Untold Scandal

What can I say... 18th century century Korea is almost a picture perfect combo of "east meets west" with 18th century France. Many will probably judge Untold Scandal with the John Malkovich version of Dangerous Liaisons. Both versions need a little help, but "love story" was more profound and more touching in this version. Malkovich seemed like the faking unfaithful perp till the end, but in Untold Scandal you genuinely see the transformation in him from a seducer to a man desperately in love. While i didn't give a $hit about the characters in Dangerous liaisons since they are all pretty much ruthless bastards, you really care for everyone in Untold Scandal which made the ending even more depressing. Lastly, the simple and beautiful scenery of 18th century Korea is in itself breathtaking enough to see the film. I recommend both versions, you might want to see them back to back.

I was privileged to see "Untold Scandal" earlier this evening as a member of the Trenton Film Society. First of all, this is one of the best films of 2004, and I hope it gets a wider release in America. Why did the Korean film, "Spring, Summer, Winter, Fall...and Spring" get a significant release in the USA, but "Untold Scandal" has not? "Untold Scandal" is the far better of the two. Secondly, I felt this version of "Dangerous Liasons" was FAR superior to the American version that was made a number of years ago with Glenn Close and John Malkovich. This version was played more as a love story, more of a Shakespearean tragedy, and infinitely more heartbreaking. While all the performances are strong, the woman playing Lady Sook (the Michelle Pfeiffer role in the American version) was by far the most moving of all the performances. As someone noted earlier in their comment, I didn't see this as a comedy at all. But again, this was absolutely tremendous, and I hope it gets a wider release in America, so that more will have the opportunity to see it.

I'm no expert on movies, I just like I like, but do watch a wide variety of films (especially since getting my Roku box!)

I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.

I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.

I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.

--Rick in Boulder

I absolutely adore the version directed by Stephen Frears (starring Malkovich and Glose) so i was very interested what Koreans had made out of it. Korean films that I have seen that far are very interesting, they have quite a different approach then Western movie makers.

I think it was a good and intense film and the historical Korean scenery added a lot. Still, I think that Frears'is film is way stronger. The only acting work that stood out stronger then Frears'is characters, was the lady who played the virtous Madam Sook (Michelle Pfeiffer's character in Frears'is version). This was an incredibly strong performance and I liked it more then Pfeffer's approach.

As to the others they slightly lacked detail and depth. Overall, the Korean protagonists were no match to John Malkovich and Glenn Close. And the whole lot of other characters, both men and women, looked and acted in such a similar way that it took me some time to distinct them from each other.

However, the film was still very interesting to watch and all this historical Korean world was beautifully shot. The film got better at the end and when the bad guy changed it was really moving and believable. Specially the last scene with him on the beach. I also very much liked the scene between him and Madam Sook in the library.

I've seen the previous films based on Les Liaisons Dangereuses, and I have to say that this one is surely the most subtle of the bunch, with wonderfully nuanced performances from all concerned. The story is familiar, of course, to anyone acquainted with the material, but it's the way it's told here, with such profound restraint, that separates it from being merely derivative. I haven't seen that many films from Korea, but based on this one, I would definitely like to see more, particularly from director Je-yong Lee.

Can't imagine why Elvis Mitchell (in his Times review) called this a comedy (and it's even listed here at IMDb as a drama/comedy) - perhaps if you're a first-class sadist, it would come across as amusing, this tragic story of disillusionment, heartbreak and ultimate death. I wasn't laughing.

(7 - the equivalent of a high *** - see my review of AI for my IMDb number/star equivalents, unique to this site)