The Reagans

Whoever wrote THE REAGANS clearly doesn't buy into the Reagan "mystique" that so seems to send conservatives into a paroxysm of admiration for Ronnie, his wife and their politics. That aside, this is a not a great movie. The story is well known to all (everyone from Patty Davis to Donald Regan wrote about it), the dialogue is so-so and the low-budget limitations show throughout.

But it is simply amazing to watch Judy Davis and James Brolin as the famous couple. The resemblance to the originals is so astounding sometimes you forget you're watching a drama. What's more, both actors take a thoroughly human approach to their characters, never falling into farse or exaggerations. Both deserve at least acting nominations for these roles.

James Brolin and Judy Davis should have won Emmys for their performances as President Ronald Reagan and Nancy Davis Reagan from their first meeting to the end of their two terms in the White House. Brolin reminds me of why everybody liked Reagan. He seemed easy-going and he could talk to anybody. When Michael flunks out of school, he doesn't bash or criticize him but gets him a tutor and help with Nancy. The Reagan household is a blended one. He was married to actress, Jane Wyman, who was an Oscar winner and on Falcon Crest during his years of Presidency. Sadly, we never see Jane Wyman at all. I didn't know that the younger Patti and Ron Jr. didn't know about Michael and Maureen until Michael came to stay with them. Judy Davis as Nancy Reagan is divine in this role. She really portrays her as a wife, mother, and above all else Ron's best friend and partner in life. They really were an extraordinary couple in marriage. When he actually did die, Nancy didn't want to leave his coffin. It was a heartbreaking goodbye.

In the aftermath of Reagan's passing, the entire media is hurriedly engaged in rewriting the truth about this highly-flawed but interesting man. Virtually all of his significant errors, short-comings, and failures are being sanitized, and as his canonization completes itself the myths that remains will be a sham. Every citizen who values the truth should buy this DVD now and watch it before it disappears, just like the truths it reveals are disappearing.

In this remarkably factual production we learn about Reagan the actor, capable and pleasant. We also learn that he snitched off his pals to the HUAC. We learn that during the war he made movies in Culver City for the Army, and later had trouble finding work, finally winding up as GE's spokesman for Death Valley Days on Television, a medium he always held in contempt.

We watch his disdain for the IRS grow as his income skyrockets, and how it matures into a complete repudiation of the Federal Government. And as his resentment of the Federal Government grows, we witness how the shadowy rich seduce him into becoming their tax-cutting puppet, from the Governship of California through 2 terms in the White House.

Most importantly, we learn the truth about the most dysfunctional family ever to inhabit the White House, based largely on Reagan's shocking disinterest in his own flesh and blood.

Mainly, however, we learn the truth about Nancy. Let's just say that the truth as it is revealed here eclipses everything that you though you knew about this shrewd and manipulative woman.

This film contains the truths about Reagan that the Modern Cons don't want you to know. The source-work for this film is beyond reproach, with most of it coming from the writings of Reagans children first published years ago.

Production wise, it's great. James Brolin is uncanny in his capture of the Reagan personna, and he delivers a performance that is charitable and kind. I think it's his best ever. The other performances are equally as good.

Bottom Line: The truth is out there, and this is it.

It's easy to accuse anyone who dislikes Robert Allan Ackerman's 'Looney Tune' production of "The Reagans" as a conservative biased in favor of the near-legendary President, but in all honesty, a hatchet job is a hatchet job, no matter what your political persuasion, and this film is nothing less, wrapped up in gauzy nostalgic ribbons.

From the opening scenes in late-forties Hollywood, as an already brain-dead Ronald (caricatured by a too-old-for-this-sequence James Brolin) is manipulated by a glowering, 'agenda'-driven Nancy Davis (Judy Davis, rechanneling her shrewish performance from ABSOLUTE POWER) into a date, the pair are not presented as balanced human beings, but cartooned clichés of the worst qualities their critics would accuse them of, years later (He is incapable of an original thought, she is hardly better, solely basing her opinions on 'fan' magazines, and, later, astrologers).

As the aged conservative power brokers (all pictured as rich, chain-smoking, self-serving vultures) twist the gullible half-wit Ronald into becoming their puppet, Nancy does a MOMMY DEAREST routine, callously using both their children and Ronald's by Jane Wyman to further her own ambitions (lest you feel any sympathy for the siblings, THEY are cartooned, too).

Long before the nearly nightmarish vision of Reagan's Presidential years, you are thoroughly convinced that a) Ronald and Nancy needed psychiatric help more than the Oval Office; b) the Reagan kids needed a shrink even WORSE; and c) all Republicans are either young and cynical or old and corrupt.

And how are the Democrats represented? Ah, they never appear! In a 'balanced' production, shouldn't both sides be represented? Otherwise, Reagan's personal attitudes and political beliefs cannot be rationalized...and this is just one reason why the film is really nothing more than a hatchet job.

When Reagan does something 'laudable' (like ending the 'Cold War'), it is merely a lucky accident, stumbled upon in the midst of bad decisions, between infamous 'naps', while Nancy lashes out at everyone.

I won't go on...this film is a disservice to the memories of people who, while not perfect, were certainly not idiots!

This was not a great movie, but it was absorbing and kept my attention. It bordered on campy at times. It actually could have used four episodes to tell the entire story of the Reagans, and should have covered his after White House life. His diagnosis of Alzheimers and his dramatic admission would have made for further good viewing. The story may have had a "leftward" slant at times, but overall I thought the portrait of the Reagans was sympathetic. Reagan could be cold to his children, but warmhearted toward others. He didn't like conflict and both he and Nancy were socially tolerant, having cut their teeth in show business. Reagan did have a great sense of humor which comes through and lightens the tone. Looking back, it now seems quaint that this movie was so controversial at the time.