The Goodbye Girl

What got me to watch this movie in the first place was seeing Patricia Heaton in something other than Everybody Loves Raymond and to see Jeff Daniels in something a little more serious than Dumb and Dumber.

I won't give away any of the plot, but I will say that the movie was entertaining. Although the speed at which emotions changed back and forth was a little too quick to be believable. Some people also might be turned off by the overly mature NYC 10 year old daughter who at times seems to be more of a sister then a daughter to Heaton's character.

It was a nice film to end the day with.

Why did they remake this picture? It was a pleasant enough TV movie if there was not a really excellent original to which it pales in comparison.

Jeff Daniels, usually a favorite of mine, is not cut out for this type of comedy. He is neither funny or sympathetic as Elliot. Patricia Heaton is OK, but there is virtually no chemistry between her and Daniels. The daughter is too cute and wise.

Oddly, a high point in this picture is a cameo by director Richard Benjamin. This production makes one want to go back into the archives and retrieve the Dreyfuss/Mason version to REALLY see the show.

I loved the original. This remake was just painful. Try though he might Jeff Daniels could not carry off the roll of Elliot with any degree of charm, humor or frenetic energy that Richard Dreyfuss made work so well in the original. Matthew Perry MIGHT have been a better casting choice for Elliot, but it's hard to follow a classic.

And though Patricia Heaton is much easier on the eye than Marsha Mason ever was, she seemed to be phoning in her part as well. Marsha sold the part of a hopeless romantic who'd been dumped one too many times. Patricia seemed to be acting like it was one of her Albertson's commercials.

I really tried to cheer for this remake, but it just didn't hold a candle to the original.

Jeff Daniels ("Dumb and Dumber." 1994) and Patricia Heaton (T.V.'s "Everybody Loves Raymond") team up in this made-for-TV remake of Neil Simon's 1977 original. Elliot Garfield (Daniels) is forced to share an apartment with Paula (Heaton), and her 11ish-year-old daughter, Lucy (Hallie Kate Eisenberg--the "Pepsi girl" of the late '90s). At first there is incredible housemate static, but as time passes feelings for each other begin to surface.

I actually saw the movie premiere in an Ann Arbor, MI historical theater. Daniels himself gave the introduction. Some dialogue seems forced, especially from Eisenberg. And the shared apartment is quite unbelievably luxurious for two, supposedly strapped-for-cash performing artists. Funny scenes and clever dialogue snippets save this romantic comedy, though the original is better.

This remake just does not live up the the original. No chemistry between the leads, and I can't remember the last time I've seen cleavage (obviously silicone) that was too high on the female leads chest. And she wasn't even a pleasure to look at. The male lead, what's his name, seemed invisible to me in the role.

Do yourself a great favor and rent the original instead.