IMDb RATING
6.8/10
16K
YOUR RATING
In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.In an alternate postwar timeline, Japan is divided into the Union-controlled North and the US-controlled South.
- Awards
- 1 win & 1 nomination total
Yuka Nanri
- Sayuri Sawatari
- (voice)
- (as Yuuka Nanri)
Unshô Ishizuka
- Okabe
- (voice)
Kazuhiko Inoue
- Tomizawa
- (voice)
Risa Mizuno
- Maki Kasahara
- (voice)
Hidenobu Kiuchi
- Arisaka
- (voice)
Takeshi Maeda
- Daigakuinsei
- (voice)
- …
Rie Nakagawa
- Joshi Seito
- (voice)
- …
Yûki Nakao
- Joshi Seito
- (voice)
Maki Saito
- Joshi Seito
- (voice)
- (as Maki Saitou)
- …
Kousuke Kujirai
- Danshi Seito
- (voice)
Bretto Coleman
- Beigunjin
- (voice)
Ian O'Neal
- NSA
- (voice)
Featured reviews
While a popular anime, I find that the title (The Place Promised in Our Early Days) is more interesting than the slow, plodding script. Many will find this film unmoving and uneventful.
The animation is so-so. In only one scene (a mountain background with mist) was I impressed; otherwise it's very typical. I'm honestly surprised by the number of reviews stating this is "beautiful". It's really simply not that impressive animation-wise. I guess beauty really is in the eye of the beholder.
The characters are largely undeveloped. The plot line is simple and mono-directional, without much in the way of suspense, surprise or emotional impact. There are no highs or lows, no real climax to the film, and the ending is weak.
I am a fan of anime and very much enjoy artistic anime. I don't need giant robot battles in order to enjoy a film-- and enjoy many aspects of the drama genre where story is as important as the animation itself. But this work struck me as mediocre in all aspects. I do appreciate that some may enjoy the (very)subdued romantic aspect, but I found it as undeveloped and uneventful as the rest of the work.
As would be expected I give it 5 stars. Neither impressive nor bad... just a slow-moving story, weak plot line and so-so animation.
The animation is so-so. In only one scene (a mountain background with mist) was I impressed; otherwise it's very typical. I'm honestly surprised by the number of reviews stating this is "beautiful". It's really simply not that impressive animation-wise. I guess beauty really is in the eye of the beholder.
The characters are largely undeveloped. The plot line is simple and mono-directional, without much in the way of suspense, surprise or emotional impact. There are no highs or lows, no real climax to the film, and the ending is weak.
I am a fan of anime and very much enjoy artistic anime. I don't need giant robot battles in order to enjoy a film-- and enjoy many aspects of the drama genre where story is as important as the animation itself. But this work struck me as mediocre in all aspects. I do appreciate that some may enjoy the (very)subdued romantic aspect, but I found it as undeveloped and uneventful as the rest of the work.
As would be expected I give it 5 stars. Neither impressive nor bad... just a slow-moving story, weak plot line and so-so animation.
Approaching this from the perspective of a sci-fi enthusiast, I was pleasantly surprised to discover that, despite the complexity of its theories on divergent realities and their harmonic coexistence with dreams, there was a far simpler coming-of-age story that centered on a childhood promise. The score is haunting. The visuals and animation are stunning and the characters are charmingly awkward. Although there are some action sequences and a pint of blood thrown in for measure, the film's pace is decidedly that of a romantic reflection on loneliness and bittersweet affection. In the end, the story telling is adequate, but viewers who were eager to be exposed to fantastic alternate universes will be disappointed.
Mind-bending sci-fi is a staple of Japanese animation, and many of them are complex in a way that makes them difficult to grasp immediately. This one, though, I really don't think the director has any idea how to tell a story. The film is just never coherent. Not only is its science fiction premise (which deals with alternate universes) never clear, nor its world comprehensibly established, but it's terrible at establishing characters and their relationships to each other. All of the characters are quite thin and clichéd. The artwork is nice(the animation is a bit choppy, though), and the music is pretty (but also occasionally too sappy), but this is an annoying mess of a film.
