Casa de Areia

This is a stunning film, visually and emotionally. Although rooted in a forsaken sandy wasteland, the film is a metaphor for how circumstance locates us and how we can or cannot get out of the place in which we find ourselves. House of Sand MUST be seen on the big screen--never has landscape been more compelling! It's a literary film, which is to say that it is not full of exciting, unrealistic events. How the film manages a shift of time is briefly disconcerting and then brilliant. The story deals with the ramifications of an accident, the damaged psyche of a man, and takes us through what his survivor does to cope. This is definitely foreign film at its best!

From Brazil begins this unusual tale taking place in their early 20th century's untamed deserts, leading a distraught man, his wife, with family and following, to the absurd notion of settling into the middle of an elusive waterhole, centered in the middle of an endless sandscape, into one eventual House of Sand. What transpires from the mysterious setup of this piece is captured with quite dignity, accentuated with the production values that would have any techie humbled by the tough shoot this crew must have undergone to balance the artsy direction to the harsh environment. It is to the film's detriment then, that the vast majority of time is spent milking the unique aesthetics involved here, insensitively editing many of the beautifully photographed shots which adds up to a whole that unwittingly imitates it's protagonist's plight a little too closely- that of sinking into the ground of nothingness. Fortunately a cleverly conceived, though questionably rendered plot device snaps the viewer's interest back late in the game, even rounding out the mostly one trick affair on a profound note. This extra dimension carved out in the third act does save this House from blowing away for the artistic excuse a lot of it seems to be.

This movie is frustrating to watch because it had such strong potential to be a sweeping drama that intertwines the wonders of nature and humanity through the passage of time.

It started out swimmingly in the waves of pastured wind blown sand and dunes. But slowly it gives way to lack of plausibility and stifled characters, focusing instead on the sweeping white-washed landscape to drive the movie.

While the actress playing the daughter is a competent actress, she is just not right for the role. This is the character which holds the thread of time throughout the entire movie, from the past (with her mother) to the present (herself) and future (her daughter), a parallel for the changes in the world (via Brazil) from the early 1900's to the 1960's. For this to work, this main character needs to have the ability to draw one in, such that one inadvertently has the emotional perspective of things through her eyes. This could not be achieved with this actress, hence one remains but simply an observer of an obstinate unlikeable woman plodding along a very uneven plot, too consciously framed by wonderful landscapes. It enriches the eyes, but not the heart and spirit.

The quick jump of time frame doesn't help, especially when no proper explanations are provided for improbable event.s Example: how did two woman with no farming resources nor skill amass a herd of goats? Or, how did they get an endless supply of clothing's for three woman if they are supposedly so far removed from civilization that they can't even leave the place? Or, why chop down a tree for no reason when she could enquire from nearby others where her daughter and mother was? Why suddenly have sex with the man (for the first time) in broad daylight when there was opportunities a plenty through the many many years? And on and on….

Utilizing the same two actresses to play each other in successive generations is a big mistake - they are so unalike in looks and characters, the ploy just make it jarring and disconnected … dissociating the viewer further from these characters.

In the end, one has to just ignore the emotionally distant characters (except the mother/grandmother) and disconnectedness of it all and just enjoy the sceneries. It seems the director is trying hard to just string scenes together, and creating implausible situations and disjointed dialogue just to get some particular outcome, and hope the plot holds up … it doesn't unfortunately.

Like the sand dunes, this one builds up early but get blown away in bits, and in the end remains just something visually 'nice' but only in temporary form, and from a distance.

Like "2001: A Space Odyssey", lots of people (critics included) are undoubtedly struggling to get a handle on this film. Here is an odyssey of another dimension, through shifting sands of time and perspective.

On one hand, the film is surrealistic -- it leaves many questions unanswered. It seems to purposely throw the unbelievable into our faces, like Gabriel Garcia Marquez in "100 Years of Solitude". For instance, how do the stranded women survive? What do they eat? It's a Robinson Crusoe epic without explanations.

On the other hand, the film is meticulously honest with fact and detail. The eclipse portrayed in the film was in fact observed in northern Brazil on 29 May 1919. The 7 successful photographic plates from the Brazilian expedition were fundamental in proving Einstein's theory of general (as opposed to special) relativity. Also, contrary to what another IMDb commenter has incorrectly characterized as "pseudo-scientific", one of the space-time implications of Einstein's theory is very accurately alluded to in the film.

We as viewers are left to sort out the broadly surreal from the minutely exact. We must decode the poetry of this film for ourselves. And, as with poetry, appreciation for this film will likely grow with reflection and repeated viewings.

"House of Sand" is a little jewel with hidden facets. See it on a wide screen with a good sound system to fully appreciate it.

This film is a slow-starter but patient viewers will be rewarded with something quite magical and probably memorable. The 2 lead actresses are very famous in Brazil and their performances here are superb. The film brings to my mind Jane Campion's late 90s 'The Piano', which is similarly arty, demanding on the viewer and takes place years ago in a remote part of New Zealand. One tends to either like it a lot or not at all. I grade it 7.5 and recommend it with the disclaimer that, except for the star power of the actresses, it is not commercial. It's ambitious, arguably pretentious, but effective. If you let it get to you it will.