Margery and Gladys

It is easy for the frequent viewer of television to become pessimistic about the future of the medium. The proliferation of channels has led to fragmentation of the audience and a general shortage of money for quality programs. But then, along comes a gem like "Margery and Gladys". The story and the humanistic style remind me strongly of the comedy/spy production "Sleepers" (1990) and it comes as no surprise that one of the writers, Andrew McCulloch, contributed to both productions. The direction, camera-work and acting were first rate and the editing (i.e. cutting from scene to scene) was just right for maintaining attention. As a person over 60 with UK background, I was delighted by the snatches of George Formby songs towards the end. Formby was to the 1940s what the Beatles were to the 1960s.

Anyway, the TV industry is not doomed as long as movies like this can be produced. I'm delighted to see that it is liked in the USA despite its rather British flavor.

I just saw this film. Sometimes I consult this db when planning the evenings TV-programme. When I saw this rated 7/10, I thought it had to be worth-watching. In my opinion, when a film hits 6, it's generally worthwhile.

Furthermore I find British TV-films a lot better than American. I read a review comparing this to Thelma and Louise, but I must say that I find T&L a lot more entertaining than this. This film has its moments; I like the leads, but the film tries too hard: The tempo is too high. The basic idea about the odd-couple is well-proved, but a bit trite. The plot (what gets them on the move) is outright implausible, but the neighbourwatch-theme is quite good, I think.

This film reminds me of a Simpsons episode, when Marge is at a book-club meeting with Helen Fielding. Marge tells her, that she hasn't actually read Bridget Jones' diary, HF replies that it's perfectly OK, as long as they all bought a copy, then leaps out the door in a wild police chase (on foot) in fast-motion accompanied by the music from Benny Hills ditto chases.

Not that I find British humour inferior.

Haven't seen Penelope Keith on TV in ages. It was either this or Groundhog Day. Am glad I watched this one. You will enjoy this on TV or DVD if is available. Basically the plot is:

Wealthy housewife Margery and her rough-diamond cleaner, Gladys, disturb a burglar, knock him unconscious in self-protection, then panic and leave him for dead. But, unknown to them, he survives and escapes. Believing themselves unintentional killers, the two flee in Gladys's old wreck of a car, commencing a journey of comedic misunderstandings in which these two very different ladies embark on a shared voyage of self-discovery. The two take to the open road and a fugitive lifestyle like ducks to water. However, with money short and Gladys needing medication, the duo is forced into a surprisingly full-blown crime spree, proving more than a match for an unlikely pair of policemen, Detective Inspector Woolley and Detective Sergeant Stringer.

I watched it last night and although it had its funny moments this reworking of the 'Odd Couple' began to sag after an hour. The humour is based around having a a female middle class snob and a very working class woman in the same car when things start to go wrong. The whole plot is too far fetched and the car journey is far too long! So long that I wanted to scream! Both main actresses are good but the problem lies in the length of the film. Penelope Keith plays her usual middle class lady looking down upon all and sundry but her character is one dimensional and there is only so many times that you can chuckle at her snobby sarcasm and her superior tone of voice.This was in essence an hour long comedy, but as it was the humour becomes clichéd and the whole thing becomes laboured. This film should have been entitled 'Audrey Forbes Hamilton meets Dot Cotton.'

The drama, Margery & Gladys, unfolded quickly and moved smoothly along. The casting of comic legend Penelope Keith and another great talent, June Brown was brilliant. I only came upon this by accident while changing channels. I loved watching Penelope Keith and June Brown (in something other than East Enders) together. Penelope is truly a British treasure and should be given Damehood for her contributions to television comedy. I love Penelope Keith. June Brown can hold her own against Penelope in this drama. Penelope is perfectly cast as Margery, the snobbish wealthy Kent widow, and June Brown as Gladys, her cleaning lady. They begin their usual day by doing their routine until a burglar enters and changes their lives forever. Like any good drama and comedy, there are laughs along the way when they run out of money, break into a pharmacy, etc. They are the unlikeliest of friends too. They are complete opposites. We learn their secrets along the way. It is the most entertaining drama around today. If it had been in the cinemas, Penelope Keith and June Brown would have been honored with Oscar nominations. I won't spoil the ending. I found Margery's son, Graham, to be quite amusing and interesting. He is the strangest character around. It was wonderful to see Marcia Warren again. She's another great British talent! For all it's worth, I enjoyed this team much better than Susan Sarandon and Geena Davis.