Liam Neeson is authoritative and imposing, Katie Holmes is strong and sexy (I particularly thought she'd be insipid, she should jettison Tom Cruise and let her talent - which she does have naysayers just watch Pieces Of April - speak for itself) and Michael Caine is an Alfred you've never seen but in fact far more likely as a butler than the aristocratic pomp with which he is usually portrayed. Gary Oldman is also superb in a rare wholly decent character for him as Lieutenant Jim Gordon who gets far more to so here than Gordon has ever had to do before. Only Tom Wilkinson is a little off with a slightly comedic wise-guy American accent that never really convinces.
The emotional bond between Bruce Wayne and Alfred is actually a wonderful human heart to the film than Nolan and Goyer have written perfectly.
Don't let that make you think the action is not front and centre though. From Wayne's training through the early stages of the film to his early missions as Batman at about the half way point to a thrillingly choreographed chase sequence and an edge of your seat finale this film delivers the cool quotient in bucket loads.
Great villains (especially Murphy), great story, great cast, great action... put simply, great film. Probably the best comic-book movie ever made (that's excluding the genius Sin City which I consider a moving comic-book rather than a comic-book movie, that will never be bettered but Batman is a different beast and the best of its kind).
I heard Batman Begins, and I thought great, this was called "Batman" in 1989, selfishly I said, "I want something new!".
But, of course being a big Batman fan, I went opening night to Begings. 2 and half hours later, like the rest of the audience was completely blown away. It was the only movie I had ever been to (and yes I have been to some great ones) where the crowd claps and the end. This was not just golf claps for a popcorn clip, this was a standing ovation for 10:30 pm show in a crowded theater in Austin, Texas.
I never would have thought this would have worked, even with Nolan directing. But I was wrong, so wrong. After seeing the X-Mens and Spidermans, I clearly thought Marvel had the upperhand and DC was just simply trying to keep up, again, so wrong.
Nolan gave us a dark, gritty, and pleasantly realistic, view of Batman. Bale gives a tremendous performance as both Batman and Bruce Wayne. Michael Caine was a fabulous Alfred, and Morgan Freeman almost stole the show as Luscious Fox.
Even though X-Men and Spiderman(all of them) are wonderful superhero movies, Batman Begins, is just a good, no, great movie. And I think that is what blew people away, that it wasn't just some superhero, special effect, hero gets girl, good guy wins movie, it was a truly dark and well crafted movie, and it maybe stupid to say, but it didn't even feel like you were watching a superhero movie.
I don't even think Burton, and his animated style(which works), could have revived this troubled series, that Schumaker wrecked, because like Fantastic Four and Daredevil, tried over do it and give us the latter part of things.
So, here is to you Chris Nolan. You saved a franchise. You made an unforgettable movie, that will be remembered as the best superhero movie of all time, but just an all around great and unforgettable movie classic.
Did you know
- TriviaAlthough Christian Bale performed many of his own stunts, he wasn't allowed anywhere near the Batmobile.
- GoofsSearchlights like the one Falcone is tied to are incredibly hot. Anyone held against one like that would be horribly burned.
- Quotes
Henri Ducard: But I know the rage that drives you. That impossible anger strangling the grief, until the memory of your loved one is just... poison in your veins. And one day, you catch yourself wishing the person you loved had never existed, so you would be spared your pain.
- Crazy creditsThis is the first DC Comics film to have a DC Comics logo on it. This logo was in fact a new one, that was designed the same year the film came out.
- ConnectionsEdited into Tankman Begins (2005)
- SoundtracksFolletto!...Folletto!
from "Mefistofele"
Written by Arrigo Boito
Performed by Norman Treigle, The Ambrosian Singers, and London Symphony Orchestra (as London Symphony Orchestra)
Conducted by Julius Rudel
Courtesy of EMI Classics
Under License from EMI Film & Television Music
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Batman inicia
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $206,863,479
- Opening weekend US & Canada
- $48,745,440
- Jun 19, 2005
- Gross worldwide
- $375,545,613
- Runtime
- 2h 20m(140 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1