The Hillside Strangler

If you've seen the other serial killer movies by Tartan films, you'll get exactly what you expect from this film: actors you haven't seen in awhile steeped in extreme violence with not a whole lot of emphasis on the facts. There are some gruesome scenes here, though tamer than the actual crimes of the Hillside Stranglers. Pretty good performances all around, but not excellent. Some interesting camera work, better than you'd expect from a film with so low a budget.

I was concerned by the casting of Turturro and Howell, having had a fondness for the earlier portrayals by Dennis Farina and Billy Zane. Plus, C Thomas Howell just seemed too cute to play Ken Bianchi. But once I got a look at him, I was shocked by his gaunt, creepy appearance. I sincerely hope he looks better than that in real life.

To conclude, this is by no means the movie of the year, but if you liked Tartans Gein, Gacy or Bundy, give this one a watch.

I suppose it's a bit trendy to do so, but Tartan films certainly does take advantage of the direct to DVD/late night cable market. The books recounting the ill deeds of Gein, Dahmer, Gacy and Buono/Bianchi are well documented. Cram as much shock into 90 minutes as possible and if you can effectively capture the pathos and motivation of these grandiose sickos all the better. I love a challenging film, one that leaves me a bit mentally drained without long-term ill effects.

I'd say this is one of the better ones, due mostly to the benefit of having two protagonists with anti-social manias to capture instead of one. And the casting of fairly well known actors doesn't hurt either, although the roles actually could have been reversed physically speaking. What I remember from the book's photos is that Bianchi was much more vital and really did look like a cop, not the skinny smarmy John Watersy used car salesman-y figure Howell presents. And Angelo Buono was tall and lean and the book described him as incredibly fastidious and anal, whereas Turturro is a bit too cliché Italian. Either way, the formula works and I think their chemistry is still effective.

This is definitely the hardest of this series of movies by the producers. The language, the real-time realism, the fear of the victims are all very palpable.

In the end of the 70's, the dysfunctional Kenneth Bianchi (C. Thomas Howell) lives with his mother and is obsessed to join the police force. When his application is refused, his mother suggests him to go to Los Angeles to live with his sadistic and perverted cousin Angelo Buono (Nicholas Turturro). Kenneth unsuccessfully tries to join LAPD, and Angelo convinces him to start a prostitution business with him. They force two girls from Tucson to work for them, but their competitors destroy their business and steals their money. The frustrated Kenneth and Angelo decide to revenge against a whore, and Kenneth strangles her, feeling a great pleasure with the act of killing. The two cousins become addicted in death, initially killing whores and then attacking single women, dumping their bodies on the hills of LA.

"The Hillside Strangler' is a low budget movie based on a true event that happened in 1977 in Los Angeles, with the police chasing one serial killer when actually they were two. The disturbing and violent story has many strong moments with the explicit sadism of the two cousins, and sex exploitation with many nudism, but it is well acted and attractive. This movie is not recommended for sensitive persons due to the psychopathic violence, but for those that like a cruel and credible story, it is a good choice. My vote is seven.

Title (Brazil): "O Estrangulador" ("The Strangler")

This movie is not for the faint of heart. These two men were sadistic, woman hating thugs but it transcends the genre by presenting them as human and bad, not as stereotypical Hollywood killing machines or some victim of uncontrollable compulsions. It was certainly better than earlier flicks that only hinted at their lifestyle. C.T. Howell's Ken Bianchi is a little overdone but he does a good job as portraying him as a liar, geek, sadist, weakling and a con man with a smidgen of humanity. Nick Turturro stole the show with his over-the-top Angelo Buono who was a real goon in the Soprano style of "lovable" Italian sadists. The movie takes a slap at Italian macho man culture but in the case of these two goons, it isn't offensive or unwarranted. Even before they slapped their first women, you got to really dislike them as Nick took his weaker cousin on a journey through the tawdry sexual night life of LA. The way they duped the small town girls with their phony modeling agency spiel then forced them to be whores was a good warm up to their later murder spree. Good late night flick, but definitely not for your date or the sensitive type!

Well, not bad but by no means not great. What is missing from this telling of The Hillside Strangler story is what is usually important to making a good serial killer movie: "police involvement". The fact that what really stumped the LAPD for so long is that they didn't know they were looking for two people was key in the real-life story and not even mentioned here. Also the film makers failed to really show (only in some quick snippets) just how sick and twisted these two were and some of the really gruesome things they did to their victims. I'm not saying it needed to be shown but it should have been at least mentioned. But there again that would call for police involvement. That being said I would mention that C. Thomas Howell turns in a pretty good performance here. With his gaunt appearance, silly thin mustache and pathetic shleprock mannerisms he gives his character, he almost channels the spirit of an icky Willem Dafoe performance. Almost. I'll be kind and give this a C-.