The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.The Bride continues her quest of vengeance against her former boss and lover Bill, the reclusive bouncer Budd, and the treacherous, one-eyed Elle.
- Director
- Writers
- Stars
- Awards
- 23 wins & 84 nominations total
Ambrosia Kelley
- Nikki
- (as Ambrosia Kelly)
Yoshiyuki Morishita
- Tokyo Businessman
- (as Yoshijuki Morishita)
Gorô Daimon
- Boss Honda
- (as Goro Daimon)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Glad to see the split.
When I first heard that this film was going to be split into two movies instead of being presented as one as originally planned, I was angry. I accused the powers that be of trying to squeeze two box office triumphs out of a single project. But after having seen both 'Kill Bill' and 'Kill Bill Vol.2', I am glad because both films are extremely different even though the stories are tied together with primarily the same actors and having the same director. Containing less action than 'Kill Bill', volume 2 is intelligent, bizarre and extremely engrossing. It absorbs all of its elements equally and David Carradine's performance as Bill is the best thing to happen in movie villain history since, well, I'll leave that up to individual interpretation.
Tarantino's Triumph: Volume Two
Rarely known a movie I've been looking forward to so much than Q.T's resumption of the Kill Bill saga. I, as well as millions of others film-freaks, awaited Uma Thurman's further adventures with wicked anticipation. And of course
Tarantino didn't disappoint. Volume two is a completely different movie than volume one, but it's equally brilliant and the director's trademarks are shown more than obviously. Volume one merely was homage to the Eastern Martial Arts movies, with delightfully over-the-top splatter and gore while Vol. 2 fully focuses on ancient westerns and rural horror. There's more dialogue, more twists n turns and the anti-chronological structure results in more depth and involvement. Some unexplained elements from Vol.1 become clear now and even the entire background of Thurman's character gets unveiled. For the very first time, (as far as I can remember) Tarantino really knows how to create an unbearable tension! There's a sequence in which Uma is buried alive and trapped under the ground
Through simple methods, like a completely black screen, Tarantino arises claustrophobia among the audience! Truly terrific filmmaking.
The actors in Kill Bill aren't Hollywood's best, but they each have their charisma and their typical Tarantino characters do the rest. The camera viewpoints are brilliant at times and as usual the tiny absurd elements are a joy to discover. Tarantino's entire Kill Bill achievement may easily be considered as one of the most creative and dared film-projects ever! Do yourself a favor and watch them! Over and over again.
The actors in Kill Bill aren't Hollywood's best, but they each have their charisma and their typical Tarantino characters do the rest. The camera viewpoints are brilliant at times and as usual the tiny absurd elements are a joy to discover. Tarantino's entire Kill Bill achievement may easily be considered as one of the most creative and dared film-projects ever! Do yourself a favor and watch them! Over and over again.
Different Yes, Bad, No
This movie is completely different from the first. Unlike the first with fast paced action and extreme entertainingly super-stylish gore, Kill Bill vol. 2 is everything that was missing in th first.
The Bride's revenge is burning strong and we can see it in her eyes. We discover the truth behind the wedding massacre and all questions from the 1st movie are answered. We discover why the Bride is the deadliest woman in the world. We discover why Elle is missing an eye. We discover who Bill really is. We discover the Brides name. And finally we discover the truth of the secret revealed at the end of Vol. 1.
Her first target is Budd. The loser bum ex-deadly assassin living in a trailer in the middle of nowhere. The short confrontation ends with one of the most terrifyingly claustrophobia-inducing (sp?) scenes ever...specially if you watch it in the dark. Then we are taken to the journey of how the Bride became the deadliest person in the world. We see the story between her and her hard-hitting very mean master Pai-Mei.
After a while there is the confrontation with Elle Driver...the Battle of the Blonde Gargantuants...as Uma Thurman referred to it in an interview. This one fight scene is almost as exciting as watching the Bride battling off tons of the Crazy 88s from Vol. 1.
Then the battle we were all waiting for. For Uma Thurman to Kill Bill...well I won't spoil it for you. Basically vol. 1 was 95% style 5% substance while vol. 2 is 95% substance 5% style. Very emotional and touching movie with a few key gore scenes...definitely a must see...
The Bride's revenge is burning strong and we can see it in her eyes. We discover the truth behind the wedding massacre and all questions from the 1st movie are answered. We discover why the Bride is the deadliest woman in the world. We discover why Elle is missing an eye. We discover who Bill really is. We discover the Brides name. And finally we discover the truth of the secret revealed at the end of Vol. 1.
Her first target is Budd. The loser bum ex-deadly assassin living in a trailer in the middle of nowhere. The short confrontation ends with one of the most terrifyingly claustrophobia-inducing (sp?) scenes ever...specially if you watch it in the dark. Then we are taken to the journey of how the Bride became the deadliest person in the world. We see the story between her and her hard-hitting very mean master Pai-Mei.
After a while there is the confrontation with Elle Driver...the Battle of the Blonde Gargantuants...as Uma Thurman referred to it in an interview. This one fight scene is almost as exciting as watching the Bride battling off tons of the Crazy 88s from Vol. 1.
Then the battle we were all waiting for. For Uma Thurman to Kill Bill...well I won't spoil it for you. Basically vol. 1 was 95% style 5% substance while vol. 2 is 95% substance 5% style. Very emotional and touching movie with a few key gore scenes...definitely a must see...