Read the title a couple of times.
It's lyrical, evocative, even elegiac, and yet could have been expressed in fewer words.
Such is this film.
Formally, it's a pure joy to behold. From sweeping countryside panoramas and old, weatherbeaten structures that somehow plumb deep-seated sparks of nostalgia, to sweetly-embellished details like a softly rattling electric fan, Shinkai creates a vibrant, human environment. The soundtrack is equally enveloping, with heart-melting violin and piano work.
Beyond this is quite a decent film, with believable characters in often hard-to-fathom situations. The boyhood friendship of the two male protagonists is very real -- but their ability to engineer, fabricate, and pilot a sophisticated aircraft at age 15 is purely the stuff of anime fantasy.
And yet, everything, no matter how incredible or convoluted, is wrapped in these Shinkai layers of lyricism and beauty. Through a very sensitive and even transcendent treatment, scene after scene is made to appear pivotal, even if it's not.
And thus we have a film that is almost cloying in its presentation -- it's not layered with pure sugar; most of the time it feels genuine, even if it's becoming self-indulgent. But indulge it does, because the director knows how to indulge gracefully.
Normally style over substance kills substance. In "Place," it gently infuses it with some sort of warm, nourishing milk.
It's lyrical, evocative, even elegiac, and yet could have been expressed in fewer words.
Such is this film.
Formally, it's a pure joy to behold. From sweeping countryside panoramas and old, weatherbeaten structures that somehow plumb deep-seated sparks of nostalgia, to sweetly-embellished details like a softly rattling electric fan, Shinkai creates a vibrant, human environment. The soundtrack is equally enveloping, with heart-melting violin and piano work.
Beyond this is quite a decent film, with believable characters in often hard-to-fathom situations. The boyhood friendship of the two male protagonists is very real -- but their ability to engineer, fabricate, and pilot a sophisticated aircraft at age 15 is purely the stuff of anime fantasy.
And yet, everything, no matter how incredible or convoluted, is wrapped in these Shinkai layers of lyricism and beauty. Through a very sensitive and even transcendent treatment, scene after scene is made to appear pivotal, even if it's not.
And thus we have a film that is almost cloying in its presentation -- it's not layered with pure sugar; most of the time it feels genuine, even if it's becoming self-indulgent. But indulge it does, because the director knows how to indulge gracefully.
Normally style over substance kills substance. In "Place," it gently infuses it with some sort of warm, nourishing milk.
I gave 4 stars just for the art and the music, but I really got bored a lot watching this, the story makes no sense, it's all so dreamy, so epic, the author wants you to deeply feel all this emotions but to me the result it's an hollow movie with hollow character. I've never fallen asleep watching something, but with this I barely succeeded to end it. I definitively suggest not to watch it, there are so many other beautiful anime to see out there. One thing I've enjoyed is the artwork, the landscapes are really intense and make you dream, but also there sometimes there is too much over production, too many light effects, it seems like a punch in the eye. And I hate when authors use science fiction in this way, by throwing here and there some gibberish theory and then making a mess with a convoluted plot, so that people at the end can say that it leave you with the freedom to interpret it, I find this technique over abused lately, and by the way I've never seen using it so badly like in this case
Did you know
- TriviaMakoto Shinkai intended to draw the background art himself but with an estimated 1000 cuts needed this would have been impossible for Shinkai to do alone and the film's animation producer, Kiyonori Hiramatsu went to Tokyo Art University to scout for artists. Adding to complications, many of the students were recruited from oil painting classes and had no experience in creating digital backgrounds and many hadn't even used PCs before.
- GoofsEnglish subtitles spell prophecies (used as a noun) as prophesies (the verb).
- Quotes
Hiroki Fujisawa: [Narrating] Living alone, the nights seemed to last forever. When I couldn't pass the time effectively, I went to a nearby train station and pretended to wait for someone.
- Crazy creditsThere's a brief shot after the credits.
- ConnectionsFeatured in WatchMojo: Top 10 Underappreciated Anime Movies (2016)
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Bên Kia Đám Mây, Nơi Ta Hẹn Ước
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $90,406
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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