Untold Scandal

What can I say... 18th century century Korea is almost a picture perfect combo of "east meets west" with 18th century France. Many will probably judge Untold Scandal with the John Malkovich version of Dangerous Liaisons. Both versions need a little help, but "love story" was more profound and more touching in this version. Malkovich seemed like the faking unfaithful perp till the end, but in Untold Scandal you genuinely see the transformation in him from a seducer to a man desperately in love. While i didn't give a $hit about the characters in Dangerous liaisons since they are all pretty much ruthless bastards, you really care for everyone in Untold Scandal which made the ending even more depressing. Lastly, the simple and beautiful scenery of 18th century Korea is in itself breathtaking enough to see the film. I recommend both versions, you might want to see them back to back.

I'm no expert on movies, I just like I like, but do watch a wide variety of films (especially since getting my Roku box!)

I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.

I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.

I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.

--Rick in Boulder

"Revenge is sweetest when done secretly."

"Untold Scandal" is a lush adaptation of the novel "Les Liaisons Dangereuses" set in Chosun Dynasty Korea. I have not read the novel nor seen any of the other film adaptations (e.g., "Dangerous Liaisons"; "Cruel Intentions"), so my review is on the merits of the film itself rather than a comparison to other works.

Lady Cho is none too happy when her husband brings in 16-year-old So-OK to be his concubine. She is cute and virginal and of course Lady Cho can't stand it. So she turns to her cousin, Sir Cho Won, and makes a devious proposition--seduce this "innocent flower" and impregnate her. The thought of presenting her husband with a pregnant concubine makes Lady Cho's eyes sparkle. What would Cho Won get in return? What he has always wanted—to enjoy the carnal pleasures of Lady Cho.

But the idle rich are easily bored and this is hardly the test Cho Won was looking for. Seducing a naïve teenager is no challenge. A few flattering words and, well, what girl would *not* fall into bed with the dashing and charming Cho Won? He offers a counter-proposal. If he can bed the virginal Lady Chung, who belongs to a Catholic group and has made a vow of chastity, that would be a true accomplishment worthy of the reward Lady Cho offers. (Of course, being the Lothario that he is, he can't help making eyes at So-OK as well. Just a little something on the side to keep in practice.) Now the games begin. Cho Won finds it rough going, as Lady Chung wants nothing to do with him. She has heard of his reputation and she has no interest in anything but her Catholic service and charity work. She's rather a plain Jane and can't even conceive of why Cho Won would want to have anything to do with her anyway. In fact, she tells him straight out that she would rather live with the plague victims than even carry on a conversation with him. He's certainly got his work cut out for him.

Lady Cho gets a perverse pleasure out of this game of seduction and manipulation. And she's got her own devious games to play with the clueless So-OK.

The scheming escalates in intensity and nefariousness. Will Lady Chung crack? Will Lady Cho have to pay up on the bet? Will So-OK end up a pregnant bride? Will the Law of Unintended Consequences come back to bite Cho Won? The challenge for the actors is to make such characters engaging enough so that the viewer isn't completely turned off by them. Let's face it. Cho Won is a cad of the first degree, and Lady Cho is no better. Even when it appears that Cho Won is succumbing to actual feelings of affection and love, we are not sure if it is genuine or just a part of his merciless game.

Many films can offer up good villains, but they are usually played off against protagonists who have the audience's sympathy and interest. It is more of a task when the villains have to carry the film. I think "Untold Scandal" rises to the challenge admirably. The scheming cousins set about their plans with such style and panache that viewers may find themselves actually rooting for them. These are interesting characters who are surprisingly multi-dimensional (especially in the case of Cho Won).

My major issue with the film was that the ending seemed sort of slapped together. Up until then we've been treated to a very tight and contained piece, but then things start spinning all over the place. I'm not sure if this is true to the original story or if the director felt that after 2 hours he'd better just wrap things up.

If you like costume and period pieces, this is the movie for you. The look of the film is colorful and vibrant. The Hong Kong DVD version carries a Category III rating for some nudity, eroticism, and sensuality, but it is not some silly sex romp. The characters develop, and there are some surprises along the way.

I was privileged to see "Untold Scandal" earlier this evening as a member of the Trenton Film Society. First of all, this is one of the best films of 2004, and I hope it gets a wider release in America. Why did the Korean film, "Spring, Summer, Winter, Fall...and Spring" get a significant release in the USA, but "Untold Scandal" has not? "Untold Scandal" is the far better of the two. Secondly, I felt this version of "Dangerous Liasons" was FAR superior to the American version that was made a number of years ago with Glenn Close and John Malkovich. This version was played more as a love story, more of a Shakespearean tragedy, and infinitely more heartbreaking. While all the performances are strong, the woman playing Lady Sook (the Michelle Pfeiffer role in the American version) was by far the most moving of all the performances. As someone noted earlier in their comment, I didn't see this as a comedy at all. But again, this was absolutely tremendous, and I hope it gets a wider release in America, so that more will have the opportunity to see it.

This film is an interesting one. The story is adapted from the French novel Les Liaisons Dangereuses (Dangerous Liasans). It's an 18th (maybe 17th?)century French novel of intrigue and scandal and the movie is set in... 18th century Korea, during the Chosun period. If you've seen Dangerous Liasans or a modern-day adaptation, Cruel Intentions, you've basically got the plot down. Male womanizer and scheming female near relative make a bet that womanizer can't seduce a pure woman. And stuff goes crazy from there.

So I decided to watch this film because it was a massive box-office opener in Korea, beating out all of its competition at the time. A few things that I noticed: 1) I like watching Korean period films, especially those of older Korea because the costumes and set design tend to be very aesthetically pleasing. The art direction is beautiful.

2) The acting was actually quite impressive--certainly better than Cruel Intentions, which is the only other version of this film that I've seen.

3) There are a few graphic sex scenes (and many suggested ones), so if you can't handle that, don't watch the film.

4) The tragedy is tragic and the love story is surprising. The ending was quite moving and was tragic because the flaws of the characters led to their own demise and loss of the things that they love.

5) Cinematography and direction are very strong and the primary actresses are particularly strong.

In the end, this was a well rendered adaptation, so much that I'm curious as to what the original source material is like. I really like the plot lines and the story because it converges so many different themes into a tragic tale of human weakness and yet manages to paint the weak, fallible and sometimes wicked characters in such a way that you still have some sympathy for them, showing that there is something in everyone that was or is beautiful, but it can get buried under the vices of this world.

All the actors are not strong and the film suffers a little from slow pacing, but in the end, it's a very watchable film that has a lot of strengths, even if the film isn't one of the great films of all time. If you can handle the content, I recommend this film. 8/10.