The Agronomist

The Agronomist, a documentary film by Johnathon Demme, director of Silence of the Lambs and Philadelphia, was made over the course of a decade in Demme's free time about the Haitian radio journalist. When Dominique was killed, this movie became about a martyr story for the people. Demme does a decent job with the confusing tale, but his documentary style might border on boring if it weren't for the astounding presence of Dominique himself. He is a wildly eccentric man, and very funny to watch, especially with his large white teeth and folding face. But you know while you're watching him that he's also very serious. This is at the same time a political movie and the study of an endlessly interesting man. It is a movie that sides with the Democratic, but to call it a Liberal movie is unfair, since the Democratic interests in Haiti are on a much different scale than those of America. Their interests were freedom, every day life. To them, Clinton was a chance for freedom and democracy, and I respect that. There are wonderful sequences such as when they talk about his love of film and agriculture. He was "an agronomist without any land." This is a moving picture that offers a lot of insight into the Haitian culture, and lets us see it through the eyes of this wonderful little man.

My grade: 8/10

This is one of the most inspiring documentaries I've ever seen. Jean Dominique's unparalleled quest for freedom really made my day and deepened my enormous respect for such idealists. His trademark smile was an invitation to join his struggle. His gestures, his talk, his manner, show an honest and strong man, who could not be bent. Only bullets could (and did) stop him.

Another extremely touching aspect of his story is the level of bonding they had with his wife. It is such a rarity and such a wonderful thing to happen, that you cannot but feel happy that these two people have met and enjoyed their life together.

As a documentary, it is flawlessly shot. The timing is right, each episode's duration is well calculated, it flows smoothly and it respects its material.

Absolute must-see.

I saw Jonathan Demme's documentary at Cinequest 2004 last night. Wound up in the front row of a small theater (and for a film with subtitles, I *REALLY* advise against this), but I still am very glad I caught the film.

Demme has taken some interesting side trips from his Hollywood career. Quite the "maverick" a phrase that Cinequest likes to tout. I sure would like to come across some old episodes of "Live from Off Center" as an example. I have seen Demme's Spaulding Grey (RIP), Talking Heads and bits of his Robyn Hitchcock documentaries...

The object of his latest documentary, Jean Dominique radiates charisma. This is amplified by clever repeat cutting at times (Dominique sniffing trouble in the wind, Dominique mouthing the machine gun rat-a-tat-tat of soldiers shooting at the radio station he ran in Haiti, Dominique emulating creole non-verbal utterings yet laced with meaning.)

Dominique's exuberance may put some off, as his flair runs towards flamboyance; however for me it simply made for a very engaging hour and a half. In addition to interviews with Dominique directly, we are also treated to footage from his earlier attempt at a career in film. Footage of the mud ritual at Saut d'Eau was spellbinding for me. Other sadly familiar shots of violent rampaging on the streets of Haiti are kept mercifully minimal, but strong enough to disturb the viewer.

And indeed, we should be disturbed. The details of Dominique's efforts are sadly all too lacking. We get a cursory indictment of an American cowboy president, "you know him?" Dominique questions with a grin. An alignment with peasants in the outlying areas and Dominique is shown and supported. I was confused by problems importing ethanol as a beverage, versus the locally produced clairin. (I've since learned that some people and senators, drink ethanol straight without gasoline mixed in).

There is an all-too-short radio interview with Aristide (who as of this writing has recently been removed again from power in Haiti).

We sense Dominique's aggravation with the situation, but never come near what he would propose as a solution. There are blanket statements against say the bourgeoisie that made me curious. How large is said class? Is not Dominique a member of it? Maybe as a reporter he attempted to never cross that imaginary line of subjective versus objective reporting? That does not seem likely. I wish we had seen and heard more from him (and that interview with Aristide, and one with Charlie Rose, etc...)

Perhaps Demme meant this strictly as an homage to a man and his family. His wife and daughter and sister all add interesting anecdotes to the film. Or maybe Demme just offered this to spur further interest in Haiti. I do not know enough, I remain stupefied that the Dominican Republic can share an island with Haiti but not share the strife. And thanks to this film, I did some poking around and learned about the story of Mackandal. Amazing!

Ultimately for me, the film certainly did insure the importance of a free press.....and radio and internet and other public media. I was buoyed by Dominique's grin and general enthusiasm, despite the grim history of Haiti. The way he seemed to feed off his outrage and not be overcome by it was fascinating to me.

Both form and certainly content garner a

7/10

One of the most important films of this era. A life lived with complete integrity and service to his community of the people of Haiti with passion and great courage. Everyone should see this movie and show it to their children as they enter adolescence. Dominigue is a model of courage whose life stood for something greater than his own personal agrandizement. He saw the greatness of each human spirit and brought that forward no matter the cost. Jonathan Demme had to know that Dominique's life was constantly in danger as he made the film and the film was made with the passion that Dominique himself would have sanctioned and in fact must have done so or the film could not have been made. I will own a copy of the DVD when it comes out to show to the young people I work with in the schools in the poorest areas of this New York City.

Haitian agronomist turned civil rights activist with a perilous base, a radio station lost several times to violence, Jean Dominique paid the ultimate price for his unwavering dedication to the ideals of democracy, free speech and an open and uncensored press. He was shot dead outside his radio station, Radio Haiti, by persons still unknown but it wasn't a robbery. It was a final attempt to silence a man revered by countless thousands of his fellow Haitians, especially the poor and dispossessed.

Director Jonathan Demme provides much interview footage of Dominique in this ninety-minute documentary. His American-educated widow, Michele, (Homecoming Queen at the University of Maine, participant in the Vietnam-era Columbia riots) was also his partner in the radio station which she now runs.

Dominique was born into a comfortable family which in Haiti meant they either worked with the corrupt administration of the day or didn't oppose it. His father inspired nationalistic feelings in the young man who went off to France, as many well-off Haitians did and do, to study. In the interviews, his words are frequently punctuated with a sardonic laugh undoubtedly cultivated in the cafes of Paris.

Dominique never gave quarter to "Papa Doc" Duvalier, his idiot son and successor or to Aristide and the military junta that alternated with the now again deposed priest/president.

Articulate and fascinating, Dominique had to know he was in mortal peril virtually every day other than the two brief exile periods in New York (where he and Michele wed). Although he both found sanctuary in America and disliked U.S. foreign policy, especially after Reagan succeeded Carter, his ideological values reflect the best ideals of this country. American involvement with and in Haiti do not.

Interspersed with the interviews of Dominique and Michele are scenes of near anarchy and brutal violence in the incredibly poor country as well as shots of rituals reflecting the nativist tradition of a largely neglected rural class.

I would have passed this film by but for the recommendation of a colleague who used to travel to Haiti decades ago. I'm grateful to him for an eye-opening and deeply disturbing peek into a cauldron whose temperature continues above the social and political boiling point.

At the end of the film Michele is seen broadcasting from the station reporting that her murdered husband is alive and still campaigning for the values for which he died. It's not tongue-in-cheek, it's a moving legacy to a man who states in the film that democratic ideals of freedom can't be killed. He was right but he certainly could be and he paid the price for his lifelong heroism.

9/10