Guys and Balls

I was really looking forward to seeing this film ever since I saw an ad for it on TV. And when I finally went and saw it I was not disappointed at all. On the contrary: this is a great film! It's funny, light-hearted and brilliantly cast. The story focuses on Ecki, a young man who works in a bakery in a very small rural community and plays football in his local team. When his team-members find out that he is gay they throw him out of the team. With the help of his sister he subsequently tries to form an all-gay football-team to challenge his old team in a match. And this journey through tough-guy town Dortmund is really, really funny! The incredibly talented cast (especially leading man Maximilian Brückner) pull every scene off and make it believable. OK, there are clichés in this film but they are also made fun of and not taken seriously at the same time. The movie also features a love story between Ecki and Sven, his cute team-mate and these two characters are totally cliché-free.

This is a very good film and I recommend it to anyone who wants to have a really good laugh, see really good acting and a really touching love story - all in one film!

I found the movie very entertaining, sometimes it was pushing the stereotypes, but it was never ever insulting. Actually it was a gay friend that recommended me to watch the movie. As a matter of fact, the movie portrayed gay men as very diverse showing different personalities with different attributes. It is a great comedy, not comparable to ridiculously and sometimes even offending movies like "Traumschiff Enterprise". Maenner wie wir paints a very positive picture of gay men and does hold a very supporting view in a comedian fashion. In fact, every major character shows understanding and respect for gay men by the end of the movie. I have to add that I thought the acting of Eckis parents (Saskia Vester and Dietmar Baer) was just great.

Ecki is goalkeeper for the soccer-team in his small hometown in Germany (near Dortmund). After losing an important game, his mates accidentally find out that he is gay. They throw him out of the team. Out of anger and hurt he dares them to play against a gay team. Ecki has only four weeks to build this team and train them.

The movie plays with clichés in a hilarious and yet pleasant way. Good looking guys, leather and chains, love, revenge, and soccer. Witty dialogues and good action. Highly recommended.

Sure, this movie follows a formula, actually many formulas, about gay vs. straight flicks, soccer flicks, sports hero flicks, guy gets the guy flicks - but it does them all VERY well and with both love and humour. Although there is every cliché in the book here about masculinity and coming out, there is an equal emphasis on NON-stereotypical gay men. Ercin the Turkish player is as nelly as they come but hey, he's a Turk represented in a German soccer flick, AND his Dad is obviously 100% supportive and proud of him, fluffy hand-gestures and all. Hotte may be a stereotypical leather guy, but he's also a juggernaut on the field who strikes terror in his opponents. Our hero is so gosh-golly "straight-looking" that I had trouble believing in him as a gay guy in the opening sequence, but his dalliances with Sven change all that. I've been out since 1979 and have seen ALL the big- name "gay" movies. Some good, some downright awful. This one felt real, was engaging from the outset and made me laugh, good hearty belly-laughs, from end to end. I loved it. You will too.

Yes, it has been done before-- an "against all odds" sports film. But this film tackles the genre in a funny, laugh-out-loud way. An odd assortment of characters-- some eccentric but all pretty much everyday folks-- are well-presented. The dialog is witty, the romance is sweet and the film is well-paced. You really root for these characters-- you like them and care about them. A light and fun two hours with no heavy messages or polemics. Sure, the film is predictable but the humor and the fact that you care for the characters prevents the rolling of eyes and the restlessness that often comes when you know what is ahead of you in a film.