Guys and Balls

Sure, this movie follows a formula, actually many formulas, about gay vs. straight flicks, soccer flicks, sports hero flicks, guy gets the guy flicks - but it does them all VERY well and with both love and humour. Although there is every cliché in the book here about masculinity and coming out, there is an equal emphasis on NON-stereotypical gay men. Ercin the Turkish player is as nelly as they come but hey, he's a Turk represented in a German soccer flick, AND his Dad is obviously 100% supportive and proud of him, fluffy hand-gestures and all. Hotte may be a stereotypical leather guy, but he's also a juggernaut on the field who strikes terror in his opponents. Our hero is so gosh-golly "straight-looking" that I had trouble believing in him as a gay guy in the opening sequence, but his dalliances with Sven change all that. I've been out since 1979 and have seen ALL the big- name "gay" movies. Some good, some downright awful. This one felt real, was engaging from the outset and made me laugh, good hearty belly-laughs, from end to end. I loved it. You will too.

Let's face the facts - there is one dominant and popular area in Western society where homosexuality is still an absolute no-no, where it simply doesn't exist (officially of course) : And this is....? Yes, it's football. Excitement and fun for billions of people all around the globe. But although roughly 5% of mankind can be considered as gay or at least bisexual no professional player ever had his public coming-out. (But statistically speaking in every team there must be at least one..which would mean a minimum of 18-20 in the German Bundesliga alone)... This is the sociological background any critic should take into account before criticizing "Männer wie wir" too harsh. Yes, I agree, in some parts this film is a bit stereotypical, but the important and optimistic message counts more than its occasional lack of sophisticated and complex characterization. Maybe this is also one of the reasons why many heterosexuals (even the liberal and educated type) feel uneasy about this film. They simply don't want gays to enter one their last retreats of pure and sweaty straight manhood. And the notion that some of these queers might even turn out to be adequate opponents on the pitch (as it happened in "Männer wie wir") is just ...like finally loosing in a penalty shoot-out after a comfortable lead.

This moves pretty well through the various expected clichés: losing one's group identity while forging a new one, showing the group who kicked you out you're better than them, guys who cheat eventually lose, love conquers all.

Funny, too. All the usual stereotypes are presented, with the over-the-top characters being balanced by the more authentic core characters. Nice symbolic use of gold-toned lighting to highlight original innocence, once lost now returned.

The score is fun and well-paced. The ending is more Indie than expected and thus more satisfying.

Director Sherry Horman and writer Benedikt Gollhardt have not introduced any new ideas in 'Männer wie wir' ('Guys and Balls') - team sports dependent on camaraderie, outsiders getting the last laugh, coming out stories with sports as a background, homophobia to the max, and stereotypical depictions of gay men - but they have created a movie that has enough charm to get past all of the above. It is that kind of movie that makes you groan 'Oh no, not again', but then ends up making you feel warm and sentimental despite yourself! Ecki (a very charismatic and hunky Maximilian Brückner) has grown up in a rural town, the son of a baker, and a committed soccer fan since childhood. Now as a young man he is sought after by his girlfriend Cordula (Melody Sitta) but is unable to respond to her advances. As the popular goalie on his soccer team he is hailed until quite by accident he is discovered in warm embrace with a teammate: the teammate and the team trash him for being gay, his father (Dietmar Bär) throws him out of the house, and poor Ecki departs for Dortmund to live with his sister, swearing to his team that he will return with a gay soccer team to defeat the homophobic jerks.

Ecki and his sister Susanne (Lisa Potthoff) pair off to find gay team players and find them they do, in the strangest places (this is where the film sags due to the stereotypes the director elected to cast). Ecki creates a solid team, falls in love with his sister's co-worker nurse Sven (David Rott) and despite some minor setbacks, the team boards the bus to return to Ecki's hometown to face off the enemy home team. Yes, it ends as you would imagine, but along the way the writer and director manage to make a few healthy comments about being true to yourself and your convictions.

Despite everything predictable about the film, the actors - Brückner, Roth, Potthoff, Bär, Carlo Ljubek, Saskia Vester et al - bring a homespun credibility to the story. This is one of those films that requires forgiving its shortcomings to just enjoy the ride.

Yes, it has been done before-- an "against all odds" sports film. But this film tackles the genre in a funny, laugh-out-loud way. An odd assortment of characters-- some eccentric but all pretty much everyday folks-- are well-presented. The dialog is witty, the romance is sweet and the film is well-paced. You really root for these characters-- you like them and care about them. A light and fun two hours with no heavy messages or polemics. Sure, the film is predictable but the humor and the fact that you care for the characters prevents the rolling of eyes and the restlessness that often comes when you know what is ahead of you in a film.