The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.
- Director
- Writers
- Stars
- Awards
- 23 wins & 84 nominations total
Ambrosia Kelley
- Nikki
- (as Ambrosia Kelly)
Yoshiyuki Morishita
- Tokyo Businessman
- (as Yoshijuki Morishita)
Gorô Daimon
- Boss Honda
- (as Goro Daimon)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Glad to see the split.
When I first heard that this film was going to be split into two movies instead of being presented as one as originally planned, I was angry. I accused the powers that be of trying to squeeze two box office triumphs out of a single project. But after having seen both 'Kill Bill' and 'Kill Bill Vol.2', I am glad because both films are extremely different even though the stories are tied together with primarily the same actors and having the same director. Containing less action than 'Kill Bill', volume 2 is intelligent, bizarre and extremely engrossing. It absorbs all of its elements equally and David Carradine's performance as Bill is the best thing to happen in movie villain history since, well, I'll leave that up to individual interpretation.
The Vengeful Bride Part 2...
It's a hefty price to pay, preparing for your wedding day, as your jilted lover Bill, arrives in time to maim and kill, left unconscious, comatose, muscles wasting, decompose, four years later you awaken, and you feel a little shaken, so you start to wiggle toes, then start looking for your foes, there are several scores to settle, you know how to use sharp metal.
The Bride continues to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
The Bride continues to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
Tarantino's Triumph: Volume Two
Rarely known a movie I've been looking forward to so much than Q.T's resumption of the Kill Bill saga. I, as well as millions of others film-freaks, awaited Uma Thurman's further adventures with wicked anticipation. And of course
Tarantino didn't disappoint. Volume two is a completely different movie than volume one, but it's equally brilliant and the director's trademarks are shown more than obviously. Volume one merely was homage to the Eastern Martial Arts movies, with delightfully over-the-top splatter and gore while Vol. 2 fully focuses on ancient westerns and rural horror. There's more dialogue, more twists n turns and the anti-chronological structure results in more depth and involvement. Some unexplained elements from Vol.1 become clear now and even the entire background of Thurman's character gets unveiled. For the very first time, (as far as I can remember) Tarantino really knows how to create an unbearable tension! There's a sequence in which Uma is buried alive and trapped under the ground
Through simple methods, like a completely black screen, Tarantino arises claustrophobia among the audience! Truly terrific filmmaking.
The actors in Kill Bill aren't Hollywood's best, but they each have their charisma and their typical Tarantino characters do the rest. The camera viewpoints are brilliant at times and as usual the tiny absurd elements are a joy to discover. Tarantino's entire Kill Bill achievement may easily be considered as one of the most creative and dared film-projects ever! Do yourself a favor and watch them! Over and over again.
The actors in Kill Bill aren't Hollywood's best, but they each have their charisma and their typical Tarantino characters do the rest. The camera viewpoints are brilliant at times and as usual the tiny absurd elements are a joy to discover. Tarantino's entire Kill Bill achievement may easily be considered as one of the most creative and dared film-projects ever! Do yourself a favor and watch them! Over and over again.
Powerful Tarantino's Cinema
Vol. 1 is blood and fun, Vol. 2 is a memorable piece of art.
10abacus24
A Tarantino Masterpiece
Over the last 40 years, I've seen a lot of movies. All types. Some great, some good and some mostly inedible; most left my breath with a sour smell. Westerns, sci-fi, comedies, dramas, etc. After seeing Kill Bill Vol I, I assumed that any sequel would pale to its predecessor. I, of course, was premature in my prediction. The movie was, by all means, a classic. I feel Taratino was really trying to make a great movie versus making money for his producers. To build his tasty sandwich, he took the lessons he learned from life as a movie maker and cleverly managed to meld some slices of meat from Sergio Leone (subtly), Akira Kurosawa (very subtly) and, I'm stretching it here, Ridley Scott, to create a great sequel to an excellent first movie. He used some great, almost forgotten actors (Daryl Hannah, Micheal Parks, and David Carradine to create a memorable meal. It was only a sandwich, but what morsel it was. I was full and wanting more. Very rare to find this type of film in our corporate world. He must wield some real power in the movie world. I don't know of anyone who has saw this movie who hasn't given it great feedback. And I know all types of viewers. My wife, who really doesn't like anything that is not overly melancholy or dripping with sentimentality, actually liked the whole movie. That in itself is an endorsement. Well done. Mr. Tarantino, you will be hard placed to match this gem.
Did you know
- TriviaQuentin Tarantino originally intended to only have Pai Mei's lips speaking Cantonese, while his voice would be in English, imitating a bad dub job. Tarantino was going to provide the voice himself. In the end, Tarantino abandoned this idea, and Pai Mei (Chia-Hui Liu) speaks in his own voice.
- GoofsWhen Beatrix is on the patio, after being "shot" by her daughter, she is sitting on the ground hugging her, the sword on her back disappears and reappears numerous times between shots.
- Quotes
Elle Driver: That's right. I killed your master. And now I'm gonna kill you too, with your own sword, no less, which in the very immediate future, will become... my sword.
The Bride: Bitch, you don't have a future.
- Crazy creditsAfter the credits there is an outtake with Uma Thurman.
- Alternate versionsHong Kong version differs very slightly from the US version. The only difference is that some alternate shots were used in the scene where Beatrix drives to Esteban and the scene where she finally goes to him in the village.
- ConnectionsEdited into Kill Bill: The Whole Bloody Affair (2006)
- SoundtracksAbout Her
Written by Malcolm McLaren (as M. McLaren), W.C. Handy, Rod Argent
Performed by Malcolm McLaren
Courtesy of Malcolm McLaren
Contains samples of "She's Not There"
Written by Rod Argent
Published by Marquis Music Co. Ltd.
Performed by The Zombies
Licensed courtesy of Marquis Enterprises Limited
and of "St. Louis Blues"
Written by W.C. Handy (as William C. Handy)
Published by Handy Brothers Music Co., Inc., New York
Administered by EMI Music Publishing Ltd.
On behalf of Francis Day & Hunter
Performed by Bessie Smith
Original recording from the film "St. Louis Blues" in 1929
Used with permission. All rights reserved.
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $66,208,183
- Opening weekend US & Canada
- $25,600,000
- Apr 18, 2004
- Gross worldwide
- $152,162,123
- Runtime
- 2h 17m(137 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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