Untold Scandal

I'm no expert on movies, I just like I like, but do watch a wide variety of films (especially since getting my Roku box!)

I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.

I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.

I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.

--Rick in Boulder

I believe this is the best version of 'Dangerous Liaisons' yet filmed.

Going in, I expected nothing from this movie, as it had to compare with the other three versions of the story I have seen: The classic Dangerous Liaisons (Close/Malkovich/Pfeiffer), the more entertaining but less memorable Valmont (Bening/Firth/Tilly) and the worthy but inferior Cruel Intentions.

However, this Korean version was so stunningly well-produced in every way that it has to be pronounced the superior version of all. The cast was attractive and skillful, the sets and production values were so slick and artful that "perfection" is the only word that comes to mind. The story was thoroughly captivating from beginning to end, and I was moved to tears on several occasions, esp. of course towards the end.

I find that the story is becoming a classic and a favorite of mine (and I intend to move on to the original book very soon). It is about the wages of cynicism; a tragedy where the wicked are justly punished by experiencing on their own bodies and souls the effects of their ruthless actions. It shows how people's actions have consequences, and how those consequences will eventually come full circle, to slap the perpetrators in the face. It is a movie about human nature, saying that cynicism goes against our nature and can destroy us all if running unchecked. A morality tale. A good and true one. A Classic.

My rating: 9 out of 10.

(P.S. Yes, of course Jo-Won *let* that guy stab him in the back. He was killed by his own conscience.)

Moving this story from the French aristocracy to the Korean during Chosen dynasty when everyone held up a mask of decency in daytime and let it fall together with the hanbok at night was quite the trick to re-liven this story. Everything is done so well from the flow to the brilliant actresses/actors. Most notably is Lee Mi-suk as the sly older cousin/fox. The backdrop of Korean castles is quite fitting, and as they sneak around at night like teenagers we sit on the edge of the seat hoping they wouldn't get caught.

The charm of "Jeon-sama" is lost on me, but I know it wouldn't be for hordes of "women in their best age". So if you're one of those, catch it!! Must be a big hit in all of East-Asia now.

I absolutely adore the version directed by Stephen Frears (starring Malkovich and Glose) so i was very interested what Koreans had made out of it. Korean films that I have seen that far are very interesting, they have quite a different approach then Western movie makers.

I think it was a good and intense film and the historical Korean scenery added a lot. Still, I think that Frears'is film is way stronger. The only acting work that stood out stronger then Frears'is characters, was the lady who played the virtous Madam Sook (Michelle Pfeiffer's character in Frears'is version). This was an incredibly strong performance and I liked it more then Pfeffer's approach.

As to the others they slightly lacked detail and depth. Overall, the Korean protagonists were no match to John Malkovich and Glenn Close. And the whole lot of other characters, both men and women, looked and acted in such a similar way that it took me some time to distinct them from each other.

However, the film was still very interesting to watch and all this historical Korean world was beautifully shot. The film got better at the end and when the bad guy changed it was really moving and believable. Specially the last scene with him on the beach. I also very much liked the scene between him and Madam Sook in the library.

I was privileged to see "Untold Scandal" earlier this evening as a member of the Trenton Film Society. First of all, this is one of the best films of 2004, and I hope it gets a wider release in America. Why did the Korean film, "Spring, Summer, Winter, Fall...and Spring" get a significant release in the USA, but "Untold Scandal" has not? "Untold Scandal" is the far better of the two. Secondly, I felt this version of "Dangerous Liasons" was FAR superior to the American version that was made a number of years ago with Glenn Close and John Malkovich. This version was played more as a love story, more of a Shakespearean tragedy, and infinitely more heartbreaking. While all the performances are strong, the woman playing Lady Sook (the Michelle Pfeiffer role in the American version) was by far the most moving of all the performances. As someone noted earlier in their comment, I didn't see this as a comedy at all. But again, this was absolutely tremendous, and I hope it gets a wider release in America, so that more will have the opportunity to see it.