Tamala 2010: A Punk Cat in Space

Forget plot. Dispel any notions of linear progression. This is animation simply for the purpose of animation, and it sort of works. This does have a few problems however--I felt it was about ten minutes too long. And the shades of black and white do become a little tedious after awhile (though there is alleviation in the strategic use of colors throughout).

One of the attributes of the movie, the one that could either draw viewers in or send them running, is its tendency to drift in a kind of dream-logic (I feel that animation works well with that sort of surrealistic play) with no regard towards traditional structure. The character design is simple, yet oddly emotive, and the music is dreamy enough to get lost in.

This movie makes me wonder what the next step in these kinds of animation projects is going to be.

In the same whimsical frame of mind as the Japanese classic "Funeral Parade of Roses," Tamala 2010 is a surreal journey into the world of cats and product placement. Is that weird enough? My partner wanted to leave the theater the whole time, but I thoroughly enjoyed every minute of this flick. If you can suspend your "Western" need for plot and coherence, sit back and enjoy the fabulous animation (black and white tip o' the hat to Disney's "Steam Boat Willie"), crazy situations and fantastic soundtrack. Any film which takes place on another planet and includes both Hello Kitty drag queens and a mention of the Loch Ness Monster is OK by me. Even if you hate this film, YOU WILL NEVER FORGET IT!

While cute and enjoyable, the movie is no walk in the park. The art is fabulous and the plot can be challenging at times. Like most existential movies it will take some time and further viewings to get the most out of it. But the pleasure is all ours as watching this is both moving and entertaining. The best parts are areas where the music melds perfectly with the visuals and the plot. Luckily this happens often. I respect this movie most of all because it isn't lazy. The artists and crew come up with original stuff but they don't hide behind endless wierdness and confusion. This is up there with 2001 in terms of nearly towing the line perfectly between chaos and good old fashioned wierdness. There is a good backbone here, not just a cloud of ideas.

I went to this movie with no expectations of any kind, except that it was Japanese and animated. What I saw was perplexing and at times disturbing, but completely engaging from beginning to end.

If you consider satire comic exaggeration with a moral punch, then this might be satire, though it's difficult to figure out what the moral is. The connections between the title character, Catty & Co., the Fritz Lang style 3-D artificial world, and Minerva are spotty. It would probably help to take notes during the rotting old professor cat's lecture, both at his slide show presentation, and during his confrontation with Michelangelo. For those who haven't seen it or read it elsewhere, these are all cartoon cats.

But this is a movie, and you shouldn't need to take notes to enjoy it, and I enjoyed it thoroughly as it was presented. I love the black and white, sharply detailed designs, the splashes of vivid color, especially that painting Tamala discovers in the basement of the museum. The violence gets pretty intense in places, but it works very well and doesn't seem gratuitous.

Tamala is worth a second look, but seems to be strictly short-run in most venues here in the U.S. DVDs are available from their website, but they're Region 2. It will probably be a long while before I see it again, but I anxiously await that chance.

I can see why some reviewers might not care for it, but I think this movie is incredible. It is largely associational, confusing and disjointed, and this is by no means made up for (in fact, perhaps exaggerated) by the long, dull, ex-positional monologue towards the end. But the very fact that the main character nods off repeatedly during said scene is evidence of the film's awareness of its own means and purposes, whatever they may be.

Purely affectively, I can say that the experience of watching this movie, if you can let go of plot expectations, is dreamlike, hallucinogenic, thought-provoking, and, as much because of the devastatingly catchy electro-pop soundtrack as any other element, at times transcendental. A shame it's so difficult to come by; I had to buy it region 2.