It transcends its genre and becomes Tarantino's most thoughtful and sophisticated work
In my brief, initial review of 'Kill Bill Vol. 1.' I made the regrettable mistake of dismissing it as exceedingly pleasing yet unsubstantial stylistic masturbation, lacking the profundity and characterizations of Tarantino's previous works. Rarely have I been happier to be proven wrong.
What once seemed like somewhat incoherent cinematic recklessness has, after viewing the second part of Mr. Tarantino's saga, revealed itself to be wild, imaginative and brilliant filmmaking. As a whole, 'Kill Bill' is utterly unified (not despite but because of the radical shift in tone), possesses a strong, dramatic ark, and, above all, stands as quite possibly the most passionate, loving tribute to cinema I have ever seen. While part one pays homage to Brian De Palma, Dario Argento and the Shaw Brothers, part two cites, among many others, Jean-Luc Godard, Sergio Leone, and Robert Siodmark.
But that's far from all.
In his critical essay 'The Cinema of the Cool', Kevin Murphy suggests that Tarantino must move on and grow up to fully realize his potential as a filmmaker. In my opinion, with this piece, he has done so. Those merely seeking the blood-splattered, broken-bone action of Vol. 1 will be severely disappointed by Vol. 2, which is infinitely more thoughtful, pondering the nature of violence, both in cause and effect. While the action in the first installment was great, comic book fun, here it becomes severely unpleasant, cringe inducing, and never without consequence. If anything, it reminded me of the great Akira Kurosawa's work. Remarkable.
What once seemed like somewhat incoherent cinematic recklessness has, after viewing the second part of Mr. Tarantino's saga, revealed itself to be wild, imaginative and brilliant filmmaking. As a whole, 'Kill Bill' is utterly unified (not despite but because of the radical shift in tone), possesses a strong, dramatic ark, and, above all, stands as quite possibly the most passionate, loving tribute to cinema I have ever seen. While part one pays homage to Brian De Palma, Dario Argento and the Shaw Brothers, part two cites, among many others, Jean-Luc Godard, Sergio Leone, and Robert Siodmark.
But that's far from all.
In his critical essay 'The Cinema of the Cool', Kevin Murphy suggests that Tarantino must move on and grow up to fully realize his potential as a filmmaker. In my opinion, with this piece, he has done so. Those merely seeking the blood-splattered, broken-bone action of Vol. 1 will be severely disappointed by Vol. 2, which is infinitely more thoughtful, pondering the nature of violence, both in cause and effect. While the action in the first installment was great, comic book fun, here it becomes severely unpleasant, cringe inducing, and never without consequence. If anything, it reminded me of the great Akira Kurosawa's work. Remarkable.
The Vengeful Bride Part 2...
It's a hefty price to pay, preparing for your wedding day, as your jilted lover Bill, arrives in time to maim and kill, left unconscious, comatose, muscles wasting, decompose, four years later you awaken, and you feel a little shaken, so you start to wiggle toes, then start looking for your foes, there are several scores to settle, you know how to use sharp metal.
The Bride continues to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
The Bride continues to track down her past acquaintances and leaves them under no illusion how cold her revenge can be when it comes to finding the whereabouts of the titular Bill. In the style of several classic film genres from several countries, if the pursuit of ultra-violent and vicious vendetta with serious loss of blood and body parts is your thing, then you've come to the right place. Also contains great dialogue.
Did you know
- TriviaQuentin Tarantino originally intended to only have Pai Mei's lips speaking Cantonese, while his voice would be in English, imitating a bad dub job. Tarantino was going to provide the voice himself. In the end, Tarantino abandoned this idea, and Pai Mei (Chia-Hui Liu) speaks in his own voice.
- GoofsWhen Beatrix is on the patio, after being "shot" by her daughter, she is sitting on the ground hugging her, the sword on her back disappears and reappears numerous times between shots.
- Quotes
Elle Driver: That's right. I killed your master. And now I'm gonna kill you too, with your own sword, no less, which in the very immediate future, will become... my sword.
The Bride: Bitch, you don't have a future.
- Crazy creditsAfter the credits there is an outtake with Uma Thurman.
- Alternate versionsHong Kong version differs very slightly from the US version. The only difference is that some alternate shots were used in the scene where Beatrix drives to Esteban and the scene where she finally goes to him in the village.
- ConnectionsEdited into Kill Bill: The Whole Bloody Affair (2006)
- SoundtracksAbout Her
Written by Malcolm McLaren (as M. McLaren), W.C. Handy, Rod Argent
Performed by Malcolm McLaren
Courtesy of Malcolm McLaren
Contains samples of "She's Not There"
Written by Rod Argent
Published by Marquis Music Co. Ltd.
Performed by The Zombies
Licensed courtesy of Marquis Enterprises Limited
and of "St. Louis Blues"
Written by W.C. Handy (as William C. Handy)
Published by Handy Brothers Music Co., Inc., New York
Administered by EMI Music Publishing Ltd.
On behalf of Francis Day & Hunter
Performed by Bessie Smith
Original recording from the film "St. Louis Blues" in 1929
Used with permission. All rights reserved.
Details
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $66,208,183
- Opening weekend US & Canada
- $25,600,000
- Apr 18, 2004
- Gross worldwide
- $152,162,123
- Runtime
- 2h 17m(137 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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