Frozen

I have just finished watching this film on TV and I was totally absorbed. The casting was perfect, the coastal locations bleak but with a strange beauty as only our coasts have, and the story itself is haunting. This beautifully crafted film, reminiscent of Nick Roeg's adaptation of Daphne du Maurier's 'Don't Look Now', is a credit to the British Film industry. It just goes to prove that you don't need mega amounts of money and 'A list' Hollywood stars to make an thoughtful and very watchable film. In particular, I thought Shirley Henderson as Kath Swarbrick and Roshan Seth as Noyen Roy, were both superb and brought sensitivity to their roles which was both understated and convincing. The direction by Juliet McKoen and screenplay by her and Jayne Steel were, I thought, pretty much faultless. Some viewers have complained about the slow pace - unfortunately now-days the art and skill of building tension or atmosphere gradually is in danger of being lost in favour of crashing out everything at breakneck speed. I loved this film - if you're considering buying it on DVD, 10% of the proceeds goes towards the Suzy Lamplugh Trust.

This is Shirley Henderson's film through and through. If "Frozen" does nothing else it must surely let casting agents see that Henderson can be stretched further than we have ever seen before and that she will deliver the goods. Her performance has already been recognised in the BAFTA Scotland Awards in 2005 where she (rightly) picked up the Best Actress prize. This is the first time that she has carried a film as the star that she is. Here there are no places to hide since she is on screen in mostly every scene. With a flawless Lancashire dialect (she is Scottish) and a paper-thin fragility, she convinces us that she is trapped in this bleak but beautiful (and rarely filmed) place as she searches for the truth behind her sister's mysterious disappearance.

The film is slow though well paced, stark and bleak, but never dull, but would have been a whole lot better if the end wasn't so obfuscated and needlessly confusing. In a whodunit (and this is) you can't short change the audience by not telling them what happened. From what I can tell, about half the audience when I saw it really liked the film. Others were disappointed and without doubt this is not a commercial film by any standard, but it is one worth seeing just for Henderson's tour de force.

I recently saw 'Frozen' at the 2005 RiverRun International Film Festival, and I must say I enjoyed it. However, I don't think it's a film you'll watch over and over again... explanation: The basic synopsis of 'Frozen' is a girl, Kath, is curious about what happened to her sister, Annie. Is she alive? Dead? Living a new life? When Kath finds some evidence showing Annie the day she went missing, she becomes almost obsessed with finding her. It's not the most original plot you've ever heard of, but it is pulled off very well for what it is.

Along Kath's "journey," you'll meet a few central characters, though after all is said and done, I find some of the characters --or more importantly, the one emphasized most (a therapist/priest character)-- has little to no real relation or development to the plot and could've been done without or built upon in many areas. Though the acting is convincing throughout, it's because of this that some of the exchanges can feel as if they're unnatural or dragging (even at a 90min. runtime.) What the previously mentioned slacks on, 'Frozen' more than makes up for with visuals and sound. The film uses lots of blues and dark greens, which give it a very cold feeling. This pulls you in to relate to the character, who describes herself multiple times as feeling "frozen." The camera work itself is good as well, with some very good shots scattered about. The sound is equally cold as the visuals. There's not much use of music here, which further helps with the feeling of isolation.

Overall, the movie is nothing amazing, but even considering the flaws, 'Frozen' is a very good and interesting watch in the thriller category (especially considering what's been passing as "thrillers" lately.)

Up until a few days ago I hadn't heard of this film but when I saw it listed in the television guide and read that the always excellent Shirley Henderson was in it I decided to give it a go. I'm glad that I did as it was pretty good.

Shirley Henderson plays Kath a woman who can't get over the disappearance of her sister two years before. She is convinced that somebody has done something to her but the police have no evidence to suggest foul play. The only real clue is CCTV footage which shows her entering an alleyway but doesn't show her leaving. Kath is helped by the CCTV operator who lets her review the tapes and by her Counsellor who she discusses her problems with. I won't say anything about the ending as I wouldn't want to spoil it for first time viewers.

The film is fairly bleak, both in the subject matter and the way it is filmed, there was a constant sense of isolation and cold. As I'd expected Shirley Henderson did a great job in the leading role, the supporting cast also put in good performances, I especially liked Roshan Seth as her counsellor. While I did enjoy the film I felt it looked more like a superior television production rather that a cinematic production intended for the big screen, not that that is necessarily a bad thing, it makes a nice change to see a thriller with no guns in sight let alone the explosions that seem de rigueur these days. If you get a chance to watch this fine film I'd certainly take it.

Juliet McKeon's film 'Frozen' tells the story of a young woman searching for the truth about her disappeared sister, and has elements of the thriller, the supernatural, a tale of mental disintegration and, most convincingly, a portrait of Fleetwood (in Lancashire) as a place beyond the end of the world (think of Pavel Pawelikowski's interpretation of Margate in 'Last Resort', and then imagine somewhere even more bleak). But it's a low budget, low-key affair, and while I often consider these virtues, McKeon doesn't quite have the skill to put everything together, or the ability to lace her portrait of darkness with the dose of lightness and humanity necessary to make us care. The result is somewhat alienating for the viewer, and the final message unclear; it feels like a beginner's piece, and more reminiscent of a BBC television film from the 1980s than a conventional movie.